The plot of "The Great Dyeing Workshop" is not complicated, with the character of Chen Liuzi as the main line, telling the story of his founding industry, and then reflecting the story of the entire national industry at that time.

With a point to the surface, the side expresses how the national industry rose and flourished during the Republic of China, and then turned to decline.

In just 24 episodes, "The Great Dyeing Workshop" contains a large number of business war dramas, character dramas, national backgrounds and era entanglement scenes, which can be called full of dry goods.

Such a fast pace of the plot, although it shortens the number of episodes, also has a good effect on increasing ratings.

"The Great Dyeing Workshop" was only broadcast for four days, and it hit 2.12, although the speed is not as fast as the perverted "Bright Sword", but it is definitely eye-catching.

However, although the ratings of "The Great Dyeing Workshop" are rising, the popularity of online discussion is not very high.

In this film and television environment where the overall trend has begun to transform to pan-entertainment, it is inevitable that dramas will not be popular.

Of course, the drama is not without soil for survival, otherwise "The Great Dyeing Workshop" would not have the current results.

At present, on domestic TV platforms, there is still a lot of market for period dramas like "Breaking through the Guandong" and "The Great Dyeing Workshop", and it can be regarded as a TV platform with few themes that can resist word-of-mouth.

Like the remaining Anti-Japanese War, the countryside, mother-in-law and daughter-in-law and some so-called workplace themes, although the ratings are not necessarily low, there are few word-of-mouth that can be used.

In contrast, the popular TV series on online platforms have relatively more themes, which can be called a hundred flowers.

Of course, if you want to say that the most mainstream is youth idol dramas first, and then workplace dramas and costume fairy fantasy.

And most of the works in these themes can also be mixed together, called - romantic dramas.

Watching TV series, the part that doesn't have love is okay.........

Except for a few monk dramas, nine out of nine TV dramas do not lack the element of love.

Of course, everything is too much, and too much pursuit of adding love elements to the drama often leads to the reversal of the cart and the cart in the TV series, and then confuses the main line of the whole drama.

It doesn't matter if it's a romantic drama, what the audience is watching is the male and female protagonists sprinkling dog food, but if the main selling point of the TV series is not a TV series of love, it will be easy to provoke the audience to criticize it.

Nowadays, the overall reputation of domestic dramas is not good, and the wanton addition of love elements to the play is a major reason.

In addition, with the rise of online dramas in the past two years, brain-burning suspense dramas have gradually begun to rise.

These brain-burning suspense dramas, because of the meticulous polishing of the script, basically as long as the finished product is not bad, the reputation will be above good.

Last year, nearly 1/4 of Douhua's TV series with more than 8 points were brain-burning suspense dramas, not including spy war dramas.

.........

In such an environmental background, the broadcast of "Big Dyeing Workshop" on the TV platform is the best result, but as for the popularity of the Internet, it is really undemanding.

Don't look at the previous "Bright Sword" exploded online and offline, that's because "Bright Sword" has a stalk, and there are many famous scenes, many young people like it,

And "Breaking through the East", which is the same period drama as "The Great Dyeing Workshop", the scene is even more the same, namely-

The ratings and word-of-mouth are powerful, but the network influence is inferior to the popular themes of the same level.

In this regard, "Breaking through the Guandong" is even slightly inferior to "Seven Swords", whose ratings are much worse than it.

This can be regarded as a relatively obvious weakness of the dramas of the era, and it is also an important reason why the number of dramas is becoming more and more scarce.

Nowadays, in addition to film and television companies and self-made units of TV stations that have pursuits, they will also shoot this kind of period drama, and ordinary small film and television companies or companies that are completely looking at money rarely touch this theme.

Even if it is claimed to be a period drama, the actual quality is about the same as that of ordinary local dramas, or even worse.

At present, the units/companies that produce serious dramas related to history and era in China are the first to recommend CCTV, which is also their forte.

CCTV's supremacy is not blown out, although it occasionally breaks through the lower limit, but the average quality of the overall TV series broadcast is the highest among many domestic TV stations.

