What to say about the segmentation of the market, what to say about the existence of a corresponding market consumption space, and what to say that the audience can rationally choose the right film products for consumption, do you know that the state will never allow it.

You just have demand, there is room for consumption, and you are rational, but the state resolutely does not allow things, but you especially want to make a classification, and then segment the market, and then let such an impermissible thing appear in a grand manner, do you want to fight against the government?

This Nima, under the domestic atmosphere, ordinary audiences are not willing to do well.

What does it mean to be rated a movie?

As long as you are not stupid, it is clear that it does not mean that the masses can choose the taste of their movies more accurately, but that R-rated films and san-rated films are expressly allowed to shoot and disseminate, and are supported by national authority.

You can go home and ask your parents, they don't support R-rated films and san-rated films appearing in the market in a high-sounding manner, they can imagine their attitude.

This is why film classification cannot be implemented in China, and why China's literary and artistic policy has always been conservative. You can blame policymakers and implementers, but can you blame your own parents?

Obviously can't, and then work backwards, your parents don't allow it, don't support it, then what's wrong with the state banning.

In particular, it is ridiculous to say that the content of the SE is only one of the factors that affect the rating of the film, don't the people who say this know that the SE is the most stringent part of domestic censorship besides politics?

What do you see in a domestic film that allows you to show more than two or three seconds, even if you are lucky not to be cut.

Some people say that people who don't approve of movie classification are conservative, saying that these people are afraid that once they are classified, everyone will go to make san-rated films, and all audiences will go to see san-rated films, and then there will only be san-rated films in movie theaters, which is pure nonsense, who would worry about this?

Is there any need to worry about this? No, no.

The purpose of film classification is to "let the right people have access to the right content", and the attitude of our government towards elements such as sexuality, violence, and blood, especially se, is not "not to let teenagers come into contact with it", but "to completely ban it, not to let everyone contact it", this is not only a movie, but also television, newspapers and magazines, any cultural things, is the whole country's identity with this point. Therefore, no one is worried about how many people will go to see the SAN class, but this itself is not allowed and illegal. Even if there is only one person in the whole country, it is not allowed to go to see it.

Therefore, if you can't relax this point, it's nonsense to say anything about movie classification.

Some people say that you can't use cultural background and so on as an excuse for movie classification, but in fact, it is not, because this is the truth.

This is actually like beating your own children in the country, even in public, no one cares, let alone call the police. However, in Europe and the United States, there are basically people who call the police, and then the police will arrest people.

It's like, in American movies, children are absolutely not allowed to hold guns, let alone shoot, even animals are strictly protected, if you kill a dog in the movie, the whole American society can shake because of this dog.

But in China, these are all fart. Not only the country, but also ourselves don't think it's a big deal. After the 80s and 90s, who has not seen the little soldier Zhang Ga, fantasizing that he is like Gazi with a gun to fight the little devils, in so many movies a year, there are no dozens or hundreds of children participating in fighting devils and fighting wars.

In movies and television, dog meat is eaten, chickens are killed, and crocodiles are even killed, who has seen these things seriously.

This is the difference in cultural background, system, and national conditions.

What we are accustomed to may be earth-shattering in foreign countries, and then what they are accustomed to may be earth-shattering for us, how can this be compared?

stunned to use their beautiful father's things to talk nonsense about the domestic system, pointing fingers, it's all idle nonsense. They shouldn't make irresponsible remarks about the domestic system, but should go directly to their beautiful father.

Compared with the mainland, Hong Kong's environment is much more relaxed, at least no matter the se, violence, or blood, there have been many films such as se, violence, and gore, and even the scale is very large.

Among them, the Hong Kong Strange Case series produced by Shaw Brothers back then can be said to be a great fusion of se, violence, blood, and horror, and the quality of the fusion is very high.

In the early years, there were a number of horrific murders in Hong Kong, which attracted public attention, and "Hong Kong Strange Case II: Homicide" adapted four stories from real people: "Ghost Head", "Sister", "Lincun Bloody Case", and the sensational "Carton Hidden Corpse".

The director is Gui Zhihong, who once made a film in which Hui Tianci fell and injured his spine and was almost disabled and unable to film.

and Cheng Xiaodong's father Cheng Gang's "Skynet" and "Hiding the Corpse at the Bottom of the Stove", which are also very high-level films in this series, which were box office hits and made Shaw Brothers make a lot of money.

In 1977, the Hong Kong entertainment industry broke out a scandal that shocked Hong Kong and even Southeast Asia, and many stars were summoned by the police on suspicion of selling chun, and the "Silver Rooster Case" became a hot news sensation in Hong Kong.

However, in Qiao Feng's view, the most violent director in Hong Kong and the director who challenges the limits of human capacity has to be Mou Dunfu.

When the director took the lead in filming "Fighting Snakes" in 1980, he needed the "human snakes" in the film to be naked, but because he couldn't find so many "Linji" for a while, he found a group of real snakes to film, he not only asked the human snakes to be exposed at three o'clock, but even asked them to return to the scene to shoot the smuggling scene, but although the real snakes knew that they were acting, they were still scared, and it is said that some women and snakes were afraid of being caught by the real police during filming and cried in fright!

But then he almost met a real policeman.

When "Fighting Snakes" filmed the scene of the police catching human snakes on the beach, Mu Dunfu led the team to start filming without saying hello, making the surrounding noisy, and once alarmed the real police patrolling nearby, and thought that there were smugglers entering the country, and wanted to help "catch people" Those human snakes were also scared to almost swim and escape because they saw the real police. Therefore, due to Mu Dunfu's "lawlessness", it almost makes people die for a lifetime!

"Snake Fighting" was indeed hysterical, Mou Dunfu wantonly concocted a violent gimmick of sexuality, and tortured those people and snakes to the point of being miserable and inhumane!

The various abuse scenes in the film are absolutely staggering, qiangjian, lunjian, forced to watch reproduction***, and even chicken**, a man snake was tied up and dragged to the "snake head" room to be raped, which is an out-and-out pervert!

In addition to the humiliation, Mu Dunfu also filmed the scene of "selling piglets", so that a group of women and snakes stood naked in a row for the traffickers to "inspect the goods", and even the scene of the big-bellied woman snake and the traffickers was "bigger" than the traffickers, which was an insult to human nature! Of course, the most cruel and inhumane scene was the scene of the human snake being "washed" by the snake beater's water cannon, and the trampling on the dignity of the human snake reached an outrageous level!

When Mu Dunfu filmed "Fighting Snakes", he completely put aside human morality, and shamelessly fell on the violent scenes, making "Fighting Snakes" a perverted work of "beastliness"!

It is precisely because there are many such films that the Hong Kong film market needs a classification system, and with a strict censorship system like the mainland film market, it is absolutely impossible for such a film to be released in its entirety and without deletion, so why do you need any film classification.

Mainland films do not need any classification system in terms of political or practical needs, but Qiao Feng approves of Hong Kong's film classification, and it is indeed necessary to have such a system, and then like the Silence of the Lambs and more limit-breaking movies can be taken out and filmed.