"It's a pity. ”

Qin Jian looked at the big screen and sighed, "Otherwise, it will be perfect." ”

Duan Ran on the side also said: "Indeed, but the possibility of him advancing is quite high, right?"

"Even if he didn't have this wrong sound, he should stop here," Qin Jian shook his head and looked at Duan Ran, "I guess the judges should have already seen his performance in the next round, if I guessed correctly, the judges don't want to watch his next round of performance anymore." ”

Duan Ran was puzzled: "Why, didn't you say that he would be perfect without this wrong sound?"

Qin Jian muttered: "This is a competition, not a concert, and he is not a qualified competition-type player." ”

Moment.

"In another five years, I'm afraid he won't even be able to enter the second round. “

On the big screen, Lao Duqiao bowed and stepped down under applause, his face was covered with sweat and he couldn't see his expression.

...

The applause fell, and the host came to the stage to read the information of the next contestant.

The next contestant is Ricky Dora, the number 12 from Mi Guo, who was born on September 25, 1996 in New York.

She started learning piano at the age of 5 and was quickly noticed by her surroundings. ”

At the age of 13, she was admitted to the Juilliard Conservatory as the youngest in history, where she studied under Kaplinsky.

At the age of 15, she performed Brahms's Piano Concerto No. 1 with the world-renowned conductor Angktor, causing a huge sensation in the industry. “

So far, she has won the gold medal in the junior group of the 7th New York Long Island Piano Competition, the first prize in the piano group of the 11th Carnegie Music Competition, the champion of the Fox Chamber Music Piano Competition for two consecutive years, and the champion of the first National Piano Competition of 50 States College. ”

Her repertoire includes the Ballade in A flat major in op. 47, the Rondo in the style of Mazurka in op. 5F major, the Suma Waltz in E flat major in op. 18, and the Polonaise in F sharp minor at op. 44. ”

The host left the stage, Rachel took the stage, and the audience applauded.

Today, she is still wearing that long black dress, and her figure with charming facial features is invigorating.

Qin Jian in front of the screen was very contrived, and as soon as Rui Qi'er appeared on the stage, he looked away, "You have a track that seems to coincide a bit of a coincidence." ”

"Yes, Mr. Qin. ”

Duan Ran's gaze locked on Rui Qi'er, who was already sitting on the screen, and flickered and didn't say anything more.

Teacher Qin felt a fierce aura coming from his side, and he said in his heart that this girl had finally shown a little competitiveness.

Not bad.

The piano sounded, and he looked at the screen, and for a moment said "great finger technique".

...

A great finger technique should be followed by a great tone.

The Ballade in A flat major may not be the most technically difficult of Chopin's four ballades, but it is certainly the most difficult to impress.

It depends on who the player is and whether he or she can use his or her own timbre system to make the major key full of minor colors feel like a major key.

As Schumann once said in the explanation of this work, 'The form and characteristics of this ballade are completely different from Chopin's early works, and it should be said that it is the most unique creation.' ’

Ricky doesn't add the intense drama of the set points to her playing, she only occasionally embellishes the long phrases with a gorgeous tone, and that's it.

But the music shows a strong lyricism.

Different from the national lyricism of the Russian piano, Ricky simply seems to be telling a love story.

The outro ends with a firm ending chord, clean.

Leave enough room for fantasy for the audience.

Then she began to play the next piece.

...

The rise of piano art in the United States was relatively late.

But as a victorious country in World War II, its piano rose very quickly.

After World War II, the pianos represented by Frank, Beverly, Shure, and Mascello began to show their presence on the world stage, and they were greatly appreciated around the world, and were even considered talented artists.

They established a new order of piano in the United States, and a school of piano called the modern genre was born.

This genre is extremely inclusive, and in the modern genre, you can see the shadow of the piano genre in various periods.

Under this genre, pianists in the United States are abundant in batches.

The inheritance and development of generation after generation has made the modern genre of piano have a tendency to surpass almost all piano genres.

To this day, the young pianists of the United States have their own personality labels.

They tend to focus on showing off their timbre and pursuing clear musical variations.

The modern school is more assertive than the Russian school for the aesthetic color of sound.

Ricky is one of the most distinctive modern genres of this young generation.

In the performance of the third waltz, she uses the development and variation of the melodic timbre to the extreme.

The opening and closing of the music and the pattern of the music are not large, which makes people feel as if they have stepped into a secret garden in a microcosm.

At first glance, Ricky's way of dealing with Chopin may sound a little bit of a homely style compared to the recordings of the older generation, but it is easy to bring people into it.

She seems to express with a clear attitude that 'people in different periods should present different Chopin's aesthetic tastes.' ’

I have to say that this is a very advanced way of playing.

Ivanov tried to recreate the glorious scenes of the older generation of Russian musicians on a purely traditional Russian piano, and Ducho tried to impress the audience with a romantic and affectionate expression of Chopin's feelings.

The two are essentially confined to a deductive self.

Ricky's expression is thought-provoking, and she is sending a message to the world from Chopin's point of view in her music: 'What kind of attitude should Chopin's highly subjective artistic style appear in the context of today's times?'

Her questions are in her work, always asking you in a motive bar or phrase.

...

With the start of Rich's last polonaise, there are only 10 minutes left before Duan Ran's debut.

Inside the rest room.

She was still watching Ricky rise and fall gracefully in front of the piano, and she was honestly shocked.

In the first round, she only felt that the other party was a timbre shifter, and she admitted that she was far inferior to the other party in this regard.

This round of the other party's performance is not only excellent timbre, she hears the depth of the music.

Ricky didn't look like she was in a game at all, like she was in a concert.

The playing style is elegant, and the occasional soft affection between her eyebrows makes her feel flirted as a girl.

Maybe it's because she is also a girl, and she vaguely noticed that there was a little imperceptible difficulty in the other party's affectionate performance.

But none of this matters at the moment, she just needs to be clear.

"As long as you beat your opponent in this round, you will definitely move on to the next round. “

Duan Ran said silently and firmly in his heart, while thinking back to Qin Jian's expectations in Bergen based on her.

At this moment, "You still don't take off your pants?"

She came back to her senses and looked to the side, Qin Jian crossed her waist and looked like she was ready to watch a good show.

"Do you want to help me, Teacher Qin?"

As he spoke, Duan Ran lifted up the white skirt, and under the skirt was a pair of slender skinny jeans.

This time she can't go on stage in a dress and pants.

A pair of sparkling heels sat on the ground at her feet.