With the host's track preview, Duan Ran appeared on the stage.

The audience burst into warm applause.

This applause is given to the Chinese girl, and also to her repertoire list for this round.

The Chinese girl, who always chooses the music and is on the wrong side, is still playing this time, which brings an unusual expectation to the concert hall.

Under the stage, Duan Honglin and Chaoge sat in two corners of the concert hall, watching their daughter's every move on the stage.

Qin Gang's family of three also rushed to the scene today, and it stands to reason that they should come to cheer for the competition of the Duan family's girls.

Naturally, Shen Qingci, Liao Linjun and others were indispensable in the audience, and Riegel also rushed to Warsaw yesterday after finishing school matters.

Family, friends, and teachers are all in place.

Duan Ran began her performance of the current round, 'OP4, Piano Sonata No. 1 in C minor. ’

After four competitions in 20 years, Chopin's Sonata No. 1 appeared again in the Chopin Competition.

The soft light of the table is reflected on the Steinway & Sons piano, and ten slender fingers outline the complex rhythm on the black and white keyboard.

This complex rhythm belonged to Chopin, who was eighteen years old, and composed his first piano sonata in the dreamy adulthood of his life.

Chopin wrote only three sonatas in his lifetime, all of which were optional pieces for Chauce's third round.

Of the 18 contestants who have appeared in the third round of this year, 8 contestants chose the second sonata, and the remaining 10 contestants chose the third sonata.

This is largely the same situation as in previous editions.

Perhaps the monotonous melody and single motive of Sonata No. 1 make the vast majority of contestants not optimistic about it.

After all, no player wants to spend nearly 30 minutes playing that they will forget.

Everyone is here to compete, and the first sonata is not suitable for competition.

Duan Ran also came to the competition, but she decided to play this piece at the beginning.

Compared with the heaviness of the second sonata and the grandeur of the third sonata, she was more moved by the youthful nature flowing in the first sonata.

Under the awkward melody, she felt a kind of youthful fearlessness.

She didn't care about the final position from the beginning, she only decided on her own choice.

...

The more grand the competition, the more exciting it will be because of such a player, and when Duan Ran finished playing the first movement, many Chopin fans on the stage were very excited.

They really loved Chopin and came from all over the world to listen to Chopin's young pianists, who have been crowned the best in the world.

They loved every piece of Chopin's work, but they rarely heard Chopin's First Sonata live in their lifetime, and this work rarely appeared in a concert.

And Duan Ran gave them such an opportunity.

...

The second movement is a minuet, the only one Chopin ever wrote in his life.

Duan Ran's fast and ruthless playing style gives the minuet classical dance music a rustic quality.

In three or four movements in succession, her musical thoughts remind us of Beethoven's profundity, and at the same time Chopin's inner thoughts.

The delicate and graceful brilliance and energetic rondo are like the sweet and fantastical life vision of a teenager.

Although the development of the musical image is due to the lack of compositional techniques in Chopin's youth, it seems that it is not compact and refined at the end.

But when this Western juvenile poem, hidden under many works, is played on the Warsaw Philharmonic Hall by the hand of a modern Oriental girl, is the image of the music itself really that important?

It's not just a question for the judges to ponder.

After finishing the performance of the sonata, Duan Ran began to play the repertoire of his choice.

The repertoire of three consecutive waltzes + one nocturne is very original.

This made the two teachers in her audience a little unsure of what to say.

Shen Qingci handed Duan Ran over to Rieger, but Rigal felt that he couldn't really communicate with Duan Ran from beginning to end.

The other party will only show a little fox-like smile when he wants to ask for leave.

Riggle is helpless, but he likes this genius girl, and he has always guided the other party as much as possible in his own way.

As far as Duan Ran's current performance was concerned, he was very pleased, and she didn't take the things he had warned her on.

It's just that from a game point of view, he has concerns because not all good performances are suitable for the ring.

21 people are destined to leave only 10 or less.

Riegel had also experienced this scene.

...

As the quiet nocturne ended, Duan Ran began to play the final piece, the Mazurka Dance.

‘op33’

The wind blows the trees, swaying back and forth.

The piano sounded, and the free speed under Duan Ran's fingers was like a wisp of wind blowing through the hall.

From 1 to 4, the four pieces bloom in turn: notes, phrases, strengths, and timbres.

The listener must follow Duan Ran's musical thoughts, as if he is feeling the breath of the wind in the green leaves and forest spirits, and if he is not careful, he will miss the exquisite interpretation and get lost in the forest.

In the judges' seat, Ogg was shocked, he felt that Duan Ran's first sonata at the beginning was not pleasant, but this set of mazurkas made him can't help it.

He was deeply touched by the delicacy and euphemism of the music.

God, there is a magical color in the music that is not found in the Polish playing.

He had no doubt about this self-judgment, just as a Pole, no matter how good-looking, could not grow the beautiful eyes of an oriental girl.

When the music ended, he involuntarily wrote a 25 in the scoring sheet belonging to player No. 13.

He knew it was a bit far-fetched for him to give such a score, but he was a Polish musician and he believed in mazurka music.

He had to give him the highest score he could give for the best mazurka he'd ever heard in the round.

Ogur is such an impulsive person.

"Whoop——————————————

Under the applause, Branhano, Andrzej, Talibek, Hofsky and others also started to write.

Argerich has fallen in love with this Chinese girl.

Fearless and adventurous, seemingly reckless can give people a positive look at critical moments.

She seemed to see the shadow of herself in Duan Ran.

But as a judge, she still has to face it fairly, and she gave Duan Ran a score of 21 points.

She gave Ricky a score of 22, and she felt that Duan Ran's overall performance was slightly inferior to Ricky's, mainly in the choice of repertoire other than Mazurka.

...

Applause sent down Duan Ran and greeted the No. 15 player.

Edmundo's appearance.

The only Polish male player left out of the 21 players.

The Polish player, who has been the subject of much discussion since the preliminary rounds, has not been very comfortable, and it stands to reason that he should have put in some more impressive performances in the early rounds under the name of Branhano protégé.

But he is not as mediocre as some players from small countries, let alone compared to Robert, who is of the same nationality as him.

But Robert was out in the first round, but he advanced.