More and more people are cheering up.

In such an academic listening environment, such a treatment should indeed be noted.

Sitting in the middle row of the auditorium, Durengue watched intently as the stage unfolded, and the music was going on in him, at least so far.

He Jing returns to the strong playing on the eighth side, and after a series of changes it transitions to Variation 9 with triplet accompaniment, and the piano's full-bodied timbre prepares the tenth variation for the reappearance of the apocalyptic theme with octave chords.

A syncopated rhythm with a hint of jazz pushes the music to a small climax at the end of the unchanged A minor, and then a soft muted note opens the next theme.

The audience has adapted to this uninterrupted sentence transition.

Qin Jian had to say that this was a very special feeling, even though he divided the twenty-four variations into three parts, he still made a closing statement after the end of each transformation.

He treats each variation as if it were a separate individual.

But He Jing's performance logic has already told everyone very well - she first combines a few variations into a pocket, treats them as a complete section, and then interprets them in a way that is close to reason, only relying on the control of the notes to create a performance full of strong emotions.

An interlude is added to the mix, which gives the whole work a sense of completeness.

At least for now, I hear that everything is moving in this direction.

Qin Jian suddenly thought of a possibility.

"Is this also a kind of secondary creation? ”

He pondered.

Although the stage has not changed in the presentation of notes and harmonies, judging from the adjustment of the phrase structure, it has completely presented a new form of variation performance.

It can be regarded as maintaining the original flavor of Rahe's works while highlighting the new characteristics.

Thinking about the theme of this seminar, the more Qin Jian thought about it, the more he felt that this was the case.

This can also explain her treatment of F✖3 in the introduction section.

As he pondered, the music had come to the end of the seventeenth variation.

With a hint of worry, Qin Jian's gaze stared at the piano again.

He now understood why He Jing had a psychological disorder in the eighteenth variation.

As the core climax of the whole work, the eighteenth variation adopts a reflective variation technique, which requires a strong emotional rendering to depict a grand symphonic feeling, and at the same time pay attention to how to express a sad minor key in the bright key of B major.

If she continues to play in the same way that she has controlled her emotions since the beginning, it will inevitably hinder the climax, but if she lets go of her emotions, it will cause the temperament of the whole music to develop a little abruptly.

So.

"It's up to her. ”

Qin Jian sighed, the way He Jing chose to deal with it at the beginning meant that she had to make a trade-off when the music got here, and there was a high probability that there would be other ideas of his mentor in it.

The sound of the strings in the red hall is getting quieter and quieter.

At this moment, not only Qin Jian was paying close attention to the stage alone, but the three ravines on Di Lange's forehead were gradually hugging together.

...

The string group was completely silent.

At this moment, for the first time, the hand on the big screen skimmed over the keyboard in a flattened position.

A soft melody was brought out.

Soft and lacking in fullness.

But Qin Jian seemed to have known the other party's choice.

Each note is still revealed in a modified posture, and the connection still gives a dreamlike sense of refinement, as if caressed by the fingers of dusk.

The melody maintained this intensity, and after slowly advancing for five bars, it gradually accelerated.

Qin Jian knew that the band was about to join, and he felt that he was about to see the next dull picture.

But at the moment when the conductor waved the orchestra to join in, the magnificent string group seemed to completely submerge the piano.

Qin Jian was stunned, and Di Lange was also stunned.

He Jing on the big screen is playing, but the sound of the piano is almost so weak that it only proves that it exists.

Just when everyone was puzzled, the orchestra had come to the second retelling of the theme, which was also the final climax.

The volume of the choppy orchestra was nearly twice as loud as before.

Qin Jian held his breath intently, only to see He Jing raise his arms high at this moment.

"Buzzing ————!!"

Her arms fell as if a bigger wave had been set off, followed by a full-fledged extravaganza.

I play solo in a symphony that intersects and shines!!

This move broke everyone's eyes.

Only the conductor still calmly mobilized the orchestra to follow the pace of the piano, and probably only he knew that He Jing's music was not foul at all.

Qin Jian was stunned, he couldn't have imagined that He Jing, who spared no effort, would be able to create an orchestra with both hands.

Xia Shu was stupid, and the vast music in her ears made her feel how small she was at this moment.

Dulange pondered to the sound of the piano, his brow furrowed as the cadenza ended.

Listening to the conductor, he took over the nineteenth variation in one go, and the kind old man smiled with satisfaction.

After coming back to his senses, Qin Jian thought back to the paragraph just now, and completely understood He Jing's thoughts in his heart.

I couldn't help but admire it again, it can be said that the other party's handling was something he never expected, she directly played the eighteen variations into a cadenza with an orchestra, so that she could let go of free expression without breaking the design of the paragraph format in front of her.

It also sublimates the musical passage with one stone.

"Cool!"

The follow-up music returned to its original track.

Straight to the twenty-four variations, the piano-clean theme and the doomsday played by the orchestra merge Paganini's theme with the theme of the end times.

The music ends neatly in the rise and fall of the gorgeous peak.

“bong。 ”

At the end of the performance of the last note, He Jingshuang was froze in mid-air as if he was being played by the keyboard.

...

"Natsuki! Flower!" Qin Jian reacted immediately, and whispered with a side face.

The hall was silent.

Xia Shu stared at the stage, and was stunned for a moment when he heard the sound, as if he had just returned to the situation.

"Oh . . . Oooo

Then he passed the flower in his hand to Qin Jian's hand.

This happens just two seconds after the music ends.

The third second after the music ends.

"—————————— Uproar"

“bravo！！！！”

"—————————— Uproar"

The audience rang,

Someone holding a bouquet of flowers leaned down through the boiling auditorium and walked briskly in the direction of the stage.

...

...

After finishing all the performances, He Jing exhaled deeply.

After sorting out her expression, she stood up from the piano and shook hands with the chief teaser and then with the conductor.

"Thank you. She said to the conductor

The conductor smiled and clapped, then a gesture of invitation invited her to the front desk.

Facing the tide of applause, He Jing gathered gracefully and bowed.

She gave herself a good score for tonight's performance.

It could have been better, but it had exceeded her expectations, and Durangere's performance assumptions based on the work were overwhelmingly dominant.

But the little hint that Qin Jian gave her at the last moment allowed her to find a possibility to perfect it.

When he looked up, he saw that a delicate bouquet of flowers had reached in front of him.

He Jing smiled and didn't say thank you.

Step forward and give a hug.

...

"Whoa!!——————————