"I heard that in order to make those special clips in this movie, Zhang Yimou imported 50 ** perverted-related movies from abroad through China Film, hid in a guest house near Rending Lake, and studied one after another. Qiao Feng said gossip, and admired the dedication of the fifth-generation director at this time.

"It's really fake, Zhang Yimou's image, I really didn't see it, and I still have this hobby." Li Zhi's mouth opened wide in surprise.

Gong Li glanced at him amusedly: "What do you think, it's for filming, it's not as dirty as you think."

"Hey, enough of you, what do you say in front of the child?" Lin Qingxia kicked Qiao Feng angrily, and then motioned for the three of them to look at his son Qiao Zhen, who was confused and couldn't understand with his ears pricked up.

"This little thing is just as lustful as his father, and he is interested in these things at such a young age." Li Zhi giggled and pinched Qiao Zhen's fleshy face.

Qiao Zhen, who was pinched in the face, was not confused for a while, and was touched by a beautiful aunt, and opened his mouth happily and giggled.

"Look at this guy, he's more beautiful than his dad." Gong Li also teasingly pinched Qiao Zhen's face, and then the little guy was even more happy, and his saliva was dripping.

It's a little kid, if it's an adult, it's really a pig brother.

Lin Qingxia couldn't stand the stupidity of her baby son, so she slapped off Lizhi and Gong Li's good-looking little paws, and took her son to the side to educate.

Seeing that the silly boy was carried away by his own mother, Li Zhi could only reluctantly retract his good-looking paws, and then asked curiously: "Ju Dou provided most of the funds by himself, and the screenwriter of the script also participated in the writing, don't you hate Yue himself the most, why do you still let her play it."

The party Gong Li also looked at Qiao Feng curiously, she also wanted to know this question.

"Zhang Yimou's personal style is too strong, he will not make the movie into a movie with the style of Yue because the majority of the management is himself, and the screenwriter of the book participated in the writing of the script. Qiao Feng explained.

Zhang Yimou is different from Chen Datou, Chen Datou can make the cat demon pass on the style of the book, because the story of Chen Datou is written by himself, and the script is also written by himself, the key is that Chen Datou likes the culture of the book, and even the dog day still thinks that the legacy of the Han and Tang dynasties is not in China, but inherited by the book, and even the culture of the priest is now only the book.

Therefore, the cat demon is a little devil's little family spirit, and that kind of gloomy atmosphere is what this horror movie is best at.

This guy, starting from the yellow earth to the overlord Farewell My Concubine, is considered to be the peak all the way, and then it began to go downhill, and it was not as good as a year.

Zhang Yimou will never be able to shoot this kind of film, even if he shoots three shots, it is because he wants to take the path of a pure commercial film.

Lao Mouzi, who is used to making serious movies, wants to make a wave, so he made a comedy with a strong atmosphere of two people, and the noisy one was released in the Spring Festival, and Lao Mouzi also said that he just wanted to try a different style.

So this film can be regarded as a whim joke of the national teacher, and it will earn the box office, and the original intention will be achieved.

And the national teacher who remade literary films is still a very national teacher.

Lao Mouzi's literary films have never been separated from the grassroots, and his lifelong literature and art have taken root in the grassroots and folk customs.

Lao Mouzi likes to shoot ordinary people, he likes to shoot ordinary people, he doesn't like to shoot anything tall like Chen Datou, except for commercial films, Lao Mouzi, all movies are made from the grassroots.

In his early days, Zhang Yimou was known for directing literary films full of traditional Chinese culture.

The outstanding characteristics of his works are the deep understanding of the traditional feudal consciousness and the strong critical spirit, the strong sense of history and life consciousness contained in it, the peculiar landscape of ancient folk customs, and the eulogy and praise of the spirit of women's resistance.

Rooted in the grassroots, how can the rich style of Lao Mouzi be influenced by Japanese capital and screenwriters.

Lao Mouzi can only be influenced for political reasons, such as Ju Dou will be banned when it is filmed.

Qiao Feng knows more, such as the red sorghum won the grand prize, Lao Mouzi reached a height that he had never reached, and radio and television also held a celebration banquet.

But after only three months of holding up his chest, the direction of the wind changed. Negative comments in the newspaper gradually fermented, saying that the folk customs and folk customs of the old era he showed in the movie were "scandalizing the Chinese people" and even "insulting Hua". In addition, those audiences who like this film imitate the drunken appearance of the sedan chair drivers in the film after walking out of the theater, humming a "unbearable" tune, which also adds instability to society.

Then Lao Mouzi was sad and fell from the mountain to the bottom.

Qiao Feng knew that this gloomy mood would have a profound impact on Ju Dou's movie.

As a top photographer, Lao Mouzi's selection of scenes is quite discerning and quite folklore, and the things he shoots are absolutely Chinese, and he will definitely not be like Chen Datou, who makes some indiscriminate devil-style costumes.

Lao Mouzi's film style will definitely make people feel too Chinese and not not Chinese.

The quaint southern house, the deep and simple Hui house, gives people a feeling of suffocation and depression.

The colored dyed cloth, the old ancestral hall with yellow and red couplets, the dye shop filled with water vapor, everything is a suppressed feudal old atmosphere.

If such a style can still be influenced by the little devil to shoot the devil flavor, then it will be hell.

Compared with "Red Sorghum", "Ju Dou" seems to have grown into a depressed middle-aged man, and the free-spirited eighteen-mile slope has become a closed and gray dyeing workshop. The temperament of the film is like Tianqing's deteriorating xing ability, and he is bored there with more than enough strength and no strength, so he can only change the ending to Ju Dou and set fire to the dyeing workshop to vent Dong Cunrui's pride.

"Zhang Yimou's movies are the best at talking about women, he can always find a little gap in women, from which to get closer to the grasp of the whole society.

Zhang Yimou's movies can make foreigners pay more attention to Gong Li's acting skills, and they can brush up, in the final analysis, this is the reason why Qiao Feng is willing to let Gong Li shoot Judou.