What a versatile young man.

Shoko Aida and Hayoko Suzuki have changed to new producers, but they don't have any special ideas, and what they think about the most is nothing more than lamenting that this new producer is too young.

Regarding this kind of emotion about the age of Iwahashi Shinichi, it has happened from time to time since he entered the industry.

However, young producers, when they have not yet produced results, will be suspected because of their age, and when they have achievements, they will be called young and promising.

The reverse is also true. In the small advertisement of the telephone pole, the old Chinese medicine treatment of psoriasis depends on how white his beard is, the whiter the more famous the doctor, but once you find that you don't have this hand at all, how white the beard is, how old the charlatan.

......

Senkashi Moritaka shines in the hands of Shinichi Iwahashi, from the original idol of the street into the rising period, and now his career has a good future, with this achievement in hand, and he was personally asked by Kenichi Yamauchi, the majesty of the producer of Shinichi Iwahashi is naturally not lacking.

Even if the two girls think he is young in their hearts, they will never behave rashly in front of him.

In fact, Shoko Aida and Hayoko Suzuki were very obedient, even to the point of becoming a problem, which was very different from the previous Senri Moritaka.

Chisato Moritaka is talented and arrogant, and will be unconvinced by Iwahashi Shinichi's proposal.

When she can't understand it, even if she's just a little idol who doesn't have much right to speak, she doesn't blindly obey, but will find a way to ask for an answer from Iwahashi Shinichi. So much so that in order to be able to calm her heart, Iwahashi Shinichi had to use a strategy to take her out for a long walk and talk about her heart.

However, such a disobedient Mori Takachi, Iwahashi Shinichi does not think she is bad, but sincerely likes her vitality to think, and is willing to answer her questions and solve what she can't understand.

And the two girls, Shoko Aida and Sachiko Suzuki, don't take the initiative to think about it at all, it's all about how the producer arranges, they do it, and get rid of a pair of puppets on the music box, which is very similar to the setting for them, and there is no need to worry about the collapse of the "character design".

After the recording began, Shoko Aida was even better, knowing that he would answer a little of his own thoughts on Shinichi Iwahashi's question, and Sachiko Suzuki was simply a typical example of the current era of emptying her mind and enjoying the moment, even if she won the draft and signed the contract, she would do what the company arranged for her, and she thought that as long as she listened to the arrangement, she would not go wrong - in this kind of obedience, there is simply a little irresponsibility.

The biggest reason to finalize the kind of music box dancer style that the two of them are about to leave comes from the unnaturalness of their facing the camera. But even so, when performing on stage, it was set as a "puppet dancing in a music box", and when he entered the studio, he was still two "puppets", which made Shinichi Iwahashi feel incredible.

Even if they work in the company, those employees who are just obedient will seem to win the favor of the boss at some times, but in fact, that kind of blind obedience will only arouse the contempt in the boss's heart, give birth to a subtle contempt, and feel that it is too stupid to treat this kind of puppet sincerely.

Iwahashi Shinichi doesn't despise the two girls, but he just thinks that this kind of obedience is a bit dangerous.

Because, people who don't think and just blindly obey will occasionally use their brains, and it is especially easy to do things that surprise people's eyes. And such a person, when he makes this decision, he will not even realize how terrible his decision is and what the consequences will bring.

Taking over these two "obedient" girls, at first glance, the adjustment link is omitted, and the producer saves worry and effort, as long as he does the work in hand. However, in Iwahashi Shinichi's opinion, these two girls may increase the difficulty for the producer to adjust them.

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The two girls were positioned as the Hehua group by the studio and the record company at the beginning, and they made their debut with covers, and the new single to be recorded this time is naturally also a cover song.

The title song of the next single, selected from a pile of dance songs with lyrics written by Mitsuko Kazukawa, was the 1980 song "SexyMusic" by the Irish family band The Nolans.

The original version of this song was first popular in the early 80s when TheNolans performed in Japan, but that was in the early 80s. Nowadays, the popularity of disco in the West has declined, but it is a big hit, and when record companies buy songs, they buy all kinds of popular dance music that have been verified and popular, and this song naturally enters the scope of purchase.

Finalizing this one as the title song for the next single from a bunch of popular dance songs, Shinichi Iwahashi's opinion played a lot of role in it.

And the most direct reason why he chose this song is that he was deeply dominated by "You are like a fire in that winter~" in his previous life, and he has personally experienced the great power of this song, so he has a kind of honey confidence in this song.

Of course, this alone is not enough.

Another reason, and the most important reason, is that this song is more suitable for choreographing a music box puppet-style dance.

Stage performance is a very mysterious thing, WINK, who covers dance music, does not have many opportunities to express himself through music, and the company has prepared all the popular dance music, in fact, what song to sing does not have such a big impact on them.

However, the practice of differentiating themselves from other idols through their gorgeous costumes and unflattering style made it necessary for the audience to focus on dancing if they wanted to experience their stage presence.

Choosing a song that is suitable for a music box puppet-style dance is precisely so that the audience can understand what they are doing on stage in the shortest possible time when their style is just established.

Since you can't have a live commentary before every performance, you should put what you want to convey to the audience in front of the audience.

Covers of foreign songs often pay a one-time royalty, and the original author does not participate in the follow-up sharing, and Iwahashi Shinichi's GENZO did not participate in the creation this time, so there is no songwriting royalty, but as a producer, he can still get his own share, and it is much more generous than royalties.

Even if he is the kind of producer who has never participated in songwriting, as long as he has fame, status, and work, his net worth is unimaginably thick.

Of course, the firm that encouraged them invested a huge amount of money in packaging, and if the combination didn't catch fire, then not only would Iwahashi Shin'ichi fall on his heels, but the two girls' art careers would also be overdrawn in advance.

Because of this, Shinichi Iwahashi has some responsibility not only for himself but also for the two girls.