464. in the first place
Then again. β
There were only the two of them in the car, and Miwa-chan couldn't stay idle, so she asked Shinichi Iwahashi, "We appeared in the Red and White Song Club as a red group, right?"
This was known long ago when the band was told that they were going to play.
However, Iwahashi Shinichi was not annoyed and patiently replied to her, "That's right. β
As a result, Miwa-chan asked a question, "The rules of the Red and White Song Club, female singers are assigned to the red group, and male singers are assigned to the red group." Our band had two men and one woman, but they were placed in the red group. β
Speaking of this, she imagined in her heart the picture of Masato Nakamura and the giraffe man mixing in the female singer team on the day of the Red and White Song Party, and she laughed first.
As a guardian, the little fox can guess what she is thinking with a movement of her tail.
Shin Iwahashi knew it and didn't demolish her - it was really a group of beautiful singers dressed up in a group of beautiful singers who had no emotion and a smiling bear mixed in, and the picture he thought was strange and interesting when he thought about it.
"Because the lead singer of the band is a girl. β
It can't be debunked, since that's the case, you can only answer the question well.
Because the absolute core of the band is Miwa-chan, during the performance, if he and Brother Nakamura are delayed because of something, they can ask a substitute musician to come over and help with the performance, but if Miwa-chan can't go because of something, then he has to hang up the exemption card.
When a mixed group is divided into groups, it is not about counting the heads, but about who is the core person.
As a band, no matter how important the other members play, for the general public, their eyes are still on Miwa-chan, and Miwa-chan is the band's signature.
The sign is a girl, and it is natural to be assigned to the red group. The reverse is also true. If the lead singer is Shinichi Iwahashi, and Miwa-chan helps play the keyboard next to him, then the band will be assigned to the white group.
"But what kind of song should I make?" Miwa-chan laughed and began to worry.
Shinichi Iwahashi comforted her, "Let's go back and listen to the stock song first." This time it's different from last time, and we have more tunes to choose from. β
Not only is there a lot of songs in stock, but because Miwa-chan has been able to write lyrics for Brother Nakamura's songs, the range of choices has also widened.
"Don't sing 'So happy!' so happy!," Miwa-chan was a little angry, "but none of these elements wanted to be given to him." β
What that "he" meant, you can understand as soon as you hear it.
Only Shinichi Iwahashi was in the car with her, and Mei and Chan had no scruples about talking. And hearing her words, Shinichi Iwahashi could only laugh.
Laugh and laugh, and don't forget the business, "In short, let's set the theme of the new album first." β
"What kind of album are you going to make?" asked Miwa-chan.
"It's about the 'future', with a bit of a 'futuristic feel'. "Iwahashi Shinichi has a bit of a spectrum in his heart.
Although the self-suppression order has taken down the suspicion of celebration and curse death, the current situation is clear, and the locust is not far from braiding.
When this album was released, it was still "Showa", but there is a high probability that it will move from Showa to the New Year's name.
Although it can't be put on the table, it is an album born from the alternation of the old and the new.
And the futuristic sense that Iwahashi Shinichi mentioned is not to make any major innovations in musicality, and to transform into new music before it becomes completely popular, but the overall atmosphere of the album must have that sense of expansiveness towards the future.
As night falls, the main road is full of traffic.
Miwa-chan looked at the lights on in front of her and listened to Shinichi Iwahashi say "futuristic", but there was a little nonsensical that reminded me of that song.
"My willfulness has always only bothered you. β
"But the reason why I did it was precisely because I wanted to go on with you. β
When Iwahashi Shinichi heard these two of her cappellas, for some reason, he wanted to laugh. This is the first of the three "Future Visions" that Miwa-chan once asked him to make.
In this song, a couple paints a picture of the future in their hearts: "I am beside you with your hand".
The reason why he thinks it's funny is that he wants to laugh at the fact that when he mentions the "sense of the future", Miwa-chan thinks of the "future vision", which is somewhat simple and rude.
