This chapter is a special addition.,The two chapters in the evening are still normal.。 Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Happy birthday to book friend "IV Xiaoxi"!

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On the way back from Zhang's hometown, Xu Guangling's mood has been immersed in a rather wonderful state.

Trees, roads, neon on the streets, pedestrians and cars, etc., etc., everything on the exterior seems to have become a bit illusory and unreal, or rather, at this moment, Xu Guangling feels as if he is in a dream.

This is a feeling that Xu Guangling has never had even after the abnormal change that night.

There is no doubt that tonight, his worldview has been refreshed again, his eyes have been opened again, and the world has once again opened a new window in front of him. It's just that the window seems to be a little bigger, so that the window suddenly opens, and the wind suddenly rolls in, blowing a little unsteady for him.

Not to the point where the world is broken.

But indeed, at this moment, Xu Guangling felt that many things were a little blurred.

Fortunately, his footsteps are fairly steady, and very steady. Whether it is the practice of Tai Chi in the morning, or the practice of the four moves and one style of the hands from time to time every day, the balance of his body has reached a considerable level. Steady, coupled with the smooth flow of qi and blood in the body, makes his pace reveal casualness in the lightness, and under the casual bottom, it is a kind of solidity of "insisting on Qingshan not relaxing".

Probably only this can prove that he is not a drunkard now, not intoxicated upside down, not in a daze.

So, under the firm and orderly pace, Xu Guangling approached the rented community little by little, and the vague illusion in his consciousness was gradually blown away by the gentle night wind, showing a state like the bright moon and clear sky in the outside world now.

But the confusion is gone, but a certain emotion remains.

Xu Guangling now knew how to deal with similar emotional impulses, entered the room, took out the manuscript paper, sat down at the desk, Xu Guangling put down the pen arbitrarily, unrestrained, so, a few minutes later, another song was born under his pen.

said it was one, but it was actually two.

Because these two songs are produced under a kind of opposing and unified mood, for Xu Guangling himself, they are inseparable.

Above this written song, Xu Guangling inscribed its title, "Scorching Qihua", speaking out of the Book of Poetry, "The peach is dying, scorching its flower", that is, this sentence is taken, and the rest is irrelevant.

In spring, the peach blossoms bloom brilliantly, both bright and rotten, like a brocade of the sun.

Among the imagery, the first two lines of another poem can probably be used as a foil, "The sky is green peach and dew seeds, and the red apricots on the sun are planted against the clouds." This is a peach blossom tree that is blooming freely, surrounded by colorful clouds and shining in the sun.

This is also a splendid, gorgeous, and enthusiastic life.

Xu Guangling marked a 3 after the scorching brilliance, and then removed this page of manuscript paper, and began the creation of the fourth piece, in fact, in the creation process of the third song just now, the fourth song has also been completed at the same time, and at this time, it is just a formal overall treatment.

Soon after, the fourth song was also announced, but Xu Guangling encountered a little obstacle when writing the title of this one.

Reality.

This is the title that Xu Guangling wrote at the top of the page after writing the song, but just after writing it, Xu Guangling frowned slightly, and then crossed it out and changed it to "immortal", but the next moment, Xu Guangling found that it was still inappropriate, crossed out these two words, and inscribed "Taoist".

But then, looking at these two words, Xu Guangling still frowned, these two words are still inappropriate, and they are very inappropriate!

The one he wrote was not true, not immortal, not Tao.

Besides, as of now, he actually doesn't know what a real person is, what an immortal is, and what a Taoist is.

After studying it carefully, he just wrote about a person, standing by the "scorching" peach blossom tree, looking at the brilliant peach blossoms, there was love, appreciation, but more appreciation, and after appreciation, he sat under the peach blossom tree, took out a book, and read quietly.

The splendid peach blossom tree gradually faded into the background, and beside the peach blossom tree, there was a small stream, flowing water, carrying the peach blossoms, carrying the faint mood of the reader, and also carrying the years of streamers, so slowly, flowing into the distance......

How do you come up with a name for this piece?

After rejecting three names in a row, Xu Guangling studied the piece itself in detail, and then planned to name it "Peach Blossom Flowing Water" directly, but before the inscription could be written on the manuscript paper, the name was rejected by him again.

Too straightforward.

Straightforwardness itself is not a problem, the problem is that the name does not represent the piece itself.

Or, "years"?

But this name is too vicissitudes and too vague, and it is not only vicissitudes, but also vague, and it is also the same as the previous naming, which fails to accurately capture Xu Guangling's mood in composing this song.

Completely let go of his mind from this song, Xu Guangling was in a daze for a while, and after a long time, he finally put down the pen again, and slowly wrote the next two words next to the title that had been crossed three times in a row: "Rotten Ke." ”

There was a man who went up the mountain to chop wood, and when he saw someone playing chess, he stepped forward to watch, and when the game of chess was finished, he was reminded: "You should go back." The man was stunned, so he reached for the axe he had just placed beside him, but found that the handle of the axe was rotten.

"Rotten Ke", this is the title of Xu Guangling's fourth piece.

It's the title, it's the theme.

It's about peace, about time, about eternity, about the vicissitudes of life, about the human world, and about the inhuman world, it's very complicated, even Xu Guangling himself can't locate the real thoughts in this song, probably the real thoughts, that is, many kinds of expectations, assumptions and contradictions, are intertwined.

But in any case, after the two pieces were composed, most of Xu Guangling's emotional impulses accumulated in his heart had been consumed, and there were still some left, but it was no longer in his calm, and then in this calm state, Xu Guangling put away the manuscript paper, walked to the middle of the room, and once again began the practice of the four moves and one stroke.

No expectations, no delusions.

Some are just focused, as always.

What's more, because of the relationship between the fourth song just now, Xu Guangling unconsciously entered a rather calm and far-reaching realm when he practiced these four moves and one style, in general, when he came back to his senses, looking at the time, it was already half past ten.

In fact, it was about half past nine, when he finished practicing his last move, and then put away the shelf.

Then he just stood there, not even the independent open posture of the golden rooster, but stood there with two feet, solid and relaxed, letting the qi and blood flow up and down the body, galloping, circulating, and then little by little it transitioned to gentleness, transition to subtlety, transition to make him forget everything inside and outside the body.

Just like the second half of the song.

The peach blossoms are flowing and disappearing, but they are not far away, but in the heart. (To be continued.) )