676. Autumn and Interviews, 'The Present Dragon and Guabi'

After Shen Qingci dealt with the matter at hand, he went to the piano room to give Fang Xiaoyu the first professional class after eleven, which was probably the last session of the month.

As soon as he stepped out of the piano room, he was greeted by several sophomores in the orchestra department with instruments on their backs, and he knew that these faces were members of the Spring of Figaro.

"Teacher Shen. ”

"Teacher Shen. ”

The students greeted Shen Qingci cordially, and Shen Qingci politely smiled back.

Looking at the energetic figures walking towards the theater, he also walked towards the school gate.

As autumn progressed, the movement of the children became louder and louder. ‘

He couldn't help but sigh in his heart, it seemed that the entire eleventh holiday was occupied by them for rehearsals.

This reminded him of the vocal girl who had been busy in place of Qin Jian.

"It's not easy. ”

Shen Qingci admires this kind of capable young man.

Getting into the car, he left the school.

...

20:13。

He appeared at Yanjing International Airport with a small suitcase, and he sent a message to Liao Linjun, and wanted to send another one to Qin Jian, but thinking about it, he still loaded his phone.

21:45。

The flight from Yanjing to Warsaw departed on time.

...

...

Back in the Warsaw Philharmonic Hall, the first set of matches in the morning has all ended.

At this time, only the audience in the concert hall was seated and sat to buy the second round of evasion tickets, and they were waiting for the second match of the day.

On stage, a tuner is adjusting the Yamah used by the first contestant of the afternoon.

From time to time, he would press a few 'da-da-da' notes on the keys, and then he would poke half of his body under the castanets.

In the backstage lounge of the concert hall, the competition interview is underway.

The interviewers are the organizer's journalists, and the interviewees are all the contestants who have made it to the second round of the competition.

This work was carried out after the second round of the competition, and each interview video will be broadcast in the following 'Daily Shaw Race' column.

It will also be uploaded to the Internet for fans around the world to learn more about the competition and get to know the players.

The interviews don't take up too much of the players' time, they just have to go back backstage and follow the staff into a break room after the second round.

Starting with Feng Ziyan, several players have been interviewed.

The No. 29 player from Russia is currently being interviewed.

Reporter: "So you said that the reason why Ballade No. 1 has a special meaning for you is that you rejected it before?"

Ksenia: "Yes, at that time I thought it was too complicated for me, the teacher always said that I couldn't understand the content of the score, and that was the most painful part of me, and I didn't know how to continue. ”

Reporter: "Today you put it in the last song, and the applause from the audience is very warm. ”

Ksenia laughed: "Perhaps, I was surprised after playing (Narration 1), but after leaving the stage, I think I must have impressed them with my performance." ”

Reporter: "As the last player in the first group, can you comment on the players before you, or which of them do you prefer?"

Ksenia pondered for a moment: "Fang, I think he is a pianist with a lot of potential. ”

Reporter: "Do you think you'll be able to make it through this round?"

Ksenia continued to laugh: "It's a difficult question to answer, but I did well today. ”

Reporter: "Okay, so the last question, what do you think of the national character of Chopin's music?"

Ksenia: "I never think about it, the piano is just a simple way for me to play, maybe I'm slow by nature?"

Reporter: "Okay, thank you. ”

...

After the interview, the audience was quiet.

It wasn't until an hour later that the whole concert hall became noisy again, and a moment later, the bell rang again,

The afternoon session continues and is in the same format as the morning session, with groups of five and no more than 40 minutes per person.

The five are No. 34 British, Guabi Green, No. 35 Russian Mikta Guzosky, No. 37 Singapore's Lee Hin Loong, No. 38 Michi-Chinese player Liang Kecheng, and No. 39 Hungarian Yukash Miko.

The whole competition process was tense and exciting compared to the morning.

It is the contestants who are nervous, and it is the spectators who are excited.

Guabi's mistakes in the first round were obvious to the audience, and miraculously he made the cut, so the second round was a chance for him to prove himself and fight for the judges.

As soon as the young man came on stage, he calmly made it to the Yamah piano, and then began his playing.

The first two pieces are decent, not outstanding but not wrong, but the next 20 minutes are 20 minutes that will be exciting for the audience.

He really told you a story in the third ballade, and the name of the story is - the scene of the rollover turned over and over.

Perhaps his mental pressure was too great, and at the beginning of the third measure of the introduction of the last right hand note he dropped his finger on the 'reduction fa', which should have been 'ascending fa'.

This missound made many people in the audience laugh in their hearts, and it was really joyful.

He pretended to be calm as if nothing had happened, and continued to perform affectionately.

But then it turned out that the mispronunciation made him panic.

When the music enters the fast-running passage, his rhythm is a mess, the wrong frequency can no longer be described as outrageous, and the whole music rushes towards a situation out of control.

This scene is rare in the history of Chopin's competition.

And in the following polonaise he almost continued the performance of the ballade until the applause.

Yes, the applause of the audience was full of indescribable flavors.

The judges were quiet, as if no one wanted to admit that they had given the contestant a chance to go on stage again.

The picture of Sister Ah holding her forehead should be given a close-up, and the high priest was also defeated this time!

History is always strikingly similar, and then the No. 35 Russian Guzosky was once again blessed by Guabi.

His steady play, paved by Guabi's car accident, once again showed a prominent feeling.

In Guzosky's five consecutive works, there are no obvious errors except for two mistones in Fantasia in F minor.

However, as a Russian player, his performance in this round did not further reflect the delicacy of the Russian piano, and he still used the crisp and straightforward expression of the previous round in the ballade that needed to be filled with emotion, and the performance was still smooth, but lacked drama.

Then *** debuted, and in the second round***, *** showed the demeanor that a contestant needs.

The choice of his repertoire and the order of his performances were the most reasonable of all the contestants of the day, and the opening of the Polonaise in A flat major gave him stage momentum.

The huge chord effect he slammed made the frail glassed boy in front of the piano seem to be much taller in that moment.

At the end, he arranged a ballade, the soft performance technique is completely different from the fierceness of the opening, and the delicate treatment is full of a touch of sadness and indignation, giving the audience a hidden sense of subtlety.

echoed from beginning to end, and the five works were completed in one go, winning applause from the audience.