421. The central thesis of the Nirvanakos school – "Volt has great stamina"
Pyleman's concert tonight has come to an end.
Ruggiero announced the course of the next five days of seminars, which will be dominated by open piano concerts held by universities from the day after tomorrow.
The best works will be selected and selected as the focus of the symposium in the future.
After all the concerts, it is time to discuss proposals and correct the version of the score, and the professors, performers, and conductors of various universities are mainly involved in this session.
This is one of the key projects of this workshop.
The notation that needs to be revised and corrected is not only the fingering expressions on Rahe's piano works, but also the arrangement of the various parts in Rahe's symphonic works.
The newly revised works will be distributed worldwide by the Tchaikovsky Conservatory in cooperation with the Moscow State Publishing House, and the participating academic groups will be able to appear in the editorial board of the editorial board.
It's an honor for everyone involved.
...
After Ruggiero stepped down, the applause did not stop.
Regardless of whether Perlman will return or not, applause is indispensable.
Really.
After a while, the backstage door was pushed open again, but it was his disciples who took the stage.
The young man, who looked no more than twenty years old, had just proved that he could get such applause with a song of la two.
He walked up to the piano without being humble or arrogant, and played a Schumann piece in his characteristic sitting position.
It's a Schumann piece.
Childhood Scene
The whole concert ended in this nostalgic atmosphere.
...
...
"In his later years, Horowitz used to play childhood scenes, and I guess that's probably why. ”
Half past eleven o'clock in the evening Moscow time.
In Shen Qingci's room, Qin Jian was sitting on the coffee table by the sofa and listening carefully, and there was an open bottle of vodka on the table.
...
After the concert, everyone returned to the estate by bus.
As soon as Qin Jian arrived at the room, he threw down his backpack and rushed to He Jing, the two sisters and brothers chatted for a while, and after Qin Jian and He Jing said good night and left at eleven o'clock, they sent a message to Shen Qingci, and the other party happened to be asleep yet, so he went directly to the door.
...
It's not the first time for the two to chat and drink in a foreign country.
Qin Jian is really a little incomprehensible about the final encore, even if the other party plays a Russian work, but a Schumann who can't hit with eight strokes is really confusing.
However, after listening to Shen Qingci's speculation, Qin Jian could probably understand something.
Although Perlman handed over the bullet to his disciple, it also contains his memories of his teacher.
For a while, both of them were a little embarrassed.
"Bang. ”
A soft cup.
"This vodka is so bad. Qin Jian frowned and complained, he had also drunk a lot of high-grade liquor, but he couldn't stand the taste of vodka.
On the contrary, Sheng Qingci looked like he was drinking, "Don't be in a hurry to swallow, you will get used to it slowly." ”
Putting down his glass, he continued: "I couldn't get used to it when I first came here, and then one of my professors of music history, a Pole, told me to hold it in my mouth for a while before swallowing."
Qin Jian gave it a try, then shook his head and said with a smile: "Teacher Shen, you have also stayed here?"
Shen Qingci nodded, "I spent fourteen months at the Glinka Conservatory. ”
This is the first time Qin Jian has heard the other party mention it, but seeing that Shen Qingci didn't say anything more, he didn't ask more questions on this topic, but continued to return the topic to tonight's concert.
"Teacher Shen, I listened to Perlman's performance very carefully tonight. ”
"Tell me about it. ”
Qin Jian slightly integrated the three points he had organized, and said: "The dazzling elements contained in his performance are low, he pays attention to his physical demeanor when playing, has a strong ability to shape the timbre, and the tone of the music is very smooth. ”
Shen Qingci: "Continue." ”
Qin Jian spread his hands, "That's probably it, I plan to find some of his works later." ”
Shen Qingci somewhat appreciated Qin Jian's attitude, including the other party's summary just now.
Moment.
"Actually, what you said is basically covered by the characteristics of Nirgaoz's performance, but as for the last point you mentioned 'the flow of music' - this is actually what this school advocates the most. ”
After a pause, he continued.
"The Nirgoz school emphasizes that every phrase, every passage, every note cannot be without connection. ”
"So, on the basis of ensuring the relevance of the music, Nirgoz proposed the idea of 'living, living breathing' to replace the gap between each note. ”
Qin Jian thought for a moment, "Won't this cause trouble in clauses?"
He thought about it, if all the notes were connected to each other, then in the actual performance, the processing of the phrasing of the work would become an extremely troublesome thing, and there would be no phrasing at all.
"As for the treatment of clauses, Nirgauz's suggestion is that we should first find the 'central point' of the current phrase, and all the notes in the phrase should be attracted to this central point, so as to complete the continuous and uninterrupted ups and downs of the music. ”
Shen Qingci's words, Qin Jian understood and understood, but the last question he left in his heart - is there any drawbacks to this kind of treatment?
It's not a question of authority, it's just a skepticism.
Tonight's concert put aside the last bit of Perlman's mistake by Rasan, and the performance of the master and apprentice duo was almost a perfect score.
But with just four pieces, it's not that convincing.
Qin Jian imagined that if Mozart was played in this way, the scene would be very interesting. ’
It is not unreasonable, it is precisely because of the respect for the experience and fruits left by his predecessors from the bottom of his heart that Qin Jian has this hesitation, and if he has the opportunity, he even wants to personally feel and learn the techniques of this genre.
"Qin Jian. ”
Shen Qingci suddenly interrupted Qin Jian's thoughts.
"From the 18th century to the 19th century, classical and romantic music were still the mainstream music in Europe. ”
However, when people were still immersed in Mozart, Beethoven, Liszt, and Chopin, the classification of piano works became more and more obvious, and the continuous emergence of various new musical genres led to higher and higher technical requirements for performers, and then different schools of performance, different teaching methods, and different performance techniques were born. ”
"You know what I mean?"
Qin Jian smiled and nodded, "Everything is developing. ”
As soon as his words fell, Shen Qingci smiled and waved his big hand.
"'Say no more, drink. ”
...
Half past two in the morning.
Before leaving.
"Wait for me tomorrow morning at ten o'clock in the restaurant. Shen Qingci said to Qin Jian.
Qin Jian replied vaguely, "Is it still called Xia Shu?"
Both of them looked a little choked.
"Whatever. ”
Shen Qingci entered the bathroom as he spoke, and Qin Jian staggered back to his room.
Today is a day he feels fulfilling.
As for what Shen Qingci was going to take him for tomorrow, his brain couldn't keep up.
...
Walking to the side of the bed, Qin Jian threw himself on the bed.
Then a whirlwind struck.
At this moment, in addition to not being delicious, Qin Jian found another shortcoming of vodka.
"There's too much stamina. ”
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