Then, Shen Yunzhou used a long ruler to delay about ten centimeters to hold down Ayako, and with his other hand, he uncovered it, separating the two layers of Ayako little by little.

After separating a gap, Shen Yunzhou pressed the ruler in the middle of the opening.

Then comes the time to witness the miracle······

However, Ayako uncovered more than ten centimeters, and Wu Duo still didn't see anything.

Go on.

It wasn't until nearly half a meter was uncovered that the dark yellow paper was revealed.

Moreover, this paper is attached to the top half of Ayako······

"Now I know why I soaked it, right? This framer is very skillful, with two layers of silk, the upper one is thicker, and he dug out a rectangular piece of the upper layer of silk, but he didn't dig it through, and just inlaid this paper work into it, so that although the paper is smaller than the scroll surface, the whole surface will be very flat!"

Shen Yunzhou slowly separated the two ayazi, then rolled up the useless ayazi below and threw them aside, and then laid the top layer of inlaid paper ayako flat on the table.

The side embedded in the paper is facing up.

In this way, it can be seen that this paper work is more than two meters long and about 278 centimeters wide, which is in the form of a handscroll.

Wu Duodun felt a little strange, when he "listened", the year information of the Song, Yuan, Ming and Qing dynasties was there, but now, it seems that there is only one work!

But at this time, Shen Yunzhou was operating, and it was impossible for him to reach out and try it;

Shen Yunzhou is an expert in cultural relics restoration and a professor at Yenching University, and Ning Shuang used to be his student, so this time he was explaining while operating.

Wu Duo benefited a lot.

"You see, this paper still has a life paper, and this life paper is from the Qing Dynasty. At the very least, it was last framed during the Qing Dynasty. However, the original mount of the Qing Dynasty is gone, and it is likely that it was somewhat broken before it was hidden, so it was simply dismantled, leaving only the life paper!"

Shen Yunzhou paused, "This kind of life paper is for the Qing Palace!"

After that, he looked at Wu Duo, "Xiao Wu, you really picked up a treasure!"

When Wu Duo heard this, he finally understood why so many years of Song, Yuan, Ming, and Qing dynasties could be heard on a single work!

This painting and calligraphy work should be from the Song Dynasty! Because the Song Dynasty is the earliest in the year I heard it. Then, it is likely that there are inscriptions and collection seals of the Song, Yuan, Ming and Qing dynasties, and they have been reframed!

The calligraphy and painting works of the Song Dynasty can be inherited and preserved to the present, most of them are works on silk, and there are few works on paper.

Ning Shuang couldn't help but look surprised. She didn't know what Wu Duo heard, but the calligraphy and paintings reframed by the Qing Palace must not be ordinary works!

Then, Wu Duo and Ning Shuang stopped making a sound and watched intently as Shen Yunzhou finished the operation.

A piece of paper work was removed in its entirety and laid out on the table, to be exact, on a special special backing board that Shen Yunzhou had placed in advance.

The paper is still wet, but it can be seen clearly.

This is actually several pieces of rice paper spliced together on the life paper at the bottom.

The real heart of the painting is only about half a meter long, and the length of about one meter and six meters remains, all of which are inscriptions of later generations.

"Thank you today!" After Shen Yunzhou saw the painting clearly, he immediately walked out of the inner room and locked the office door outside.

The picture is very simple, a strange stone, a pole to repair bamboo.

Style: Yuanfeng made in May of the third year, Yuan Zhang.

No stamps.

In the blank space of the picture, there is also an inscription:

The road of the world is dangerous and leans on the stone, and the heart of the road is slight and borrows the bamboo wind.

The word is a line of writing, with the pen strong and fresh, longitudinal and fast-changing.

"Mi Fu?!" Wu Duo and Ning Shuang looked at each other in pairs and spoke in unison!

Mi Fu, the word Yuan Zhang, the Northern Song Dynasty calligrapher, the great painter, and Su Shi, Huang Tingjian, Cai Xiang together called the "Song Dynasty", that is, the so-called "Su Huang Mi Cai".

The famous "Yan Shan Ming", now in the Palace Museum, is also Mi Fu's work.

