Chapter 608: Casting

Liu Qianqian is not irreplaceable in this theme.

Then again, there is no actor who is irreplaceable, Liu Qianqian has written the script herself and selected actors, and understands that there are at least two or three candidate actors behind a role.

No one is a must.

If Lin Jia's acting skills are ten, and Liu Qianqian's is also ten, then for directors who shoot social reality dramas, Lin Jia's appearance is ninety, plus ten is one hundred points, and Liu Qianqian's overly beautiful appearance is only seventy points, plus ten points is only eighty points, and Lin Jia must be used.

On the other hand, Liu Qianqian, which is used in dramas such as fantasy, Xianxia, martial arts, and science fiction, is to add ten points to one hundred points.

Liu Qianqian has an otherworldly fairy spirit, coupled with good acting skills, she is not stupid, but her eyebrows are smart and her eyes are flowing.

As soon as she stopped here, the worldview was already formed, and there was no need to even foreshadow.

The directors who filmed these dramas naturally loved to find Liu Qianqian.

Hua Qiaoran persuaded again: "Although it is said that the opera road should be wide, people must not be reluctant, and they must sail along the river to go for a long time." ”

Liu Qianqian nodded.

Hua Qiaoran tried her best to choose good scripts and high quality in these themes.

After all, the subject matter is the subject matter, and the story is the story.

As long as the story is told well, the feelings are told thoroughly, and the audience can resonate, fantasy does not have to be inferior to social films, it has to praise and disparage current affairs, and it can also use the past to satirize the present.

He Ming's book is obviously such a story.

Borrowing from the past to satirize the present.

Liu Qianqian took a closer look and found that this was actually a story of a female honor.

It is not particularly accurate to say that it is a woman, it should be said that it is a feminist society.

Female respect is not because of a woman's high social status, but the entire social structure and social resources are inclined to women.

Liu Qianqian looked at the setting and understood that this is a reversal of men and women, filming a feminist society on the surface, but actually satirizing a patriarchal society.

Let the actors who oppress people in the real social structure play those who are oppressed by the social structure.

No wonder Hua Qiaoran said that this is good, looking at this script, it is estimated that it is also a topical work, if it is played well, this role can really become Liu Qianqian's representative role more than the role of "Yanbo Lane".

Because "Yanbo Lane" was written by Liu Shi for Xiao Qian after all.

And this "Favor" was written specifically for Liu Qianqian.

Although Liu Qianqian doesn't know what He Ming thinks of herself, can seeing her inspire feminism in He Ming's heart?

However, Liu Qianqian thought about it, and she has also acted in many movies with female protagonists, whether it is Yanbo Lane or Ebenezer The robot, almost all of them are female protagonists, or only female protagonists.

Probably in the hearts of many directors, it is already very suitable for her to play this.

Thinking about Hua Qiaoran's words, Liu Qianqian was also relieved.

Yes, what kind of horns does she drill, her ambition is not to be an actress in the first place, can't she play anything? It doesn't matter if the acting path is not wide enough, she just needs to act well.

Directors are always more accurate than she is when they read scripts.

Liu Qianqian nested in the sofa in Hua Qiaoran's office and read the script carefully.

The heroine of "Favor", that is, the role that Liu Qianqian wants to play, is a princess.

The setting of this world is just the opposite of reality, women are the heirs, so that they can go out to study, be educated, carry out social activities, and hold power.

Men can only live in the house and give birth.

The reason for this is that childbearing has shifted from women to men.

Fertility in this world does not depend on the sexes, but after the love between men and women, a child-seeking ceremony is held, two people cut a little fingertip blood as an offering, and the mother who sent the child accepted the blood, which is equivalent to signing a contract, he will frantically absorb physical strength from the male side to supply, the male is about ten months or so very weak, if you are not careful to take care of it is easy to die, ten months after the ceremony is over, by the crane to send two people's children.

This part of He Ming's design is very fantastical, but it is more logical than a man's direct belly to completely copy a woman.

Men are deprived of ten months, and even if the ten months are over, the drained essence and blood will not recover immediately, and they need to slowly recuperate for a long time, so they will naturally not be able to engage in social activities.

However, although only the essence blood of the male is drawn, the two men cannot summon the child giver, but the two women can, and they can get a daughter from the separator at no cost.

In other words, the world actually doesn't need men.

Liu Qianqian thought of Ebenezer's robot movie, in which men disappeared from the world because of the virus, and He Ming's book is that men are not needed.

