() "Woo !!!!!"

A violent chord striking shattered the third motive at the end.

It is also the most intense ringing since the beginning of the first movement.

But Qin Jian's wrist rolled over and lowered in the next second, and the volume of the piano contracted extremely quickly, and ended in A minor.

A fleeting beam of intense light plunged into darkness again under the trembling tail note of the piano.

Under this means of highlighting and controlling the outbreak, it gives people a strong contrast between strength and weakness and psychological suggestion.

With Qin Jian's gradually relaxed facial expression, the ending part where the melody and rhythm had stabilized had completed his mission.

However, the end of the 'end' does not mean the end of the truth.

"He's incubating new developments for the development department. During the judges' seats, Nobuyuki Tokai closed his eyes and listened to every detail of the music.

Throughout his lesson on 'how to play passion', Qin Jian once again focused on discovering what was behind the music through the surface structure of the work.

This is the thought that Qin Jian accumulated in the process of practicing Sonata No. 1 in F minor and Pathos No. 8 in imitation of Czerny's style.

And this kind of thinking that has precipitated over time has gradually integrated into his body and blood.

In a way, this kind of thinking has nothing to do with Chris.

The collection of sonatas performed by Uncle Che can only shorten the distance between Qin Jian and these thirty-two sonatas, but it does not naturally break the barrier between the ideas of the two eras.

Think about it, on a dry sheet music from hundreds of years ago, how should modern people find a clear expression of the movement between the details of the music and the whole from the lines of black and white handwriting?

Therefore, Qin Jian established the 'study of Beethoven's sonatas' as a kind of repetitive activity of listening, practicing, analyzing, and thinking.

In his view, this avoids turning the intimate relationship between material and large scale in the sonata style into an empty sheet talk, and at the same time allows for an intimate look at the fruits of the common practice of the great composers of the eighteenth century.

With the development of the music, after Qin Jian passed through the four sections of the music unfolding, the 'Fate Motive' under the ff mark pushed the music to ** again.

On the big screen, his expression at the moment has completely returned to flatness, and the slender eyelashes under fluorescent light present the audience with a sense of audio-visual harmony with the triple rhythm alternating between the high and low registers.

Finally, with the long sound of the epilogue and the slightest noise that gradually emerged from the scene, Qin Jian ended the performance of the first movement.

"Whew. ”

Exhaling slowly, Qin Jian picked up the handkerchief on the side and wiped the sweat from his palms.

Then he put the handkerchief back to the side of the road.

Open your hands and press the keys again.

A set of bright and warm chords filled the entire concert hall in a moment.

As the music comes from the first movement of the fierce struggle, the audience enters a wonderful ideal environment of intoxication.

It seems that in the course of a difficult and bumpy life, the soul is still full of vitality.

In the second movement, Beethoven still uses the structural skeleton of the classical variations without changing the basis of the melody and harmony.

In the rhythmic subdivision of the first variation, Qin Jian turns the original quarter notes of the melody into eighth notes, which is the opposite of the syncopated rhythm of the left hand, and there are some false flow notes with embellishment colors.

And after the second variation is an octave higher, the melodic material becomes a universal sixteenth note.

Qin Jian's free rhythm under Chopin's hand jumps in the fabric of the broken chords, and the melodic notes hidden in the texture seem to flow from his fingertips, sounding like a butterfly standing and eating, fluttering its wings, flying to his distant homeland.

Precipitated with clear light.

With the deep music under his fingers, Qin Jian's eyes became more and more misty.

.....

Natsuki Aso sat in a corner of the front row of the audience, and at this moment she could only vaguely look at the young man in the center of the stage who seemed to be blended in with the black grand piano.

And on the big screen behind the piano, she really looked at it.

On the black and white groove, ten slender fingers fell and lifted, and lifted and fell.

Although there is no gorgeous fingering like the winter wind, the flow that looms in the music is like a song and elegance with the wind.

A thousand words, inexhaustible.

"That's nice. ”

With the addition of the last variation, the sound of the piano in the air reaches its highest register, and the melody as a butterfly seems to rise into the blue sky in this brilliant flow, flickering at the end of the sky and becoming a point of light.

Aso's clenched little hand gradually loosened.

However, when everyone was silent in this rhythm of beauty and harmony.

Suddenly.

A heart-wrenching minus seventh chord crept out of the left hand on the big screen.

It's like a gray color in the sky.

Right here and now.

Qin Jian exhaled suddenly, and the green tendons in his hands exploded again.

Raise your hand again to memorize two sets of minus seven chords, as if you have broken the perfect dream you have sketched with your own hands.

Under the icy chords, the music enters the third movement without any pause.

The final movement of enthusiasm.

One of Beethoven's most legendary musical chapters.

Although it can only be a simple allegro in structural analysis, and although it was only written by Beethoven on a quiet country road one evening in the summer of 1806, although its tragic chord color does not sound the slightest celebratory celebration of victory.

But there is no frustration in it.

After the strong chord, Qin Jian stared at his right hand, which had already had to hurry up.

A dense series of phrases descending from high altitude at great speed glides into the bass range, and his left hand joins the music.

The chorus of roaring octaves intensified in the midst of the magnificence, and the gloom of the bass was broken in one fell swoop with Qin Jian's last flying left hand.

This piano castanets are like the final marching horn.

The two voices on the left and right are intertwined and intricate, and they go forward with the charge.

Qin Jian mobilized his emotions to guide the will of the music in the continuous rapid sentence flow of his right hand, and he didn't know that his cold chin on the big screen had fallen into the sweat grains.

His left hand flies across the mid-bass range, and his swinging left arm uses a characteristic rhythm and jumps in to form a percussive part.

The two interdependent voices were dependent on each other, complementing each other in Qin Jian's emotions.

Until this moment.

At the last minute of the forty-minute long play.

It was the deafening sound of the piano in the hall that moved all corners of the judges' bench.

"It's so delicate. ”

"In this never-ending movement, the two-handed phrase is really the most difficult test for every player. ”

A South Korean judge who had never made a statement could not help but be moved.

"That's right,"

Another judge from South Korea next to him added.

But the phrase is necessary for this movement. ”

This moment.

A hint of the final battlefield has finally appeared.