After Wu Duo got up, Hu Yunde, Chen Yongjun, and Ning Xue also got up one after another. It's going to have to be seen by the lots.

Chen Yongjun didn't say anything more, but couldn't help but sigh secretly: It's a pity that I only saw Wu Duo's eyesight today! Otherwise, how could he let go of such a talent?

Good horses don't eat back grass, sometimes it's just a pretext for being willful.

But Wu Duo was by no means willful. Chen Yongjun understands, and Hu Yunde also understands.

At this time, Ning Xue muttered angrily beside Wu Duo, "If you don't eat the grass back, it's because you're not hungry! If you're hungry, why don't you care if you don't look back?"

Wu Duo responded this time, "A good horse will not be hungry, otherwise it will not be a good horse." ”

"Longyou Shoal is still being played by shrimp, and Tiger is still being bullied by dogs in Pingyang, a good horse does not necessarily have a good opportunity, but you are in the limelight now, so you have the capital to pretend. Ning Xue wanted to poke Wu Duo's arm with her finger again, but this time Wu Duo flexibly dodged it.

Wu Duo no longer distinguished from her, and took a serious look at this fourth lot.

This is indeed a horse, a three-colored horse.

Tang.

Tang Sancai is not porcelain, but pottery, glazed pottery, referred to as glazed pottery.

Sancai is only a general term, glaze is not only three colors, there are many colors, however, on the same piece of utensils, the most three colors, the most common is yellow, green and white.

In the Tang Dynasty, there was a style of thick burial, and Tang Sancai was a typical burial vessel.

Since it is a burial vessel, it has a rich variety of shapes, such as daily necessities, people, animals, architectural models, and so on. But what can be enjoyed in the "world" has a corresponding "configuration" in the "underground".

However, among the various shapes, animals are the most numerous, and among animal shapes, horses are the most numerous.

When you think about it, you can see that at that time, horses were the most important means of transportation and labor, which were needed on the battlefield, agriculture, transportation, and transportation.

Tang Sancai was discovered relatively late, and began to appear in large quantities in the antique market during the Republic of China, and today, it has long become a popular antique collection.

The so-called late discovery is not only due to the fact that a large number of excavations occurred at that time, but also because no one would collect and enjoy them in ancient times, even in the Ming and Qing dynasties, when the style of antiques prevailed and the Tang Dynasty was far away.

During the Ming and Qing dynasties, even if someone stole and excavated the Tang tomb and found a three-color vessel, they would abandon it as if they were a shoe, focusing on excavating other burial goods.

Someone said, so many antiques, many of them are from the tombs, aren't they all artifacts?

Because, Tang Sancai is not only a spiritual weapon, but only a spiritual weapon.

And many other funerary objects are not dead vessels before going to the tomb. For example, some bronzes, porcelain, jade, jewelry, etc., before going to the tomb, were originally used as daily utensils, display utensils, and ornamental utensils, but they were buried with the tomb.

Tang Sancai has only one purpose. Firing, mainly for burial. Because it is brittle, poor waterproof, and the lead glaze is toxic, it is not suitable for normal use. There are some individual other use cases that are just accidental.

Burning paper horses and burying three-color pottery horses are essentially the same truth.

But after the Republic of China, Tang Sancai is getting hotter and hotter, and today, collectors don't have the slightest scruples about the dark artifact, and it is not uncommon to even put them at home.

Tang Sancai's high imitations are also as numerous as cow hair.

Tang Sancai's tire glaze formula has long been made public, the firing temperature is not high, and the raw materials are not difficult to find, so the level of imitations is getting higher and higher, and the top high imitation actually has all the characteristics of the real product.

The only thing that is easy to show flaws is that it is old. After all, it is something that has gone through more than 1,000 years, and it is still very difficult to make it exactly as it was before.

The Tang Sancai horse in front of Wu Duo's eyes is not large, and the height and length are about thirty centimeters. And Tang Sancai horses, many of them are more than half a meter high.

Most of the horse's body is brownish-yellow, the saddle is white and green, as is the horse's face, and the tail and hooves are white-glazed.

This belongs to the most common tricolor. If there is an extra color, or other rare glaze colors, it will greatly increase the value.

The horse stands still. This kind of shape also belongs to the most common shape of Tang Sancai. What kind of drinking water, licking hooves, such a rare shape is naturally more valuable.

At the same time, the tire is slightly coarse, with fine potholes, cracks and glaze peeling.

Considering all kinds of circumstances, this Tang San colored horse, even if it is genuine, is of relatively low grade and value.

However, in today's Tang Sancai hot market environment, this Tang Sancai horse can also be estimated to be worth millions!

Wu Duo first took a closer look.

Unfortunately, poor eyesight is poor eyesight and can't see any problems.

In fact, Wu Duo's theoretical knowledge about Tang Sancai is pitifully less than other antiques.

Wu Duo noticed that Hu Yunde and Chen Yongjun glanced at each other, their expressions were not only not optimistic, but also faintly indignant.

In the end, Wu Duo naturally wanted to put on the middle finger of his left hand and listen to it.

Silent.

Wu Duo suddenly understood a little. Why is it small? Why is it the most common glaze? Why is it the most common shape? Because it is the easiest to imitate!

After returning to their seats, Hu Yunde and Chen Yongjun couldn't help but look at Wu Duo together. The two of them had actually seen it through, but somehow, they all wanted to hear Wu Duo's opinion.

Wu Duo smiled bitterly, "It's not as old as me!"

Hu Yunde clenched the teacup tightly, frowned and said in a deep voice, "This is definitely something left by the old man Su Wenshan!"

Chen Yongjun sneered, "No, it's just that you don't have the ability, but you don't know where to get the pit goods, it's just ruining the reputation of the old father under the spring!"

The previous three things, the first piece of the pastel landscape vase is genuine; the second piece of colorful flower and bird pattern plate, with the base of the glaze of the Kangxi Dynasty; the third piece of sweet white glaze hugging the moon bottle, although it is a high imitation, but it is the old imitation of the Qianlong Dynasty. These three pieces can be linked to antiques.

However, this piece of Tang Sancai is immediately a new imitation.

Not collectible.

However, in Qizhou, Hu Yunde and Chen Yongjun's eyesight in ceramics is top-notch, and although they can identify it, other people who come to participate in the auction may not have such eyesight.

The auctioneer unequivocally quoted "Tang Sancai", however, the starting price was very low, only 200,000 yuan.

They must have thought about it.

They must know that something is not true, although it has long been stated that "it is not true", but in case there is any aftermath or entanglement in the future, they can also pick up the auction price and say something. This starting price is far from Tang Sancai's market.

At the same time, Tang Sancai is a big hit in the market, although the starting price is low, but as long as there are many people, the competition will be fierce, and you can raise a high price!