Until next time......"

As if issuing the usual code, Akina Nakamori said to him.

It's the same sentence again.

Shinichi Iwahashi thought it was amazing, and the first two times he said goodbye, Akina Nakamori said this. Before, he just casually agreed, just as a farewell word, without going into detail, but this time, he probably understood the meaning of what she said.

Thinking of this, he promised as if in response to her code, "Okay, see you next time." ”

The two looked at each other and smiled, quietly exchanging secrets and agreements in places unknown to Nakata's sound engineer. Then, Shinichi Iwahashi left the studio.

This time, the two still did not exchange contact information, although they left an agreement of "see you next time", but they did not agree on the time and place of the next meeting.

But whether it's Shinichi Iwahashi or Akina Nakamori, I'm afraid it's intentional in my heart. In this way, the next goodbye without a specific agreement has probably become a tacit understanding.

There is no particular desire to meet, there is no need to be bound by an agreement, there is a little hazy distance, and at the same time there is an expectation of this kind of encounter, and there is a strange mystery of not knowing what will happen next.

If this is a risk, I am afraid it can be considered an adventure.

......

Shinichi Iwahashi had just left on the front foot, and on the back foot, Akina Nakamori's agent, Omoto, walked in.

"Just now outside, I met the staff member I've met a few times before, the one I've talked to you a few times. Big Ben casually asked, "Looks like you came out of our studio?"

"Hmm. Akina Nakamori nodded slightly, reluctant to talk too much about Iwahashi Shinichi with others.

On the contrary, it was Nakata's recording engineer who said without hesitation: "It's Iwahashi-san." ”

"Surname Iwahashi?" Big Ben looked dazed.

Nakata said to himself, "Despite his young age, he is not just a 'staff member', he is a real music producer, and he is now producing new people for our company. ”

Shinichi Iwahashi's analysis of the song "Hard to Break the Boat" just now convinced Nakata that he had a bright future, had a good impression of him, and was willing to say good things for him.

"Producer?" Big Ben felt surprised again, and felt dizzy, "I met it at the TV station before, and I thought it was someone from the TV station...... So young. ”

Seeing the shocked expression on his agent's face, Akina Nakamori felt very happy for some reason and showed a hearty smile.

No one knows how many surprises this Iwahashi-san will bring to others...... Even she didn't know about it.

......

Shinichi Iwahashi said goodbye to Akina Nakamori and Nakata, left Warner Pioneer's studio, and returned to his old nest in Yoyogi.

Compared to Warner Pioneer Studio, Yoyogi's studio is a bit shabby. However, that kind of comfort in one's own turf cannot be experienced on the Warner Pioneer side.

Partnered with TV Asahi's program to set up a line for Shinichi Iwahashi over there. While discussing program cooperation, he also took the opportunity to have a good relationship with the people in the production department, and Mao recommended himself to win a job as a noon TV drama soundtrack.

For TV stations, the work of soundtracks, unless it is the kind of prime-time annual big production, is more like to cooperate with small companies than with famous artists, because the price is cheap, and the focus is on low price.

As long as the atmosphere is in place, the audience will not care who wrote the soundtrack of the show they are watching now.

Small things depend on hard work, and big things depend on chance.

In the huge city of Tokyo, where there are not 1,000 but 500 music production companies, no one will notice that he is a company that has nothing and then let the stumbling block strangle him in the cradle - so just do it.

After the list was followed, it was handed over to Masato Nakamura.

Before mixing with him, Masato Nakamura was not only a support musician, but also an important source of income was making soundtracks. It's just that I used to take orders from other companies, but now I can take orders through GENZO.

Basically, after the list is followed, Masato Nakamura tries to write a few items, and then calls Shinichi Iwahashi to review it with him, and when he thinks it's appropriate, he sends the sample to the TV Production Bureau, and after passing the customs, he starts the official production.

The meaning of this kind of list is not only for the sake of just the meal, but also for the accumulation of oneself before the start of the program that is about whether the salted fish can turn over.

The progress is a little rushed.,There's still something going on during the day.,For a few days.,Iwahashi Shinichi and Nakamura Masato were working overtime in Yoyogi's recording studio.,It's already four o'clock in the morning when it ends.,The end of summer comes early.,The sky has begun to turn blue.。

Masato Nakamura was in charge of finishing the work and sorting out the score, and Shinichi Iwahashi went out to the convenience store to buy something to fill his stomach, and by the way, he enjoyed the scenery of Tokyo at 4 o'clock in the morning.

I've never even seen the scenery of Tokyo at four o'clock in the morning, so how can I be a superstar.

Masato Nakamura has a second-hand Suzuki car that he bought for 100,000 yen, and he goes home to catch up on sleep after eating.

Iwahashi Shinichi made an appointment with Warner Pioneer and was going to record Chisato Moritaka early in the morning, and he was too lazy to hitchhike home, so he took a break in the recording studio.

After sleeping for less than four hours, the alarm clock went off, and I simply freshened up, then changed places, and then went from Yoyogi to Shimbashi. Running between the two places, it was early in the morning, and he had to squeeze the sardine canned car with the office workers, so that his air pressure didn't look too high.

......

Not only is the air pressure of Shinichi Iwahashi not too high, but the air pressure of Chisato Moritaka, who came to the recording studio early in the morning accompanied by his manager, is not high.

It's obviously a sunny day, but it's like having a rainy day blues.

Early in the morning, the agent went to pick her up, and on the way here, Sentaka Chisato looked a little sullen. The agent saw it in his eyes, and he didn't break it, and he looked like she was troubled.

The source of Chisato Moritaka's troubles comes from the transformation plan proposed by Shinichi Iwahashi that her previous agent conveyed to her.

For this new packaging method proposed by Iwahashi Shinichi, Moritaka Chisato was quite repulsed in his heart, and he protested to his agent on the spot, "Can I do that otherwise?"

The broker's answer was unquestionable, "No." Try it this way first, and in the current situation, you can't change it. ”

Chisato Moritaka, who is only eighteen years old, certainly has her stubborn and rebellious side in her heart. But what's bad is that she is still young, and she still doesn't know where the limit of resistance is in the face of the company's "adults".

Therefore, after being rejected undoubtedly, her momentum dwarfed first.

Protests are ineffective and can only be accepted.

There are all kinds of agents, and Sensato Moritaka's agent is obviously the kind of person who pretends not to know anything else as long as she conveys what needs to be conveyed and asks her to accept it.