For the new song, Lin Bao did have an idea for a long time.

The source is actually the folk music class that I have been broadcasting live.

Folk music, in fact, is national music.

Musical instruments are from the folk, and music is also from the folk, in fact, like the piano, its predecessor, is also a very classical harpsichord. In the East, the national music of the country is actually these folk music.

As for folk music, in fact, because he is from the folk, many of the pieces and styles are only suitable for specific scenes and special times, and are not very suitable for performing on large occasions. Not to mention on the stage of the Spring Festival Gala.

In fact, in recent years, with the economic development and cultural development of China, many folk orchestras have also begun to rise, and have begun to go out of the countryside and even to the world. And in the middle, because of a lot of discomfort, there were a lot of embarrassments and jokes.

For example, the Vienna Musikverein is played.

Two years ago, two of Limbao's pieces entered the Golden Hall, during the festival, and then performed by invited bands.

However, the Golden Hall has not only been limited by festivals and invited bands in recent years.

On non-music festivals or special occasions, the Musikverein is also open to the public, and of course there is a fee for money.

Bands from various countries, many folk, and not enough to be invited during the festival, entered the Vienna Musikverein in this way and at the same time. Of course, this kind of thing is not a bad thing in itself, after all, a lot of music is unique and niche, and the Western music academic circle, represented by the Viana Golden Hall, also looks down on a lot of niche, folk music because it stands tall. In this way, many niche music and folk musicians will have the opportunity to enter the Golden Hall.

However, after all, money buys it, and there are no too strict restrictions on strength and level, so many bands that are not on the stage also pay money to enter it. One is to experience this honor, and the other is to return to China to publicize.

A few years ago, there were many such orchestras in China, even just folk groups, that entered the Golden Hall. Of course, they have to pay money to play in it, and they also have to pay for local or some tourists to come in and take pictures.

In one of them, some of the more affluent local areas paid for a local band to enter it, and the content of the performance was folk music, and it was the kind of music that would only be played on special occasions.

The scene at that time was quite embarrassing for a while.

Many audiences who don't quite understand the meaning of such a piece of music just listen to it lively, and if they understand it a little, they simply feel embarrassed and are about to commit it.

When the news came back to China, it also caused a lot of discussion.

This is actually some of the places that Jin Wu was more worried about at the dinner table before.

Even some more festive and cheerful music is not very suitable for performing on a stage like the Spring Festival Gala.

Therefore, in previous years, if there was folk music, it was basically some ancient music and ancient songs, and some adaptations were made.

This time, he invited the elderly band and Lin Bao to the Spring Festival Gala, in fact, he also wanted to take advantage of their popularity and popularity, in terms of performance content, it was still the continuation of the previous one.

However, Lin Bao had other ideas.

Now in China, the popularity of folk music has risen, whether it is the arrangement of Lin Bao and the studio, or the development of the elderly band and further borrowing their fame to expand their influence, or for the audience, in fact, I still hope to see more folk music music come out.

Instead, I've been looking back at the old folk music.

In the eyes of professionals, such a song has a high artistic value, but for the audience, old music, after all, is not as popular as new songs.

Actually, it's a bit like a remake of a movie.

Like many classic movies, they will go through many remakes, and the audience's preferences and ideas are, "like the new and hate the old", and like to watch new things. No matter how subtle the various effects and arrangements in the old version are, there are no new faces, and the new visual effects make people feel fresh.

It's the same with music, and it's the same with folk music.

Therefore, when the old people band performed before, Lin Bao started from the beginning and adapted a new song, not only the tune, but also the lyrics, so that everyone's understanding of folk music can really continue to move forward, instead of staying on folk music playing pop music and folk music playing classical music.

And this next time, if the elderly band is going to go to the Spring Festival Gala, in Lin Bao's opinion, it will definitely be a good opportunity to push everyone's understanding of folk music one step further.

He himself also wants to start from the point and go further to create a real folk music, which is also a national music. can perform on a big stage like the Spring Festival Gala, and in the future, there will be opportunities and temperament to show in a place like the Golden Hall.

In fact, he has been thinking about the direction of new folk music, and now he has some ideas.

First of all, in the selection of musical instruments, it will definitely not be like those folk music, all of which are monophonic, and a simple musical instrument is naturally to choose as many folk music as possible.

However, there are actually many kinds of domestic folk music, some of the public may know, some even don't know, they are also different in terms of timbre, effect and so on, so it is very important to choose the right pitch and timbre of folk music to match, which can not only form a good harmony, but also make the timbre of each voice and instrument clearly conveyed.

This is also related to the harmony of the final effect.

The first instrument chosen by Lin Bao is the suona.

This instrument, even with Lin Bao's current understanding and realm, he thinks it is very interesting and powerful.

Not to mention the public, not to mention netizens on the Internet.

Since I taught the live broadcast of folk music, netizens have been most interested in suona among many folk music.

Its sound, timbre, pitch, are all too distinctive.

And on the occasion of its appearance, the various jokes formed by netizens on the Internet have made it the most popular folk music among netizens now.

Second, Lin Bao chose the flute.

In fact, the flute and suona are the opposites between the north and the south, and they are more famous. The flute comes from the south of the Yangtze River, and what comes out is the mountains and rivers of the south of the Yangtze River, and the suona that blows out is the wild northwest.

The combination of these two instruments can actually be very impactful.

In addition, Lin Bao chose to join the guzheng.

