"Experientialism, as the name suggests, emphasizes the deep experience of the actor's inner emotions, and integrates the actor's heart with the character. The famous Stanislavsky's "The Self-cultivation of the Actor" is. Methodism is that the actor uses his body and expression to express the character's heart, and requires that the performance of the character be consistent with the character both in front of and behind the scenes. Famous representatives are Marlon Brando. Expressionism is to distinguish between the self and the role soberly, not only to be close, but also to understand that the role is the role and the self is oneself. Emphasizing the expression of physical movements, focusing on the outside. ”

Every time you learn theoretical knowledge, it is the easiest time to make people doze off. However, Bo Yan didn't want to drop the book bag, just to ask her: "Are you in that situation?"

After Xia Siyu answered, she could use different methods of various schools to teach her in a targeted manner, and get twice the result with half the effort.

Xia Siyu hesitated: "The first one." ”

That is the experiential school, which integrates one's own experience into the character and uses one's own life experience to experience the feeling of the character.

No wonder she plays chick movies, but because of self-substitution, the character also has a soul. The proprietress of "The Tempest", although she is a little charming and enchanting, but she also has a personality that dares to love and hate, and she has a unique personality, which is a compound of her character.

Bo Yan said: "There is nothing wrong with experientialism, the problem is that you want to create different characters, some very plump characters, you have no life experience, and you have no experience. You can't get close to the inner world of these characters by relying on your own imagination, and that's your flaw. ”

The role she wants to play in "Spring Light" is the daughter of a capitalist in a special era, a female college student in a big city, and an intellectual woman whose family has been persecuted, who was sent to the northwest mountains. It is not difficult to play the daughter of a capitalist, and a female college student also has to perform an arrogant bookish atmosphere, as for going to the northwest mountains to experience the hard life, she can also do it. But it was a special era, with ideological collisions, confusion and persistence, and arrogance vaguely hidden in the body.

There is also the feeling for the male protagonist.

The male owner and the female owner didn't know each other before-it's not right to say that I don't know.,The male owner was instigated.,In that era, he did something that many impulsive young people did.,Take people to criticize the professor.。 And this professor is precisely the mother of the heroine. But before smashing it, the male protagonist repented and didn't continue to do it, but his other partners followed, and injured the heroine's mother.

This was the trigger for the matter.

Later, the university was suspended.,The male owner also went home with him.,I met the decentralized female owner again.。

The two have hatred, but because they are the only people in the area who can talk. The male protagonist learned knowledge, and when he returned to the local area, he was also regarded as a bad guy in the black five categories, and he was crusaded against with the female protagonist. The same situation brought the two closer together. After driving away the hooligan who bullied the female protagonist once, the male protagonist couldn't help but be a hooligan and forced her.

The heroine loves and hates him, and in the face of the crusade of the villagers, she is unanimous with the outside world, except for spending the night together in private, she has no emotional communication with each other.

In the end, the heroine returned to the city, and the child was left to the male protagonist to deal with. The male protagonist guards the small room where the children have lived with them, and waits for the female protagonist to come back day and night. But whether the heroine will come back or not, only God knows.

In fact, after reading this script, Bo Yan felt that this was their portrayal.