Moment.

Qin Jian's brain was highly active, and his ten fingers were itching.

"Oh?"

The focus guidance that has not been turned on for a long time has made him feel a little different, different from the previous strong sense of foreshadowing with uncontrollable.

At this moment, he could clearly feel that every nerve seemed to wander around his thoughts, but it was ready to move.

It's a whole new experience.

"It seems that my own emotions have a tendency to become the dominant focus guide. ”

Suppressing the inexplicable feeling of comfort in his heart, Qin Jian calmed himself down.

Looking down at the black and white keyboard in front of you. , he tried not to recall the scene of the game.

"Come on. ”

The moment he raised his hand, the tempo of the work he was about to play and the range he needed to play involuntarily came to his mind.

“Prestoconfuoco”

"57 seconds - 60 seconds. ”

This is a habit he has developed in recent months preparing for Shawsey.

Then the shape of the whole work seems to be constructed in a combined way, and it is presented in his consciousness.

Moreover, in the state of focusing on the guidance and opening, the model of the work is more three-dimensional, showing every detail in detail.

He saw the bold rush blazing, the sixteenth group standing still in the 22-beat bar line about to come out, the breaking chord boiling...

Behind the various textures seemed to be filled with shadows one after another, and one after another names flashed from his mind...

It seemed that he would only have to play it all with his hands.

“～”

Slowly, Qin Jian withdrew his hand with all the expectant gazes.

The crowd of onlookers was puzzled-

Is this young man about to retreat? Look at his posture just now, but it looks like it~

He just wants to sit at the piano and take a picture?

The young clerk was thinking that if he asked for a refund of 10 euros, he would have to refuse, because this often happens, and that would be good if he gave him a pack of cigarettes.

Nini's father did not stop his camera work, he kept the camera slowly moving the left front of the piano, as if he wanted to record this scene more directly.

Duan Ran was still smiling at the back in front of the piano, she had a hunch that there was going to be a good show again.

Whispers began to rise in the crowd.

After about another five or six seconds, Qin Jian took off the watch on his left hand.

“10:34:54。 ”

Looking at the scales of the second hand, he placed his watch on the music stand.

“56。 He muttered.

“57。 "Take a deep breath.

“58。 "Exhale.

“59。 "Inhale again.

“60。 "Raise your hand.

“10:35:01！”

Finger Drop!!

With both hands together, Qin Jian pressed out the first chord.

"Wow!!!"

B minor, Duan Ran reacted immediately.

As soon as the chord sounded, the intensity of the FFF was revealed, and for a moment the whole street seemed to be enveloped in the oppression of this chord.

The crowd of onlookers was silent, and few of them had ever heard such a violent piano sound at such close range.

Qin Jian's brain was also completely excited at this moment, and the jumping nerves frantically rotated around the model of the work in his consciousness, as if reminding him that it was time to play the next chord. Changsha

However, Qin Jian's hands did not follow this guidance.

Under the lens of the camera, a hint of playfulness appeared at the corner of his mouth.

His hands were consciously delayed for about 0.5 seconds—

Lift up and fall again!!

"Wow!!"

The second chord of the delay sounded, and the excited spirit in Qin Jian's mind subsided a little, and there was a feeling that he had to match the speed of his hand.

This amusing feeling made the smile on Qin Jian's lips even worse, and he slowed down again, pressing the third chord with another 0.5 second delay.

"Wow !!"

Chopin's prelude in B flat minor, Nini's father, who was filming, heard the work through these three chords, but he had never heard such an opening.

The third chord pulls the nerves apart again, and this time, even the shape of the original model of the work seems to be involved, and it keeps fluctuating.

After carefully experiencing the time of 0.5 seconds again, Qin Jian put away the smile on the corner of his mouth.

During the gaze, he raised his arms high, his originally upright body was tilted at a 70-degree angle, his waist exerted force, and a force from bottom to top instantly passed through his shoulders to his arms, all of which were poured into ten fingers.

"Wow!!!"

"Wow!!!"

The fourth and fifth chords appear!

Two more powerful chords, fast and uninterrupted, rushed towards the model of the work like two fierce beasts.

One blow! is crumbling.

Two blows!!, that is, on the verge of collapse.

A second later.

"Wow~"

At this moment, Qin Jian only felt a 'click' sound in his mind.

The sixth crisp chord once again changes the temporal dynamics of the appearance, like a gentle breath, completely blowing away the solid model.

It seemed like a long time, and it seemed like only a moment

Qin Jian felt a clarity in his mind.

So far.

He erased all traces of the 'Preludes Op. 28: bFlatMinor Prelude in b flat minor' from his mind.

And the active nerves were not buried under the rubble, Qin Jian could feel that they were just hiding in pieces.

"Then rebuild. ”

In a thought, Qin Jian's hands moved again.

The prelude, which can be a few minutes long and as short as twenty or thirty seconds, is usually used as a prelude to a longer work.

But Chopin's preludes are not such a prelude concept, and each of his preludes is a complete picture or impression.

At the age of 27, Chopin composed 24 preludes.

Chopin's 24 preludes are written in 24 different keys from C major to B minor, arranged in a cycle of fifths, and finally form 24 pieces.

As a result, many scholars believe that these 24 preludes are closely related and should be performed as a finished work.

There are some performers who hold this view, but there are also a few who insist that each prelude is constructed by Chopin around a short musical idea, and that the 24 pieces should therefore be viewed separately.

But no matter how you look at it, there are too many versions of the classics in history.

Every virtuoso who is proficient in Chopin will have his own set of inner rules for his 24 preludes.

Or a thousand Hamlets.

For the time being, Qin Jian does not belong to the former, nor does it belong to the latter.

The scores of the 24 preludes were lined up in his mind, and it was difficult for him not to see the 24 as a whole, but under the influence of Liao Linjun, the 24 major and minor keys represented their respective colors in his ideology.

Therefore, they are both one and independent of Qin Jian.

In this process, Qin Jian also has his own understanding, looking at them separately, Qin Jian believes that in addition to color, it is not simply Chopin Lesi who constitutes them.

"The starting point of the performer is inseparable from the detailed interpretation of the work. ”