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Lin Yuxuan admired it for a moment again, and said: "The little sister's demure temperament is very expressive by you, she has been a model for you, the relationship between the two of you is so good, I didn't even know." ”

The old man is indeed too satisfied with this painting, Cheng Yu's softness and demureness, through Xiao Yao's hands, under the depiction of his superb painting skills, is vividly embodied, giving people a great artistic impact.

In this work, Xiao Yao depicts the moment when a girl dressed in white and reading a book looks up and thinks.

Xiao Yao deeply and carefully portrayed the girl's facial demeanor and hand movements, and easily drew the characters' clothes and backgrounds with large brushstrokes, which were properly elastic and natural.

The purity and concentration of the girl are about to come out. Xiao Yao's modeling layout is concise but rigorous, and the overall harmony of the characters and background tones expresses the girl's calm inner world very well.

Without waiting for Xiao Yao to answer, Cheng Yu said: "I have only met him once or twice before, and I am not familiar with him, where can I be a model for him? ”

"Since meeting Miss Cheng, I have been extremely impressed by her elegant and unique temperament, which inspired me to create this work. Xiao Yao regretted slightly, "Because I am not familiar with Miss Cheng, I dare not take the liberty to ask her to be a model, so I can only depict Miss Cheng in my impression, and the capture of her temperament is not very comprehensive, which is the biggest regret in my heart." ”

"I think it is precisely because of this regret that you can grasp the most unique point of her temperament in this work, and you can have such a strong artistic appeal. Lin Yuxuan doesn't think so, "Whether it's regret or fulfillment, the classics and success of this work are beyond doubt." ”

Even Lin Yuxuan, the Taishan Beidou in the painting world, is so praised, Cheng Yu, who has just begun to fly solo, admires Xiao Yao, but also from the bottom of her heart, she said: "I have studied under the master of Chinese painting since I was a child, learning Chinese painting, and I also have a certain foundation in Chinese painting, after I learned oil painting, the painting style is a little similar to your painting, of course, it must not be compared with your level, it can only be said that there is a little shadow." In this work of yours, the form and the meaning are vividly embodied, and I want to know how you do it, and what do you think I should do?"

For Cheng Yu's question, Xiao Yao naturally will not be perfunctory, and the answer is very detailed, "I pay more attention to the inner expression and emotional expression of painting, I think: the painter can convey his feelings through the beauty of nature, regardless of any phenomenon and object, but when painting, you must have your own feelings and feelings, first of all, you must have this feeling and feelings in your heart, in order to focus on depicting through painting skills." When I say emphasis on depiction, I mean the combination of the picture and the depicted object, and then the integration of the picture and the painter's feelings......"

Next, Xiao Yao took this work as an example, and focused on explaining how to reflect the painter's inner feelings through painting skills in terms of painting skills.

Xiao Yao's personal style is very strong, and he is also innovative in his painting skills, not only Cheng Yu feels that he has gained a lot, but even Lin Yuxuan feels that he has benefited a lot.

This painting "The Girl Who Reads" infiltrates Xiao Yao's strong sense of self-expression, and the artistic impact is very strong, this painting reflects Xiao Yao's superb artistic accomplishment, and even a master like Lin Yuxuan must be surprised and admired.

Xiao Yao understands and absorbs the nourishment of Western art with an extremely confident attitude, integrates Eastern and Western painting arts, and forms a strong personal painting style, and this style is not the embodiment of the embryonic form, it is already very mature, and it can be said that he has created a new genre.

What is even more amazing is that this new genre represented by Xiao Yao has already stood at the peak as soon as it appeared in front of the public.

In this work of Xiao Yao, there is not only an innovation in painting techniques, which pushes the use of light and light and shade to a new artistic height, but also through this new painting technique, the image and image of the work are perfectly combined, and the expression of intention is further sublimated and promoted.

In the history of the art world, there are many works that have achieved extremely high achievements in the expression of imagery, and all such works are classics. In Lin Yuxuan's view, Xiao Yao's work, the perfection and innovation of painting skills are secondary, and the most commendable thing is the expression of imagery.

The imagery of this work is so strong that the artistic appeal is overwhelming, and to this day, he is still shocked by it. He can assert that this is definitely a masterpiece and will occupy a very important position in the art world.

Xiao Yao brought a total of two works, and Lin Yuxuan was also looking forward to his other work, "Hurry up and turn over your other work, I can't wait to appreciate it." ”

"Xiao Yao, don't sell it, hurry up and turn it over, let's take a look. Cheng Yu also urged.

"Okay, then please ask Lin Lao and Miss Cheng to come up and appreciate it. As he spoke, Xiao Yao turned over another painting.

This painting is "Frog in the Lotus Pond", and it is also a work that Xiao Yao is personally satisfied with.

The painting depicts a midsummer lotus pond, in which lotus flowers and lotus leaves are covered with lotus leaves, and lotus flowers compete for glory, as if trying to absorb the warm sunlight to thrive.

The lotus flower in the center is even more outstanding, proudly looking around, calmly opening the buds, revealing full petals and stamens, showing the most bright and abundant appearance.

Under this lotus plant, a small frog leaps up and preys on the moth, which is extremely vivid and vivid.

The central axis composition of the picture is stable and vigorous, giving people a stable and concentrated visual effect, and the dense and plump lotus leaves are vibrant, allowing the viewer's imagination to fly beyond the picture, as if you can see the infinite blue of the lotus leaves.

In terms of the use of color, Xiao Yao gives full play to the thick texture of oil paint, the brushstrokes are full of paint, full of emotion, and the green tones are clearly layered, conveying the depth of space, and even temperature and humidity.

The lotus shape is free to go in and out between sketching observation and freehand creation, cleverly using the depiction technique of space, combining the two angles of looking down on the lotus pond and looking up at the lotus flower, stretching the length of the lotus leaf, making it more long and straight than the actual one, rendering the artistic atmosphere.

In terms of detail management, he skillfully reverses the brush and scrapes out bright lines with the top of the brush, so that the picture is delicate in the boldness, which shows that Xiao Yao's mastery of the language of oil painting has reached its peak.