434. Qin Jian's La San! The band can be in the mouth

solo。

If most of the people in the audience don't understand what 'today's soup is a little salty' is meant, that's okay and understandable, they can interpret it as 'Oh, D minor is a great composition' and so on.

But solo, there is no one who does not understand what it means, especially against the backdrop of such a stage - there is no band on an empty stage, only a piano.

That's solo.

In the end, everyone has seen the big scene, and no one in the audience made a sound, maybe they were probably thinking: see what kind of solo this will be.

You know, Rachmaninoff's Piano Concerto No. 3 without an orchestra is still a 'work of elephants,' but without the orchestra, how can the musicians bring out the enormity of the work?

This is a valuable question.

The listeners, with different expectations, were ready for the final moment.

The performer also sat down in front of the piano, and the golden logo of 'steinwaysons' shone on the piano under the lamp.

As every time he sat on the stage, Qin Jian adjusted the piano bench to a comfortable position.

After sitting down, he slowly took off the watch on his left hand and gently placed it on the piano table.

The moment he tried to straighten his hand on the keyboard, the audience's eyes moved to the big screen.

On the large frequency screen, this is a pair of slender and somewhat good-looking hands, some people praise the black tattoo in their hearts for destroying the overall beauty of these hands, and some people praise it in their hearts.

However, more people were amazed at the twelve white key pins that were wide at the moment when the hands opened.

This is the envy of many pianists for their breadth.

Qin Jian didn't mean to show anything, it was just a habit for him now, a kind of final relaxation.

He also hasn't played on the international stage for a long time.

However, the warm light of the stage quickly brought him into a state of familiarity.

Exhaling slightly, his entire body leaned forward at a slight angle.

Then, his hands were in place in mid-air.

The performance seems to start at this moment.

But time seemed to freeze in the last second, and the hand in the air did not fall.

Many people hold their breath and wait for the first note to strike, so that they can adjust their breathing to the music, and the rhythm of their breathing will affect the listening effect.

But two seconds passed.

The stage was still still, but the audience in the front row could faintly see the figure in front of the piano moving his lips, as if he was humming something.

Yes, Qin Jian didn't focus on guidance this time, and in his case, the music actually started the moment he raised his hands

His mouth was moving, and he hoped that the undulation of the lines of the large dots of the bass and clarinet that he was humming and the violin bouncing of his tongue in the cavity did not affect the audience.

The noise of the scene converged in the air above the hall, as if it had become the melody of the French horn in his mind.

"Good. ”

Qin Jian smiled, waiting for the final starting pistol from the bass and timpani in the third measure.

“bang。 ”

The corners of his mouth made a soft sound with the rhythm of his heartbeat, and his hands were in mid-air.

On the second beat of the third measure, the piano sounds.

First movement.

‘Allegromanontanto’

Not too fast Allegro.

As soon as the music played, he controlled the speed of his hands smoothly, because the not-so-fast Allegro was more difficult to control than the Allegro.

A gray two-handed minor third interval kicks off the solo scene.

It's a solo show, and everyone can clearly hear only one voice of the piano in their ears.

But it still makes people feel like an orchestra is on stage

It's a surprising feeling, perhaps because you've been listening to it so much lately that you can already bring out the accompaniment in your mind.

Of course, it may be that they entered the music from the beginning with their hands frozen in the air.

In the previous section, Qin Jian dropped his fingers cleanly, and the mood of the music was over-played with a steady performance, as if the audience was also focusing all their attention on the sound of the piano because they didn't really hear the orchestra.

Without the complexity and intensity of the orchestra, the sound of the piano seems to be magnified several times, and every detail can be heard clearly.

People gradually realized that the first movement of La 3 had become different.

There's a little less heaviness and more of an indescribable taste.

"Is it easy? or something?"

A question mark on everyone's minds.

The timbre of the piano is bright and bold, and it is not hidden in the slightest, and every note is clearly displayed.

This alone has broken most people's stereotypes of La San.

I can't help but want to get behind the difference.

The hands on the big screen continued to move, and the bright sound of the piano continued to sing forward.

on stage.

Qin Jian's expression was as indifferent as ever, but if anyone could notice his eyes...

"He's back into his own musical world. ”

In the next corner of the stage, He Jingmo was holding the buttons of her coat, and her expression when she looked at the stage was also fascinated.

...

Sergei Rachmaninov is a unique figure in the 20th-century Western music scene, who is far from the mainstream and out of place, but who is popular with the general public for his outstanding piano skills and melodic talent. ’

Due to the tragedy of the times, he was far away from his homeland and drifted away, but he was deeply attached to his homeland. ’

The above is just a popular introduction and explanation.

But with this emotion and understanding, everyone who can play Rachmaninov can claim to be able to play Rachmaninoff.

Today, a few decades later, with the improvement of overall piano skills and the popularization of higher piano education around the world, there are already a large number of pianists who can play the most difficult piano concerto in history.

Rasan is no longer the exclusive preserve of pianists, nor is it the show-off capital of those who master it.

Perhaps Rasan should have stepped down from the altar of the concerto a long time ago.

"Why can't you look at this work with a normal mind?"

Maybe it's because it's too difficult to play.

Qin Jian was using his skillful finger technique to run the double tone, which was an extremely difficult passage.

But the resulting acoustics are also exciting, although the running double tone doesn't sound intense enough.

But his incomparably powerful skills have already amazed and praised most people.

It's just that.

When all the available compliments have been exhausted, what is left of the technology itself?

"Music never needs any praise, and a good performer never needs to be recognized through technique. ”

This is a simple truth, but is Rachmaninoff's starting point for composing music to be praised and recognized by more people?

The answer must not be.

No one can predict what the real future will look like.

Just like in that era of darkness and fire, no one could have predicted that the artillery fire of the October Revolution of 1917 would completely collapse the edifice of the Romanov dynasty in one fell swoop.

After that, like many aristocratic intellectuals and artists, Rachmaninov made the painful choice of leaving his homeland and going into exile.

Only before that, the work of Rasan had already been played above Red Square.

It's ridiculous that too many self-righteous music critics get the chronological order of history wrong.

So much so that those superficial praises are more like a little dust on the work.

In this regard, Qin Jian made a smile with a small third chord that represented melancholy.

This treatment seems to have turned many people's perception upside down again, because there are ff markers for brass and percussion in the orchestral accompaniment.

"So the piano should be played FF as well?"

But the score of the piano is also clearly written.

"It's clearly a P here. ”

As if with a shy mockery like Rahe, Qin Jian began to play the cadenza section.

He chose the first edition of the score, the octave theme.

In just an instant, the stage became fierce.