"The seal is that I still feel full!" Qiu Buluo then added, "Super confident, no, conceited." ”

Wu Duo thought for a while, "In fact, all walks of life have this kind of sealed half bottle of vinegar you said. ”

Qiu Buluo nodded, "Just now, I even suspect that he was made a game, you said that he was shouting to find the third generation of official kilns in the antique market, maybe someone has already targeted him." He spent a lot of money on this reward bottle, and it's hard to say 1.8 million. ”

Wu Duo also nodded. What Qiu Buluo said is not impossible.

Qiu Buluo looked at Wu Duo again, "Xiao Wu, I found that you are young, quite stable, and you are a dry antique material." ”

"I need more advice. ”

"Look, it's quite modest. Qiu Buluo smiled, "Don't be so modest in front of me, and let go." ”

After the oily man left, the two chatted in the reception area, chatting and chatting that someone came to deliver something, and Huang Wei received it and led the person directly to them.

It seems that people have to be over seventy years old, and the old man is dressed decently, holding a woven bag in his hand, and the woven bag is still rolled up, and it looks like a long object inside.

"Brother, how long is your birthday this year?" Qiu Buluo saw that he was a little nervous, so he asked first to soothe him.

"Sixty-five!" he said with a northeastern accent.

When Qiu Buluo heard it, it turned out that he was younger than himself, that is, he looked old.

"Brother, I'm sixty-eight, three years older than you, your surname?"

"The surname is Zhang. ”

"Come on, come on, Brother Zhang, sit down first. ”

After chatting like this for a while, Zhang Laohan's mood was indeed soothed a lot, and then he took the initiative to open the woven bag.

Zhang Laohan took out a rectangular calligraphy and painting box. This box is decent, nothing special, camphor wood, but it looks a little old.

"Let's take a look first!" Zhang Laohan put the calligraphy and painting box on the round table.

While Qiu Buluo picked up the box, he asked seemingly casually, "Brother Zhang, how did you get this thing?"

"It's handed down from home. My hometown is Jilin, and then my son worked and settled in Qizhou, so I came to live together. Zhang Laohan replied.

Qiu Buluo nodded, and took out a scroll from the box, this scroll was less than a foot wide, and it looked like it should be a banner.

The shaft head is old mahogany, and it doesn't look like a new one.

Wu Duo sat beside Qiu Buluo and cooperated with him to open the scroll.

The total length of this scroll is actually more than three meters, but the two of them didn't put on a posture, sitting at a distance of about one meter, pulling one section apart, and rolling up a section at the same time, just finished reading it.

In fact, there is no need to wait to finish reading, after opening the first part, Qiu Buluo's eyes showed a look of disappointment.

Because this is a calligraphy, the content of the calligraphy is a cursive thousand-character text, and it is "the same paragraph" as the cursive thousand-character text of Zhao Ji of Song Huizong.

Song Huizong Zhao Ji cursive thousand-character text, is the work of Xuanhe of the Northern Song Dynasty four years, wild grass, extraordinary momentum, famous.

Originally, the original handiwork was written on white linen paper with the shading of the golden cloud dragon, and was 11.72 meters long.

If nothing else, that piece of paper alone is worth a lot of money. Because making this kind of paper requires hundreds of processes, the skill has long been lost, and the paper more than ten meters long is a whole sheet, and the gold dragon pattern on it is really drawn with a gold chalk pen.

Zhao Ji was not very good as an emperor, and he was even captured, but as a top calligrapher, it has been recognized for thousands of years.

Zhao Ji has written many thousand-character essays, but only two have been handed down.

A thin gold thousand-character script is now in the Shanghai Museum, while a cursive thousand-character script is in the Liaoning Provincial Museum.

The painting in front of Wu Duo and Qiu Buluo is not a print, but also a work of pen and ink.

However, the original is 11.72 meters long, and this one is only a little more than three meters long, which is obviously a "miniature version".

At the same time, there are many inscriptions and collection seals on the original work, and this one only has Zhao Ji's original seal, which is the "Xuanhe Renyin Imperial Book" and "One Person in the World" flower charge, plus the seal "Imperial Book Seal".

This cursive thousand-character text is nondescript.

It is said to be a high imitation, but it is a "miniature version", and the paper is also ordinary rice paper, and at the same time, there are no other inscriptions and seals.

It is said that it is a copy of the work, it does not fall the copy of the person's seal, let alone indicate that it is a copy of the work; at the same time, it also imitates a "seal of the imperial book" stamped!

Judging from the paper, ink, mounting, shaft head, and even the camphor wood box containing the scroll, it is certainly not a new work, but it is also to the Republic of China.

Qiu Buluo still patiently saw the end from the beginning, and after letting go, he said directly to Zhang Laohan, "Brother, this thing can't even reach the Qing Dynasty, you said that the family is passed down, at most, it can reach the grandfather's generation, right?"

Qiu Buluo let go of his hand, and Wu Duo took it himself.

Zhang Laohan nodded, "It was handed down by my grandfather, my grandfather used to be a framer in Changchun, and he also collected calligraphy and paintings, and there were also those that came out of the palace! Because this one is a camphor wood box, it was put in the wardrobe to prevent insects, and it was rolled into the big quilt, and it was left by mistake. ”

As soon as he said Changchun, Wu Duo understood that the palace he was talking about was the palace of the puppet Manchukuo.

In 1934, Pu Yi became the puppet emperor of Manchukuo with the support of the Japanese people, and the antique treasures he got from the Forbidden City were still in Tianjin, and his brother Pu Xiu was in charge of management. Later, these treasures were successively transported to the Puppet Manchurian Palace in Changchun.

In 1945, Pu Yi escaped from the puppet Manchurian palace, and more than 40 boxes of the most precious antiques and paintings were transported away with the car, but most of them were scattered along the way, and they were all lost or damaged······

However, Pu Yi's scattered calligraphy and painting do not seem to have the cursive thousand-character script of Zhao Ji of Song Huizong - Wu Duo generally remembers that the cursive thousand-character script should be inherited in an orderly manner.

In other words, Zhang Laohan's grandfather should not have anything to do with the original work, and only has such a nondescript work in his hand······

At the same time, Zhang Laohan said that his grandfather should know calligraphy and painting very well; for his grandfather, this nondescript work is almost the same period as himself, so why should he keep collecting it?

Qiu Buluo then asked, "Brother, didn't your grandfather say why he wanted to collect this calligraphy?"

And Wu Duo had already watched it before, so at this time, he simply listened to it directly······

"I don't know, my father doesn't seem to know. Zhang Laohan said, "I can't understand it, and my son can't understand it." My son also looked for people who know calligraphy and antiques, and they all said that it didn't mean much; Daya Zhai was recommended by a friend of my son, saying that it was more fair here, and he sent it over, and he almost sold it. ”

"It's almost sold?" Qiu Buluo smiled slightly embarrassed, "Brother, are you short of money, or do you think it's boring to keep it?"

"Yes, yes, yes, it's the second half of what you said, and it doesn't make sense to keep it, it's useful to exchange some money, isn't it?"