Xiang Kun looked at the time, it was already a little faster, Zicheng was still playing cross-legged games, but he had already put on headphones, obviously thinking that Xiang Kun was asleep, afraid that he would be noisy when he was outside.

casually glanced at it, and found that Zicheng was no longer a jungler, so he changed it to play support and ran with the jungler Arthur.

Judging from what he said and the voice coming from the earphones, it was obvious that the jungler was Yang Jie.

You don't have to look at their game, just listen to their conversations, and you know that the game just now won't go too well.

After resting for a while, Xiang Kun closed his eyes again, this time he did not enter the "super sensing state" again, but sensed the "black circle graffiti" torn from a notebook from Miqiao in Qicheng City.

The "graffiti" is a "mark" made by Xiang Kun after recording the "supersensory state" and observing the surrounding environment information of a pencil drawing that has established an "emotional injection" connection.

This "marker" does not directly transform all the information observed in the "supersensory state", but only a very small part of the information that he can "understand" and summarize after comparing the information in the normal state with the information in the "supersensory state".

For example, the feedback information of different people under different emotions, such as the state of some electronic equipment under different working conditions, such as the different feedback information of the current size, such as the feedback information of different building space structures, etc.

These "marks" are, to some extent, like the "assembly language" that Xiang Kun summed up according to the sensory feedback part that can be "understood" in the "supersensory state" and can only be understood by himself.

It's just that he can't use this language to "program" yet, only to interpret and induct.

To others, the circles and arcs on the paper look like aimless "graffiti" or "artistic creation" that ordinary people cannot understand.

Xiang Kun found Mi Qiao's traces in Qicheng City before, and after confirming where she lived, he folded one of the "graffiti" into a special paper airplane and placed it on the balcony of her master bedroom, making it look like someone else had inadvertently shot the plane here.

According to Xiang Kun's cognitive model established through Guo Tianxiang's memory fragments and the analysis and interpretation of Miqiao's various objects, she has an instinctive interest in novel and "technical" things.

So if she sees the paper airplane on the balcony that folds to Kun, there is a ninety percent probability that she will leave the paper airplane and disassemble it.

Because the special folding method of the paper airplane was "invented" by Xiang Kun himself, the targeted counterweights in various places can make it more stable when flying, flying farther and longer. And when you look at it, you feel very special.

Of course, if Micho disassembles that paper airplane, he will definitely notice the "graffiti" on that paper.

Most people think that this is scribbling, but with Micho's character, there is a high probability that she can see the "sense of regularity" in those patterns and lines, which will prompt her to take the initiative to keep the painting and even ponder it.

Because at that time, the only objects that established an "emotional injection" connection around Xiang Kun were those "graffiti" painted with black circles. Those paper sheets are a little too big. It can't be torn into small pieces or otherwise destroyed, so it's hard to stuff them into the corners of some objects like small pieces of paper used to locate them. So Xiang Kun used this attempt to find a way to get her to take the initiative to accept it and put it by her side.

Of course, this is also an experiment that Xiang Kun deliberately wants to conduct.

He wanted to see if the cognitive model he had built with limited information and before direct contact with people could be used to effectively derive behavioral patterns.

Now, Mi Qiao has indeed left the black circle graffiti by his side, and even took it to the company to the secret research base of "Shenxing Technology".

It can be seen that his deduction and prediction of Micho's behavior are correct.

Although Xiang Kun knew that those papers had the same effect as "emotional injection" after drawing those black circles and graffiti, they really became "emotional injection" items, and the direct inductive connection between them and him was after the blood drinking mutation the day before yesterday.

He had already sensed the black circle graffiti once last night, and it had indeed succeeded in triggering Micho's dreams, and he had seen her dreams.

But in that dream, Xiang Kun always felt a little weird.

There is nothing wrong with the dream itself, it is Micho sitting in front of the computer to crack a system, there are four screens hanging on the wall in front of him, there are power cords everywhere on the ground, miscellaneous snack bags are everywhere, and there are several bottles of 2L fat house happy water next to it.

Micho's emotions are focused, engaged, and tired, as well as some doubts and confusion, just like Xiang Kun's emotions when he focuses on the feedback of information about his surroundings in the "super sensory state".

But what made Xiang Kun feel a little strange was that during the entire dream process, he didn't find the emotional projection of the "emotional injection" item.

In the past, when he triggered other people's dreams by sensing "emotion injection" objects, he would see the corresponding emotional projection in the dream.

Emotional projection is not directly related to what the "emotional injection" objects he makes look like, but is directly related to what he thinks, thinks, and feels when he performs the "emotional injection".

Whether it is the Minion, the eight-armed and eight-eyed wood carving, rabbit meat, or the Saitama teacher, the old man who teaches calligraphy, or even his own image, there are all kinds of emotional projections, but they will definitely appear, and as soon as they appear, Xiang Kun, who perceives the dream, will definitely know.

But in Micho's dream, from beginning to end, he did not perceive the existence of emotional projections.

And he always had the feeling that he didn't see the whole picture of the dream.

Could it be that the emotional projection also needs to enter the "supersensory state" in the dream to be seen?

But in other people's dreams, how can he enter the "supersensory state"?

What you know and feel is someone else's!

The last time he perceived Micho's dream, he left a lot of questions, so after he fell asleep today, he perceived it again.

Previously, he was more interested in Micho's dream itself, although the rabbit wood carving and bones were not sent to Qicheng City, but to another place. But after listening to the conversation between Miqiao and that "Mr. Liang", I knew that this female hacker who helped Guo Tianxiang "fish" before also had access to a lot of confidential things in the secret department of "Shenxing Technology".

But now, after sensing again and triggering the black circle graffiti into Micho's dream, Xiang Kun is more concerned about the exploration of his own "emotional injection" item.

