The young screenwriter Ding Xiaoxiao repeatedly asked her to change her name because the director was dissatisfied with the character's name, and changed a cannon fodder character who only appeared once to her own name in a moment. After a while, she sadly found that she was wearing a book, and she was the cannon fodder with the same name and surname in the script. In order to relieve the crisis and save herself, Ding Xiaoxiao plans to help the protagonist through this plot according to the script. But the plot of cannon fodder ended, and she did not go out as she wished. In the following development, she unexpectedly found that every time there is a crisis, or when the plot can't go on, if she has a certain area of skin-to-skin contact with the male protagonist, there will be a solution option to help her tide over the difficulties. Jumping out of the script failed, Ding Xiaoxiao had to go through the next plot hard, but she always firmly believed that the death of the male protagonist would inevitably end in the whole play. In the process of repeatedly framing the male protagonist, but because of various oolongs, not only did not succeed, but gradually enhanced the relationship between the two. Until Qu Yong was really seriously injured, Ding Xiaoxiao covered his hand, and the option she had dreamed of before appeared in front of her, but she hesitated deeply between Qu Yong's death and immortality.