As soon as Wu Duo and Ning Shuang's words fell, Shen Yunzhou, who came back from locking the door, immediately interfaced:

"Yes, there is no doubt about it!"

After that, Shen Yunzhou pointed to the heart of the painting, "This bamboo and stone picture is a rare masterpiece of Mi Fu's calligraphy and painting!"

On the center of this painting, which is more than 20 centimeters wide and less than half a meter long, the edges and blank spaces are stamped with more than 20 collection stamps, large and small!

Among them, there are those of Xia Qi of the Southern Song Dynasty, Zhao Mengfu of the Yuan Dynasty, Wen Zhengming of the Ming Dynasty, and some famous hall number collection seals······

However, this painting still did not escape the hands of the "stamped madman" Qianlong, what "Qianlong's Imperial Treasure", "Ancient Rare Son of Heaven", "Yi Descendants"······ He alone built seven!

Fortunately, Qianlong did not have an inscription.

Although I don't know why there is no inscription, Wu Duo finally breathed a sigh of relief. Mi Fu's calligraphy next to it, if it is matched with Qianlong's calligraphy, it is too scenic!

The inscriptions on the outside of this painting heart are mainly the three famous artists, that is, Xia Qi of the Southern Song Dynasty, Zhao Mengfu of the Yuan Dynasty, and Wen Zhengming of the Ming Dynasty.

In addition, there are several collectors of paintings and calligraphy.

The inscription is long and short, the longest is a poem by Wen Zhengming, which is obviously a single piece, and the shortest is a few words, "Authentic Wonderful Works, Shuangjunizhai Collection", which is inscribed by Li Tingxiang, a collector in the Ming Dynasty, and follows the blank space behind Zhao Mengfu's inscription.

On the following inscriptions, there are also many seals, most of which are from the Ming Dynasty.

Wu Duo pointed to the "Xiang Zijing Family Collection" seal stamped behind Wen Zhengming's inscription, "Mr. Shen, this is the very famous Xiang Molin, right?"

Shen Yunzhou nodded, "Xiang Yuanbian, Zijing, Molin, the most famous collectors in the Ming Dynasty, Gu Kaizhi's "Female History Atlas", Wang Xizhi's "Looking Forward to the Scroll", Huaisu's "Self-Narrative Post", Han Rong's "Five Bulls", ······ I can't count them, all of them have the collection seals of Xiang Merlin and his Heavenly Sound Pavilion!"

"Judging from the inscription, Wen Zhengming must have also collected this bamboo and stone map, he and Xiang Molin seem to be from the same period, right?" Wu Duo asked again.

"Wen Zhengming is dozens of years older than Xiang Molin, but they have a good relationship, and this work is very likely to have been bought by him from Wen Zhengming. Shen Yunzhou pointed to the scroll, "Did you find it, except for the collection seal of the Qing Palace, there is no folk collection seal after Xiang Molin." ”

Ning Shuang nodded, "Xiang Molin's Tianlai Pavilion is in Jiaxing, and in the second year of Shunzhi, the Qing soldiers broke through Jiaxing and plundered the treasures of Tianlai Pavilion. This bamboo and stone picture may have entered the Qing Palace like this!"

"Now it can be fully identified, the Northern Song Dynasty Mi Fu bamboo and stone map, after a long time, the inheritance is orderly; especially in the Ming Dynasty, almost from the inscription and the collection of seals to find out a very clear inheritance between collectors, from Li Tingxiang to Wen Zhengming to Xiang Molin; finally, the bamboo and stone map was looted by the Qing soldiers in the early Qing Dynasty, into the palace. ”

Shen Yunzhou took a deep breath, looked at the bamboo and stone diagram and continued, "Among them, there are Qianlong's collection of seals, Jiaqing's collection of seals, and Daoguang's collection of seals. Combined with what Xiao Wu said about Changchun, that is, after the Qing Dynasty fell, he was smuggled out of the palace by Pu Yi; finally, when he escaped from the palace of the puppet Manchurians in Changchun, he went into exile! Today, I see the light of day again!"

Ning Shuang then nodded solemnly.

And Wu Duo looked at Shen Yunzhou's solemn and solemn expression, but he couldn't help but feel a little weak in his heart······