This time, it was still the dream that was stimulated by the first sense, substituting Micho's dream perception.

She was sitting in the corner of a restaurant, watching intently the surveillance footage on her laptop.

With just one glance, Xiang Kun immediately realized that this was the situation when she was tracking herself with Guo Tianxiang.

However, because her attention was focused on tracking Xiang Kun, in the dream, Guo Tianxiang, who was supposed to be by her side, was not revealed by her.

Xiang Kun didn't pay much attention to the process of this dream, but began to try to enter the "supersensory state" in the dream.

However, the premise of the "supersensory state" is that his perceptual ability is far stronger than that of ordinary people, and even has a "sixth sense" that ordinary people do not have, can clearly feel the changes in the atmospheric electric field, and can perceive some environmental information that ordinary people cannot perceive.

In other people's dreams, Xiang Kun's perception is based on other people's perception information.

It's like you're watching a movie remotely connected to someone else's screen, and that movie is a 500MB high-compression format, which is the picture decoded by the integrated graphics card on the other party's computer.

Therefore, after thinking about it for a while, Xiang Kun gave up the idea of directly entering the "supersensory state" in Micho's dream, and instead focused on her various perceptual details, starting from the picture, sound, touch, smell, and so on.

Xiang Kun began to try to "transform" these perceptions into various information in the "supersensory state", of course, the part that he could "transform" and "compile".

And when he began to think about it, Micho's dream suddenly changed dramatically, and everything around him disappeared in an instant, turning into a space composed of various lines and circles, and these lines and circles were still changing and moving.

Xiang Kun immediately realized that this was the manifestation of the "supersensory state" of those dream perceptions that he was able to transform and compile.

No, this expression is also not accurate, it is not the same as the perception in the "hypersensory state".

In the "supersensory state", those information cannot be described by traditional senses such as sight and hearing, but now this information is directly "visible".

They are not "translated" into the corresponding information in the "supersensory state", but the special marks that Xiang Kun himself summarized.

In this state, Xiang Kun found that his perceptual perspective was no longer fixed with that of Micho, the owner of the dream, but could move freely.

Xiang Kun understands that this is the emotional projection form of the "black circle graffiti", which cannot be perceived with traditional senses, but is hidden deep in another layer of the dream, and can only be entered if you know how to "decode".

This discovery made Xiang Kun very excited, because it could further help him improve the "compilation" of Micho's perceptual information.

As long as the sample is sufficient, he believes that soon, a set of cognitive models that can translate Micho's perceptual information in the "supersensory state" can be summarized.

At that time, he can enter the "supersensory state", through the "black circle graffiti" to descend around Micho, and then observe her perceptual changes, so as to know what she sees, hears, and feels, which is equivalent to turning Micho into his remote "camera", and it is also a "camera" that can collect multi-sensory information.

If this collection method is expanded and the sampling range is expanded to the entire human population, then Xiang Kun may be able to obtain more comprehensive environmental information by interpreting other people's sensory feedback in the "supersensory state" in the future.

This is much easier than directly "decoding" the surrounding environmental information, the amount of data and difficulty is not of the same order of magnitude at all, and it is more easy to understand, which is equivalent to a shortcut!

Just as he was thinking about it, Xiang Kun suddenly found that he seemed to be able to control the various circles and lines under the "quasi-supersensory state" in the dream, affecting their shape and movement state.

Xiang Kun immediately understood that in this dream now, this "supersensory state" is based on the various perceptions and emotions in Micho's dream.

In turn, he can influence Micho's dream perception and emotions through the influence of various information in the "quasi-hypersensory state".

Because this dream was originally guided and helped by the "emotional injection" item black circle graffiti, it can be said that it is part of the platform and system of this dream, so it is not difficult for Xiang Kun to affect Micho's perception through the "quasi-supersensory state", far from reality, he must establish the "supersensory state" of the object, in order to carry out some targeted and lost influence.

After a while, Xiang Kun, who was out of the "supersensory state" in the dream, looked at the dream again from Micho's perspective, and found that the laptop screen in front of him had become a long strip more than two meters high, and Miqiao's fingers on the keyboard had become twenty or thirty centimeters long, which was very weird.

But Micho from a subjective perspective didn't feel anything strange, still tapping the keyboard and clicking the mouse with his stilt-like fingers.

Xiang Kun knew that this was the result of his influence in the "quasi-supersensory state".

It's just that now he is not familiar and comprehensive enough to make too detailed changes to the coding of those information. He believed that after a few experiences, he should be able to use Micho's existing dream scenes to make more complex edits, perhaps allowing her to see certain images and hear certain sounds.

After withdrawing from Micho's dream, Xiang Kun lowered his waist with some satisfaction.

He had realized that the "markers" drawn by sorting out the feedback information in the "supersensory state" would have a special effect, but he didn't expect it to be such a special effect.

Now those pieces of paper with "black circles scribbling" are like hacking software that can hack into other people's dreams.

And no one is aware of the existence of such "hacking" yet.

He glanced at Zicheng, who was still playing a game on the other bed next to him, and judging by his grim and bitter expression, their battle situation still seemed to have not changed.

......

At three o'clock in the morning, Qicheng City, in a high-end community.

Micho sat up from the bed, rubbed her eyes, and went to the bathroom to relax.

Sitting on the toilet, she looked at her hands, turned them over, turned them over, and thought back to the dream she had before, feeling a little inexplicable.

In that dream, her laptop screen was stretched into long strips, looking like a floor-to-ceiling mirror, and her fingers were super long, and her hands were like two giant crabs.

Thinking about that image now, it's a little funny and a little scary.

How could such a dream come about? What does it portend?

Micho shook her head, wondering if she was thinking about vampires all the time, and thought she would mutate like that?