Every year's New Year's drama and summer file, the lowest is an 8-point boutique, and when the momentum is at its highest, there are almost 3~4 boutiques that can be piled up, and it is common for 9-point masterpieces to appear.

Nearly half of them are dramas.

Under CCTV, there were originally a few companies with a good reputation, but when the mountains and rivers rose, they occupied the second place.

"Breaking through the Guandong", "Bright Sword", and even "Divine Doctor Xilaile", which is not so strict in the threshold and can barely be counted, are all well-known TV series.

The lowest score broke 2 [Big Bang], and the highest reached the [National] TV series that broke 6.

A succession of successful works has allowed Shanhe to accumulate a certain reputation in the hearts of the audience, and everyone instinctively believes in the quality of Shanhe's dramas.

In this regard, CCTV is slightly inferior.

After all, CCTV still occasionally turns over the car, and Sunward has maintained a very high level in terms of the quality of dramas so far.

............

Now, the new "Big Dyeing Workshop" has an excellent reputation, which continues to maintain the quality level of Shanhe dramas and continues the superb reputation of Shanhe in dramas.

At the same time, it also made the audience and the industry highly appreciate the production ability of Shanhe's related dramas.

In the final analysis, although the film and television industry has slowly looked at money over the years, it is still a bit high in its bones.

High ratings, high ratings, is never as good as high reputation, and those who play art have always despised commercial flows.

Movies aside, in the field of TV dramas, serious dramas related to the times and history are not to mention ranking first in terms of gold content, but at least they are in the top two.

Several famous directors in the field of TV dramas have almost a high-quality serious drama under their hands.

Although Zuo Le entered the circle of top TV drama bosses with "Seven Swords" and "Wulin Gaiden", it was not until the birth of "Breaking the Guandong" that he completely stabilized his position.

It can be seen that serious dramas have the weight in the hearts of the industry and some audiences.

Sunward can carry such a brand at present, which is of great benefit to the whole company, and invisibly expands Sunward's prestige and status in the circle.

This is an influence that is difficult for you to get even if you shoot ten idol dramas that break 2.

Some people have even begun to call for Shanhe to make a historical production, and they have confidence in Shanhe.

However, Zuo Le was very calm.

Historical TV series are not casually filmed, and no one has tried them in the past two years, but except for a few CCTV films, the results are quite acceptable, and the others have failed.

Historical dramas and costume TV dramas are not the same, and the water here is very deep.

Costumes, props, venues, the size of the filming crew, various historical details, and historical figures, if you make a mistake, you will be scolded.

Zuo Le is also half a history lover, and he usually browses various history-related dry goods on some platform forums such as Zhihu, and he is quite familiar with the pickiness and combat effectiveness of some history fans.

It is no exaggeration to say that it is definitely the top echelon in the network, and if it is not too serious internal division, it can even be firmly in the first place.

What's more, there is a large group of professional historical experts and scholars, and this group of people has more energy.

With the current strength of mountains and rivers, it is still a bit difficult to shoot a "Bright Sword", and engaging in a historical production is simply a snake swallowing an elephant.

If one is not good, you have to be propped up (sprayed) to death.

Zuo Le still cherishes his reputation now, and if he is not completely sure, he will not end easily.

In contrast, the period drama is obviously simpler, the perspective is limited to the protagonist and others, with points to lead the face, the screenwriter and director have plenty of room to play, and it is not so simple for others to find fault.

Therefore, Zuo Le's current planning policy, in a short period of time, the main dramas filmed by mountains and rivers are still mainly dramas of the times.

Zuo Le found that Kong Sheng was very good at this aspect, and planned to let him deepen his cultivation of serious dramas and realistic themes in the future.

"Serious Case Six Group 3" was handed over to Wang Qian for filming, Kong Sheng happened to be idle next, waiting for him to rest for a while, and after resting, Zuo Le planned to let him shoot a new drama.

The script is already there, a drama, a realistic theme, pick according to his mood.

————

ps: There is something to do outside in the past two days, and the update may not be timely, I hope to understand, but I will try to make it up

(I seem to be about to lose my reputation, try to redeem it, knock one first▄█??) █●）