"Tianruo Love is the best debut film of Hong Kong films so far, and no director has ever delivered such a beautiful answer on his first work." The headline of Sing Tao Daily gave high praise to the director Chen Musheng.

"There's no doubt that Tianruo Love is the best romance film of the year so far, and it will definitely be a strong contender for the best romance film of the year.

When the heroine Jojo knelt outside the church door in a wedding dress and closed her eyes and prayed, Hua Di, who was bleeding from the nose, pushed the road motorcycle and left silently, and finally stepped on the gas pedal on the slope in front of the church. The roar of the engine is the most heartbreaking and affectionate farewell that can be heard under the moon." Ming Pao's report is placed on the most classic passage of Tianruo Love.

The famous talented woman Li Bihua discussed another hidden theme in addition to the theme of love and the rather brilliant supporting role Wu Mengda in her column.

"Tianruo Youqing tells a poignant love story while also talking about the dignity of being a human being.

In the opposition between the lower class and the middle class and upper class society in the film, or in other words, between the objectified people, human dignity suddenly becomes tense.

It is precisely because of the theme of "dignity" that the two lines of emotional story and gangster story are appropriately unified in this movie, and they do not hinder or tie each other up.

In the gangster story, Hua Di and Taibao gain dignity by not bowing their heads to the strong, while in the relationship story, the old prostitute, the servant, and the widowed old man raise their heads with genuine and unpretentious love.

In the theme of dignity, the Taibao played by Wu Mengda is undoubtedly a very important role. Although for most of the article, Wu Mengda is still repeating his typed role: humble and kind, cowardly but strong.

But in the last scene of the movie, when the dying Hua Di used his last bit of strength to grasp Horn's hands, and the Taibao, who had been instigating him all his life, stabbed him in the back of the invincible Horn, his every humility and cowardice was forgiven, and all his kindness and stubbornness were finally understandable.

The crying expression on Taibao's face when he pulled out his dagger and ran all the way was not aggrieved, but brave.

After he stabbed the horn, he drew the knife and came back, threw it to the ground, and while looking at the knife wound on his stomach, he was so excited that he was excited, and he muttered that I succeeded I killed the horn, and he was as happy as a ** teenager.

Wu Mengda's acting is very good, and he dedicates his best acting skills."

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"Brother Hua and Jojo are so pitiful, the director is dead, isn't it good to have a reunion, let Brother Hua die in the end." Li Jiaxin, who has finished filming A Chinese Ghost Story 2, complained while reading the newspaper.

"Lu Xun said that tragedy is the destruction of beautiful things for people to see, and now, many people are also holding such an argument in evaluating Tianruo Love, including newspapers are saying that Tianruo Love is a tragedy, and it is the director who deliberately shot Hua Di to death in order to achieve the sublimation of the plot, but I don't think so." Qiao Feng hugged the bright beauty and lay on the chair on the balcony, looking at the white clouds floating in the sky in the distance, and said lazily.

"Could it be that if you think the sky is lovely, it can still be a comedy?" Li Jiaxin turned her head in some surprise to look at the man whose claws of Lushan were swimming around her waist.

Aristotle said that tragedy is the imitation of a serious, complete, and lengthy action, and its medium is the ...... of language; The imitation method is to express the ...... with the help of the actions of the characters; By watching the tragedy and watching the noble sentiments displayed by the heroes with an invincible spirit in the face of the inevitable fate, people can generate feelings of pity and fear, and achieve the role of catharsis, purifying the mind, cultivating sentiments, and sublimating the spirit."

"Stop, stop..." When Qiao Feng was about to make a long show for the big beauty, he was interrupted by Li Jia, who had a big head, dangling his arm: "I don't understand, can you say it simply?"

"Okay." Qiao Feng reluctantly stopped the commotion that he wanted to show, but he still had to make a tirade, so he moved his neck and changed to a more comfortable posture before continuing: "To put it simply, a work that can be called a tragedy, first of all, its plot must be appropriate and can withstand scrutiny.

In organizing the plot and arranging the event, God has done a very good job.

From the beginning of Hua Di's reluctance to accept the boss's arrangement to help them escape to capture Jojo as a hostage, and then because of Stockholm syndrome Jojo likes Hua Di, and then Hua Di runs away to Macau, JoJo follows the past and was later caught by JoJo's mother, etc., the plot organization and event arrangement of this column are advancing step by step The final movie ending happens.

And the second important character is also a booster to promote Hua Di's death, if it weren't for kindness and righteousness, Hua Di wouldn't have taken on saving Jojo when they were going to kill Jojo, and there would be no later and JoJo's all kinds of, and in the same way, if it wasn't for kindness and righteousness, Hua Di wouldn't have killed the horn in order to avenge the boss and finally led to his own death.

As for the third thought, it is closely related to personality.

Thought is an indication of a character's character and the choices that result from it. Plot, character, and thought are the objects of "imitation", and these three are the most important results of a tragedy.

The reason why Tianruo is affectionate makes people feel moved and sentimental is because these three points are done well, which makes people feel that this is the fate of Hua Di and Jojo, the fate of not doing it, and the helpless life, I feel that the ending of this movie will be like that, and it should be like that.

I want to think about it, but I can't get it, what do you want to do?

In the face of inevitable fate, Hua Di showed noble sentiments, he ended his life in the mood for friendship, but in his consciousness his life is complete, he has a brother who lives and dies together, has a lover who works hard for him, and has a pure and beautiful love.

All of this is brought to him by JOJO, even if the two are separated forever in the end, but what Hua Di has is the beauty that many people can't ask for.

Who can say that Hua Di's death is not a martyrdom for his hopeless love!

He finds a sad and miserable outlet for his love with JOJO in the only way he can choose!

Sacrifice his almost raging youth and fireworks-like love with his young life!

Love and cherish, but still have to lose, this is called "if there is love"!