Liszt's personality is impulsive and passionate.

At this point, Duan Ran's inner performance state is extremely compatible with its direction.

When we watch a pianist perform live, we usually get into the music from his playing state.

Some players will use their brilliant playing body to confuse you, and then make you involuntarily fall into his music, such players abound in history, Liszt is the originator of this hexagram, including Falluccio and Chumetta to modern Gulda, Argerich and other piano players, they are all like this.

Speaking of proximity, Liao Linjun is in this category.

Just watching their performance, it seems that you can feel the strong emotions in the music.

The other type of pianist is much more humble and peaceful when sitting in front of the piano, and they can draw a beautiful melody with only ten fingers, which is enough to catch the audience.

The finger is their only tool to convey piano music, and the representative figure is also from Chopin, another peak of the piano world in the Romantic period, and the people who continue this line of performance include Scolyabin and Lach to the modern Kremer and Hadline, all of whom are masters of the art of the fingertips.

Speaking of closer, so is Nobuyuki Tokai.

Of course, different piano works require different expressions from the player to be presented.

Sometimes Liszt would be quiet like a sheep when he played Chopin, and occasionally Chopin would use the poet's neuroticism to express the enthusiasm of the Hungarian rhapsody.

But the kind of thing that flows in their bones is hard to change.

Feng Ziyan is, Fang Zongyao is.

Natsuki is, Lee Hyun-ryong is.

Qin Jian is, and so is Duan Ran.

Young people are still on the road of pursuing piano art, but it seems that according to their age, they have unconsciously reached a fork in the road of artistic specialization.

It is foreseeable that they will be temporarily separated at this intersection and each embark on the path of finding himself.

Some people choose jazz, and some people devote themselves to the study of modern piano genres in the United States.

Some people have Chopin as their lifelong goal, and some people continue to try to make further breakthroughs in their skills.

Some people choose to stick to the classics, others love romanticism – Liszt.

Most of Liszt's piano works, like his character, are the stars of the Romantic period, and he uses a variety of new and unique harmonic techniques to make the piano, which was long considered poor in timbre and monotonous, have a brilliant and colorful sound effect like an orchestra.

Duan Ran likes such colorfulness, perhaps because of her excessive silence in life, this colorful music world makes her full of yearning.

She is willing to devote herself to this kind of music.

It's like the ghost fire she pointed at at this moment.

The ghost fire that Duan Ran understands is a strange sparkling psychedelic sound color.

Therefore, in the performance, she used a more flexible speed, and in the musical expressions that alternately express various dynamics and emotions between strength and weakness, she relied on her finger ability that even Qin Jian envied to imitate the flickering and jumping scene of the phosphorus fire in the cemetery at night.

This is exactly what the musical atmosphere is presenting on the stage at this moment.

In the eyes of most people in the audience, Duan Ran can easily control this kind of expression ability, and only a few people know that behind this, double tones, chromatic scales, various ornamental sounds, crossings, ultra-long-distance jumps, every difficult performance technique has her countless sweats.

A ghost fire ended, and applause rang out.

Duan Ran got up and bowed to the piano and left the stage.

Then, under applause, she appeared again.

The performance of the second piece began.

Or Liszt's supertechnical etudes, the last one - chasing snow.

The music itself is as romantic as its name.

As Duan Ran's performance began again, the atmosphere of the entire concert hall changed again. Die Literature Network

Perhaps deeply influenced by Chopin's soft and poetic musical style, Liszt's piano works also contain a poetic side, he absorbed the lyricism of Chopin's melody, combined with his own unique style charm, and also left him a gentle elegance and beauty for later generations.

But as a tremolo etude, this piece also has a majestic side.

As for what the performers would choose, Liszt, like Chopin, left the question to posterity.

Duan Ran did have her own discoveries in this winter beauty, she did not use a feeling of a small jasper to depict the beautiful scene of snowflakes falling in winter, but used a rather atmospheric scene depiction - the flickering and trembling accompaniment pattern set off the smooth melody, as if the white snowflakes were falling one after another.

Using the musical characteristics of large and large major shifts, she will focus on the harmonic changes of the left hand to express the musical picture of the snow intensifying.

Polyphonic rhythms and irregular rhythms also became her means of mobilizing the emotions of the audience.

It's fascinating.

The music ends in a hurry, but not in a hurry, leaving people with unfinished intentions and at the same time, it also leaves enough room for fantasy

"It's beautiful. ”

As the applause fell again, Qin Jian kept muttering to himself.

It seems that one time is really not enough to express his mood at this time.

"It's so beautiful. ”

Putting aside his relationship with Duan Ran, in front of anyone who interprets Liszt like this, whether he is a man or a woman, old or young, Qin Jian will express himself like this.

It's just that.

"Piano beauty or human beauty?"

A question sounded in her left ear, like a conversation between friends.

Very sweet mature female voice.

Probably on such an occasion, in such an atmosphere, this question did not sound too abrupt to Qin Jian at this moment.

"The piano sounds beautiful. ”

Qin Jian replied seriously, and followed Duan Ran to leave the stage again.

"Aren't people pretty?" asked the question again.

Qin Jian smiled, "Of course it's beautiful." ”

As soon as the words came out, Qin Jian was still a little proud in his heart for a while, as if this was the first time he had talked about Duan Ran's appearance in front of others.

Qin Jian's words made Lin Chaoge laugh, her laughter was not small, and it was very pleasant, Qin Jian, who was laughing, didn't have the courage to turn his head to see her.

Moment.

Lin Chaoge stopped laughing, as if the two of them had not had the conversation just now.

As Duan Ran returned to the stage again, the applause in the hall rang out again.

The applause fell, and Duan Ran's state of sitting in front of the piano was obviously completely opened.

The third piece, Hungarian dance in C sharp minor.

She raised her hands and arms in the air for a moment.

A second before the majestic chord sounds.

"You like her a lot?"

The question came again.

"Wow!————"

At the same time, a load-bearing chord struck from the stage in the distance.