The guzheng is a unique and very aura musical instrument that has been passed down directly from ancient times. In ancient times, many classic repertoire, etc., had its appearance.

The fourth instrument is the drum beat, and the sound of stepping on the drum is one of the essence of real oriental music. There are many kinds of drums in China, big drums and small drums, because it is a kind of stepping sound and is used as a background foil, so Lin Bao himself has not decided to use that kind of timbre drum for the time being.

It's kind of a temporary stranding.

For the last instrument, Lin Bao hesitated for a long time, and chose Sattar among many relatively niche folk music.

Since it is a display of folk music, he also hopes to show more niche, but at the same time, very distinctive folk music.

Sattar, is a soul instrument. In the timbre coordination, the suona and the flute are a pair of conflicts, but they also collide with the canceling sounds. And Erhu and Sattar are a pair of musical instruments that are more compatible, and they are both instruments that can "enter the soul".

Basically, the main five aspects of the instrument are settled. After that, for example, the selection of drums and the integration of other musicals, we have to wait for the real music to come out, and then slowly run in.

Now, Lin Bao's purpose is to quickly take out a first draft of the score and hand it to Jin Wu.

In the first column, above the instrument selection, write down after the sattar, erhu, suona, dizi, and guzheng.

Lin Bao began to compose the music below.

The whole general tune and style, he himself has already thought about it before, and on a big stage like the Spring Festival Gala, it is natural to show some majestic, atmospheric, powerful, and inclusive music style. Moreover, the five instruments come from different places, and the tunes need to be more compatible.

Before, it was all some ideas and ideas, but when I really started to write, Lin Bao's thoughts became clearer and clearer, and his hand speed was getting faster and faster.

It took him less than half an hour to write all the songs in the main voice.

This is just a first draft, and it is the core key of this piece.

After that, it is still necessary to work out the details. At the same time, because it is a joint author of several instruments that are not used, it naturally has its own arrangement and other content, which is to be later.

After writing it, I checked it roughly and found some things that needed to be modified, but Lin Bao did not immediately revise them.

The whole idea of writing out the first time is smooth, but in terms of specific details, different states and ideas will have different extensions. So he wasn't going to revise it after writing it, and what he wanted to show Jin Wu and them was mainly this main tune, which was enough.

Lin Bao looked at the time, and when he wrote this, it was almost eleven o'clock, and then he saved the score file, opened the half-written manuscript before, and began to code it.

The whole story arrangement, even in Lin Bao's current state of being a peak writer, will not be particularly easy.

Especially after the end of the first season, entering the second season, winter is coming, the cold wind is gradually rising, because of the death of the old king and Ned, the new king ascended the throne, not only the identity was questioned, but also the behavior was tyrannical, within the Seven Kingdoms, the more powerful forces began to raise their banners to resist, setting off the War of the Five Kings.

The battle of the five kings is intricately intertwined with each other's forces, and at the same time, there are many unidentified and converted people in the middle, and overseas, the rise of the independent "Dragon Mother" line, the situation of the entire Seven Kingdoms has fallen into chaos.

Because there are many lines to consider at the same time, as well as the lines and relationships of many characters, even with the main style of Lin Bao's book, so that many unnecessary people die, there are still a lot of clues to deal with.

Although everything is still under his control, for Lin Bao, it is not easy to write. He even went back and revised some clues after he wrote them.

And this is also what fascinates readers who have to read it.

The death of Ned last season has caused a huge psychological shadow to many readers. However, entering the second season, the entire story line is unfolding, the five kings are fighting separately, the rise of the new generation of leaders of the Stark family, the frequent encounters of "Dragon Mother" overseas, and the changes of savages outside the Great Wall in the north have also made all the viewers truly realize the truth and complexity of such a worldview, as well as the interlocking of the plot.

And the real highlight of this part is also completely paved after the start of the second season.

Whether it is the plot, Lin Bao is also very admired and obsessed by everyone in terms of portraying the characters.

Needless to say, the female character, coupled with her identity encounter, and her own dragon buff, made many viewers feel very pitiful at the beginning of the first season, but at the end of the first season, after being reborn, it really made the audience feel happy, and it was under the premise that Ned was written to death. All of a sudden, all the audience cast the sense of substitution in the whole world on her.

Another character that is popular with the audience is the little demon Tyrion, which is the character that surprises everyone the most.

He appears at the beginning of the first season, as a despised dwarf, but he doesn't seem to despair about his identity and innate disability, but instead is the most laid-back character in Winterfell.

In the plot after that, the little devil couldn't help but show a very high emotional intelligence, as well as IQ, wandering between many big characters, having the helplessness of being in a predicament, and the ability to control the situation, such a dwarf born in the "villain" family has become a relatively safe "sense of substitution" character for all audiences in such a world where someone may die at any time.

The third popular character is Jon Snow, Ned's illegitimate son, who doesn't have too many scenes. He entered the Great Wall and joined the night watch, and he was destined to be such a sacred, the best of the guardians of the north, and the audience was also full of expectations for him.

On the Internet, with Lin Bao's update, everyone is discussing more and more about the plot and characters.

After some analysis, in such a world where the main characters die at any time, the most comfortable and the most protagonistous atmosphere are a few characters who are more bumpy in terms of identity and encounter. A dragon mother who lives overseas, a dwarf, and an illegitimate child. On the contrary, those characters who are pure in blood and stand on the glamorous side of the kingdom seem to have the possibility of "righteousness" at any time.