Miwa-chan sang a few words, and suddenly changed the tune and lyrics again. It was as if he had entered his own world again without saying hello, and he sang happily.
"No matter how many years have passed, this mood will not change. β
"Because I've been living with you, I've been drawing a picture of the future in my heartβ"
The more she sang, the more she felt in a good mood and satisfied, "Look, it's slowly coming true as I imagined." β
This one is the second song "Future Vision".
In the last song, the little couple who rode a small motorcycle and touched the helmet five times to express "γγγγ¦γ (aunt washing the railway)" has realized the future vision picture of me beside you.
In this song, they are still together. It's just that the two people who used to ride a small motorcycle and touch the helmet as a love signal now have a car, and the way to express their love has also changed from touching the helmet five times to stepping on the brake light five times.
However, "love has not changed despite the change in the ways".
Miwa-chan sings when she's in a good mood, and Iwahashi Shinichi knows this clearly. So, let her go, and after singing the second song, she sang the third song "Future Vision".
After the third song was also sung, Miwa-chan stopped singing, turned her head, and looked at Shinichi Iwahashi.
Shinichi Iwahashi sensed that she was looking at herself. The signal light in front of him changed, and he slowly applied the brakes, then turned his head to face her.
Miwa-chan grinned, "This is a song related to 'Future', right?"
Shinichi Iwahashi also smiled, "It's really about the future." β...... Whether it's the title or the content.
Hearing him say this, Miwa-chan seemed to have made a meritorious service, and proposed to him: "Since it is related to the 'future', why should it be included in the album?" β
Iwahashi Shinichi didn't answer immediately, "After that, I went to the recording studio and proposed to Masato-san to listen to his opinion." β
The two of them sat in a car and then privately decided what songs they wanted to include on the album, which was still not appropriate. Especially as a trio, no one can be left out.
Miwa-chan didn't understand this, and as soon as Iwahashi said it, she stopped there.
......
The car was parked in the parking lot near the recording studio.
"Let's go. Shinichi Iwahashi called her.
Miwa-chan looked at him, thought about something, and reached out to him.
"Huh?" Iwahashi's gaze fell on the hand, and then at Miwa-chan.
The little fox's tail seemed to show a little more to him. Iwahashi thought about it for a moment, reached out his left hand, and grabbed her outstretched right hand.
Miwa-chan immediately smiled, grabbed his hand and shook it with great vigour.
"In this way, we will definitely come up with the right tune. She grabbed Shinichi Iwahashi's hand and held on, "Just like when I went to the band Heaven." β
In this way, listening to the ears of Iwahashi Shinichi, it has a special taste.
Although he looks heartless, but, after Miwa-chan heard about it, she undoubtedly secretly asked for help from her "God of Inspiration".
Despite her "god of inspiration", there was no feedback to her what she wanted.
"Yes, because we are 'DREAMS COME TRUE', so all the wishes we make will come true. Iwahashi Shinichi quietly comforted her.
"Let's go, let's go to the studio first. He said.
Shinichi Iwahashi didn't withdraw the hand that was grabbed by Miwa-chan, and Miwa-chan didn't let go, but clung to it tightly.
The two of them were like elementary school students on a hiking outing, holding hands and walking to the recording studio together. Miwa-chan pulls him, dangling childishly, and humming a weird-looking melody that may be a temporary whim.
It wasn't until she came to the recording studio that Miwa-chan stopped, looked at Shinichi Iwahashi with a smile, and then let go of her hand.
"Go and discuss the matter of "Future Vision" with Masato-san!" Miwa-chan finished speaking, and rushed into the recording studio first.
Iwahashi Shinichi looked at her energetic back, and had no choice but to follow her rhythm and be carried around by her.
......
"Three "Future Visions"?"
Masato Nakamura listened to Perfect Kazu-chan's words and recalled. Iwahashi Shinichi knew what to expect, and with him, he looked through the scores and audition tapes of the three songs.
None of the three songs have yet to be arranged, only a cappella audition tape. The two of them find what they're looking for, and Miwa-chan brings the VCR and stuffs the tape inside.
