This booklet, I don't know who bound it, it may be this person who copied the Liquan Ming of Jiucheng Palace. Although there are only five of them, there is really a glance, and Wu Duo is already a little eager to hear it.

Song Ta is already commendable, if it is the Northern Song Dynasty again, it is a rare thing.

The only regret is that five is too few.

However, there are only two of the complete set of Jiucheng Palace Liquanming's Northern Song Dynasty rubbing, which are currently known to be recognized as authentic heirlooms.

Now the more famous "Song Tuo Jiucheng Palace Liquan Ming" print, the base is the Northern Song Dynasty rubbings in the Palace Museum. This piece of the Northern Song Dynasty rubbing, originally the Ming Dynasty named Li Chu's old collection, so it is called "Li Qiben".

It is worth mentioning that the title of "Li Qiben" is Tang Tuo, but it is now recognized as the early extension of the Northern Song Dynasty.

"Li Qiben" is the oldest and least mutilated version among the many rubbings. The words are thick and majestic, and can well show the original appearance of the inscription of Liquan in Jiucheng Palace.

There is also a version of "Zhu Yi'an", which was originally collected by Zhu Yi'an, a great collector of inscriptions and rubbings in the late Qing Dynasty and early Republic of China. The words of "Zhu Yi'anben" are also full, but the boundary is slightly blurred, which is slightly worse than "Li Qiben", but it can clearly reflect the original appearance.

And the five rubbings in front of Wu Duo's eyes, judging from the words, feel on par with "Li Qiben".

However, the "black tiger" is too difficult to identify, Wu Duo is not an expert in this regard, but he also knows why it is pushed to the peak of the difficulty of identification among antiques.

Why is the rubbings of ancient tablets called "black tigers"? In addition to the inky black background, there is also a deeper meaning.

The main thing is that it is as dangerous and powerful as a tiger.

Ancient rubbing, later generations of the re-engraving, high imitation, forgery too much, and the technique is dizzying, when identifying, if you are not careful, you will be bitten, such as the tiger's mouth.

In addition, the things contained in the rubbings are very difficult, very powerful, difficult to learn and difficult to understand, and there are still many things that are inexplicable, as well as a lot of ambiguity and controversy.

Among the many "black tigers", there are three tigers that many people in the industry are most afraid of: "Jiucheng Palace", "Seventeen Posts", and "Holy Order".

For example, in this "Jiucheng Palace", there are a bunch of copies of Song Ta's version. There was once a Keluo version of Yao Nai's pseudo-book of the Republic of China, which made many collectors at that time eye-catching.

Hu Yunde finally handed the booklet to Wu Duo, "This yuan book paper, as well as the ink of the Jiucheng Palace Liquanming on the face, seems to be a bit old." ”

Wu Duo nodded and took it.

Don't talk nonsense, just listen.

I listened to the five rubbings first.

It turned out to be really from the Northern Song Dynasty!

And until the beginning of the Ming Dynasty, it was still a complete set, but at the beginning of the Ming Dynasty, it was destroyed by fire for some reason, and there were only five left.

It's no wonder that the corners of two of them are still a little smoky and burnt.

These five tablets were passed down to the Qing Dynasty and were framed along with some other rubbings. Wu Duo couldn't hear who this collector was, but he heard about it and was later demolished. Finally, it was bound into a book at the end of the Qing Dynasty.

This time it was bound into a book, and it was together with the Yuan book paper of Liquanming of the Jiucheng Palace.

After figuring out the origin of the five tablets, Wu Duo twisted the Yuan book paper and continued to listen.

Results······

It's Liang Qichao again!

The handwriting of Liquanming on this Yuan calligraphy paper is actually Liang Qichao's calligraphy!

However, just from the calligraphy on it, it is really difficult to see who wrote it, because it is a complete copy of Ouyang Xun's regular script with one heart.

Although Liang Qichao is not a master of calligraphy, it is still possible to add the name of a calligrapher.

Moreover, Liang Qichao's calligraphy art is the foundation of European regular script, and later turned to Wei Beibei, and finally formed his own style.

Liang Qichao was born in the late Qing Dynasty, at the age of 12 in Xiucai, at the age of 17, his calligraphy introduction is in accordance with the local practice, the foundation of European style regular script is very deep.

When Liang Qichao was eighteen years old, he went to study in the Wanmu Thatched Cottage sponsored by Kang Youwei, and after studying under Kang Youwei, he was influenced by him and began to enter Weibei.

After the failure of the Wuxu Reform, Liang Qichao went into exile in the Wa Kingdom, and during the 14 years of the Wa Kingdom, Liang Qichao did not abandon the way of calligraphy and continued to study Wei Monument in depth.

The "Jiucheng Palace" on this booklet, Wu Duo calculated from the time he heard it was written, and it was during Liang Qichao's reign.

I don't know why he went back and meticulously posted the "Nine Cheng Palace", but this is not an impossible thing.

Wu Duo also guessed that it was related to Liang Qichao's getting these five Northern Song Dynasty rubbings?

These five rubbings of the Northern Song Dynasty may have been obtained in the Wa Kingdom, and it is not excluded that they were sent to him by relatives and friends from Huaxia. How did he get it, Wu Duo couldn't hear the relevant information.

However, Liang Qichao once wrote that when he was in the Japanese Kingdom, he did have a friend who sent him rubbings, "happy and tired". Although it is not these five Song Ta, it at least shows that he has exchanges in this regard with China.

It has been nearly a hundred years since Liang Qichao's death, and many things cannot be verified. But as far as these five rubbings of the Northern Song Dynasty are concerned, they must have passed through his hands, and he also posted them, and then bound the calligraphy of his posts with the five rubbings into a book.

This booklet, with five Song Ta, was later left in the Wa Kingdom.

Cartridges, too.

The ink cartridge engraved by Chen Yinsheng "Mr. Liang Qichao Yazheng" was also returned from the Japanese Kingdom.

Ink cartridges and booklets are all things obtained by Liang Qichao, and they are all left behind in the Wa Kingdom, and they are all related to pen and ink; This shows that the two things have probably not been "dismantled" in the Wa Kingdom for so many years.

It's just that the engraving of the ink cartridge is covered by a layer of inky black, and this booklet does not have any inscription seal; before they flowed out of the Wa Kingdom, the original owner may not have known that it was Liang Qichao's.

This booklet, I originally had to talk to Wu Xianming about the price, so we could ask where we came from.

"How is it?" Hu Yunde frowned and pondered when he saw that Wu Duo's eyes had left the booklet, and at the same time, someone next to him seemed to want to get started, so he leaned in a little and asked in a low voice.

"I think I can talk to Mr. Wu. Wu Duo responded directly.

"Okay!" Hu Yunde nodded.

Wu Xianming had just finished talking with a person about the black Qinan agarwood ornaments at this time, and the price was not negotiated.

"Mr. Hu, is this a black tiger?" Seeing Hu Yunde approaching with the booklet, Wu Xianming smiled slightly.

"Uncle Wu, you don't have to open it, if it were me, I would definitely take out the five rubbings and sell them separately. Hu Yunde also smiled slightly, "This calligraphy is not a master's work." ”

Wu Duo couldn't help coughing. Hu Yunde said that he was not a famous calligrapher before, but now he is doing it again.