In other words, whether they are needed and whether they can survive in this world depends only on whether women agree with them or not.

According to conventional logic, there is no need for women to agree at all, as long as the males are extinct, only the females can reproduce the species, and the human race will not become extinct.

And yet that's what humans do.

Or that is the case with social social animals, they must produce classes.

The class of women who have power is higher than the class that has the means of production, and those who have the means of production are higher than those who do not, and those who do not have control are divided into those who can find work in the hands of the capitalists and those who cannot find work.

These women who cannot find a job, they are at the bottom of society, and only by finding people who are lower than their class can they live and maintain their spirit.

That's why men can survive, they live in mansions for almost their entire lives, serving women, sacrificing almost the blood of their lives in order to be eligible for a reproductive offspring.

When men are used as a resource, they become a display of status, just like gems and houses.

Power, power will eventually distort people's hearts.

Obviously, two women can ensure a daughter, but in the entire royal family and the powerful family, letting a man give birth to a daughter is one of the manifestations of status and ability.

This is where the story begins.

Liu Qianqian first digested and absorbed the worldview, which is still very important, a character can only be a vivid character when she integrates into her own world.

Almost absorbed, Liu Qianqian continued to watch, and the next thing was the role.

The character played by Liu Qianqian, called Feng Fang, is the three princesses of this dynasty.

Neither up nor down.

There are two older sisters on top and four younger sisters below.

These sisters of Fengfang, without exception, are all born by men.

Of course, women and men combine to have children, not necessarily girls every time, Feng Fang also has some brothers, but they are not destined to be competitive, when the age is right, these brothers will be used as political pawns, married to princes and nobles.

...... Is it the plot of Kowloon's seizure of the heir?

However, this is not very consistent with the title of "Favor".

And everyone has seen a lot of Kowloon heirs, and the romance is also filmed, and the beauty is also filmed, and the women are also filmed?

Although the ratings are mostly good.

I don't know how much the audience and directors like Kowloon to win the heir.

Liu Qianqian continued to watch.

In this world, even if she is an adult at the age of sixteen, after Feng Fang became an adult, as a gift, she received two men as side princesses, and the position of the princess was vacant, either Feng Fang chose a wealthy young man with a good family background who could help her, or she chose the woman she fell in love with.

Yes, in this world, love is a noble thing that can only be given to the same sex, which is a trend and a kind of dignity.

Only women can communicate with women, and it is noble love.

In ancient Greece, people believed that the love between men and men was pure love, and there was no love between men and women.

He Ming directly switched gender and used it.

In the dynasty, it is normal to have a desire for men, men are originally used for this purpose, but frankly admitting that they love men is not so on the stage.

It doesn't matter to ordinary people, but the royal family is a place that pays attention to face, dignity, and status, especially if Feng Fang still wants to compete for the crown princess, she can't let herself lose her dignity.

But on the contrary, Feng Fang fell in love with one of his side concubines.

...... Feelings or a love drama??

Liu Qianqian stared at it.

Who played this male concubine...... Liu Qianqian thought and flipped through the cast.

She accepted the offer a little later, because she still had to shoot "Tian Mei Life", so she decided on other actors first, and only reserved the position of the heroine for Liu Qianqian.

She looked at her, this male concubine is called Baishuang, Baishuang...... Hoarfrost......

It's not difficult to find, because this white frost should be regarded as the male protagonist, Liu Qianqian saw the name followed by the word white frost at a glance.

Ye Zhonghai.

Liu Qianqian: "......"

It is also said that according to Hua Qiaoran, this is called fertilizer and water not flowing into the fields of outsiders.

Director He Ming is He Xuan's brother, the heroine is Liu Qianqian, and it is normal for the actor to be Ye Zhonghai.

Another side concubine is called Qianlian, and it can be seen from the names of the two people that Bai Shuang is a man who is as gentle as water and indifferent as ice, which deeply attracts Feng Fang.

And Qianlian is a bright and enthusiastic young man, which also makes Feng Fang's heart moved.

Wow, the relationship is good, it's really hugging left and right.

Let her see who Qianlian is...... Be...... Who......

Wu Wentao.

Liu Qianqian: "?"

Are these two actors the only ones in the world who can play with her? ?

Although the role is chosen, it is quite in line with the image.

Ye Zhonghai has the kind of elegant energy of a young man under the moon, and Wu Wentao is indeed full of vitality.