After listening to the three cappella tapes, the three of them sat around the table and expressed their opinions.
"It's not impossible to include "Future Visionary Map". Masato Nakamura said.
He knew that on the way here, these two people must have communicated about this matter, so he didn't push it back now and took the lead in expressing his position.
"However, you can't always include three songs at once. He said, "Just pick one of them and include it." β
Miwa-chan reminded them, "The three songs are in order." β
In order, it is just right to include the first song "Future Vision".
But...... Masato Nakamura was about to say something, but Shinichi Iwahashi followed up and spoke, "However, considering the expansiveness of the album and the current era background, the first song is not quite appropriate. β
"I thought so too. Masato Nakamura said.
Miwa-chan pursed her lips and didn't immediately reply. However, this is not a precursor to a tantrum, but she is waiting for these two teammates to explain to her in detail why the first song is not appropriate.
"It's about the audience of the album. β
Shinichi Iwahashi explained to her, "The first poem, 'Future Vision', depicts the events of the student days, and according to the age of our audience, the student days are undoubtedly the 'past' that has already happened, so this future projection is a bit unrealistic. β
The audience of their band, for now, is still concentrated in young office workers. The innocence of the helmet touching five times in the song, for young office workers, it is not "Future Vision", but "Past Memories Map".
"That's right. Miwa-chan agrees.
When she wrote these three poems, she was a high school student. For her, among the three songs, the last two are the real "future vision", and the first song is not so much from her imagination at that time.
If one doesn't work, that's two.
However, before that, Iwahashi Shinichi pointed out that "it is not appropriate to publish the third song, "Future Visionary Map, now." ...... The 'future' depicted in the lyrics is too far away. β
If the first song is a young couple, and the second song is an intimate couple, then the third song is almost an old husband and wife.
Let young office workers listen to old husband and wife-style songs, I am afraid that it will attract their complaints. In contrast, "Future Visionary II" is no more, no less, just right.
Compared with students, office workers can spend more money to support the album.
Compared with the old husband and wife, the intimate couple who have a tacit understanding and still retain some freshness, this kind of relationship is more pleasing to young office workers.
In addition, the futuristic feeling expressed in "Future Visions II" is also very clever.
It is said to be the future, but it is also the present. It is said to be the present, but at the same time, it also has an imagination of the future.
"Future Forecast II" is not only clever in terms of lyrics, but also the best of the three. This song is smooth at first sound, but it slowly advances, and then pushes to the top, full of layering, very durable, both the lyrics and songs are just right, and it perfectly embodies the genius of Miwa-chan.
Being able to make such lyrics and songs when I was in high school is definitely a typical example of God's appreciation of food.
"Then include Future Visions II?"
The three of them exchanged glances with each other, and took out the tape with number 2 written on it separately.
"One song determines ......"
At this time, Miwa-chan seemed to have a whim, and suddenly asked, "How about singing this song at the Red and White Song Party?"
Sing this?
Shinichi Iwahashi didn't answer immediately, and Masato Nakamura looked at Shinichi Iwahashi and didn't speak.
Since Miwa-chan has made such a proposal now, it means that this is an idea that has not been communicated with Shinichi Iwahashi. Since this is the case, Masato Nakamura respects the authority of Shinichi Iwahashi as a producer and waits for Shinichi Iwahashi to speak first.
These three "Future Prospects", according to Iwahashi Shin'ichi, love them equally. However, if you choose one song all together, there is no doubt that this second one is the best.
However, "Future Forecast II", which is highly rated in his heart, is such a song, and if it is put in the Red and White Song Club, the matter will be another matter.
It is necessary to make use of the five minutes of the Red and White Song Meeting to grab the ears of the audience, arouse the emotions of the audience, and then promote the propaganda into a new link.
This time, what I want to sing at the Red and White Song Party should be such a song.
However, can this song "Future Forecast II" take on such a great responsibility?
Iwahashi thought for a moment, came back to his senses, and when he looked up, Miwa-chan was looking at him.