() As the host's voice fell, the neat voice of the audience sounded.

Two straight young men entered the center of the stage from the backstage and bowed slightly towards the audience.

The applause from the audience was even worse.

Under the golden lamp, the player standing on the left wearing gold-rimmed glasses has a warm smile on his face, and the player on the right has a nonchalant expression.

Two people who are completely different from each other are combined together at this time, giving people an inexplicable sense of expectation.

And those who have paid more attention to the whole preliminary stage know better that the strength of this pair is not to be strong.

One of them was on par with Singapore's top seed in the Junior D showdown, while the other was even more daring to choose an atonal piece with a 19th-century Schoenberg Divine Comedy "6 Piano Pieces Op.19".

"I watched Chi Heng's game video, and the music is very designed. ”

Looking at the two people who were already in place in front of the piano, Qin Jian was a little expectant, "Brahms's works haven't been practiced yet." ”

"Neither did I. ”

As the hall fell completely silent, Chi Heng moved first.

I saw him push with both hands, and the low-pitched melodic theme came out of the piano castanets in an instant.

At the moment when everyone's attention was drawn to the rhythm of freedom, Fang Zongyao's originally silent hands were also raised high.

The next second.

A crisp string of treble ornaments, with a certain improvisation, slides down from high to low and falls to the very center of the bass.

In an instant, the tragic and magnificent beautiful melody resounded through the hall.

Although Brahms is unpretentious, as presented in the first theme of his world-famous Hungarian dance No. 1, there is only a well-proportioned and flat dotted rhythm.

But this melody is full of soft lyricism and this faint melancholy, which touches the mood of every pair of ears.

When Fang Zongyao took over the second theme, the rhythm jumped suddenly.

This is the first time Qin Jian has seen Fang Zongyao show his performance emotions so much on stage.

On the stage, Fang Zongyao, who was sitting close to the audience, had the fast passage style of the Hungarian Chaldash dance music in the second theme of the music, and his arms were swinging freely and quickly.

On the big screen, his expression is full of fierce resistance, and as his fingers move quickly and slowly, the improvisational nature of gypsy music is unmistakable.

The cheerful rhythm and passionate musical theme have been running through the atmosphere of the entire hall, and many audience members have involuntarily nodded their heads along with it.

On the judges' bench, Fu Hua's beard couldn't help but, obviously satisfied with the performance of his two students.

The music finally came to an end in a warm and cheerful atmosphere.

Applause rang out, the two people in front of the piano nodded at each other, Chi Heng took the lead in standing up, walked around the piano bench and walked towards the audience, and at the same time made a gesture of invitation to Fang Zongyao, and then applauded.

The close-up of the lens on the big screen was also given to Fang Zongyao again.

Indeed, as the lead performer of the whole piece, it was his passionate performance that finally pushed the atmosphere of the scene and the stage forward.

Fang Zongyao also got up and came to the center of the stage, stopped at Chi Heng's side and a position behind him, and slowly bent down.

......

With the first small ** on the field brought by the two, the atmosphere in the whole hall was much soothed in the next game session.

The subsequent groups of players also competed to stage various scenes.

In this process, Qin Jian also carefully paid attention to the performance habits of players from different countries, including even the body movements at the beginning and end of sentences.

Observation is also a learning process.

Especially in this kind of arena, every group of players who can take the stage has merit.

.......

"The next group of contestants, Natsuki Aso and Shuichi Sato, from Yumoto, played Mozart's Double Piano Concerto K381, designated as yah. ”

Applause rang out again.

A man and a woman appeared on the stage, the boy was chubby and looked honest, while the girl looked much more pleasing to the eye, under the lilac long skirt dress, a long black hair stood up behind him, and a silver hairband was tied at the end of the hair, dignified and generous.

Qin Jian is still deeply impressed by the name Natsuki Aso, the first person in the youth group audition, and it is also the scene of the biggest car accident on the first day of the competition.

"Is it pretty?"

Duan Ran's voice suddenly came from the side.

Hearing this, Qin Jian asked rhetorically without showing an expression, "Do you know Airi Kijima?"

"I don't know. Duan Ran shook his head.

"They're very similar. ”

Qin Jian's voice just fell.

In the Golden Hall, Mozart sounded.

Mozart's music is like this, no matter what stage it is played on, it will give people a high-style audio-visual feeling.

It is like being in a seventeenth-eighteenth-century church palace, in the neatly aligned structural decoration, feeling the balanced and delicate rhythm.

on stage.

Natsuki Aso plays the soprano part, judging from her good playing posture, she has very good musical literacy, and as his partner Chubby, she flicks her fingers and shakes her hair happily.

Whenever the music was emotionally excited, the flesh on the sides of his cheeks would shake.

As soon as the music enters the melody of the bass part, the treble voice immediately gives up the volume, and when the treble voice is ready to take over, the bass voice will gradually change the volume from strong to weak with the unique vibration of the bass at the first time.

In this process, the theme is alternated, and the treble voice has a feeling of slowly appearing.

The musical atmosphere is very well placed.

This little fat man has something.

"It's very well coordinated, especially in the bass part. ”

For Mozart's piano works, perhaps it has something to do with Amadeus's last wishes, and Qin Jian can always feel some small things in the process of listening.

But Duan Ran shook his head and expressed a different opinion on this, "The bass part has been surrounding the treble part, and his own melody part is also like paving the way for the treble part, haven't you noticed that there has always been a sense of discontinuity in the music?"

Qin Jian frowned, "I don't think so, I think it's very good, your so-called fault line sounds very clear to me." ”

Duan Ran pursed his lips, "Okay, it's good if you think it's good." ”

"It's good for me to think it's good, everyone has their own perspective and opinion. Qin Jian emphasized his thoughts again.

Duan Ran's expression was slightly unnatural when he heard this, and he opened his mouth and didn't say anything for a while, for a moment, "You're right." ”

The two were not talking.

About two minutes passed.

Duan Ran suddenly got up with a cloth bag and walked out, Qin Jian saw this, and hurriedly turned sideways and lowered his voice and asked, "Why are you going, it's coming to us soon!"

"Touch-ups. ”

Duan Ran turned around and said softly something that didn't hurt or itch, and then turned around and walked away.

“....?”