Drop fingers.

It's the speed of the wind.

The left hand on the keyboard flashes like a black shadow, from left to right, drawing a six-line ascending note, and the tail note ends with a set of bass chords.

At the same time, the right hand followed.

"W-"

Qin Jian's hands fell in unison, and a set of gloomy chords rose high above the stage.

Then they scattered and scattered.

The hall, which had been silent a second before, was once again in a tense atmosphere.

The discrete melodic sounds like they are intertwined dynamically, but when viewed in a static aesthetic, they all imply their own personalities.

They are short, strong, heavy.

Under extreme control, Qin Jian gave every note a vivid life.

This is Lach's brilliance.

Now it is also Qin Jian's brilliance.

...

Cadenza is a reference to an improvisational passage by a soloist at the end of an aria in an Italian opera.

The orchestra is paused and left to the soloist to play freely to sublimate the work.

Originally improvised by soloists, composers began to write cadenzas, especially those who were also composers, such as Beethoven Mendelssohn, who recorded their own improvisations in their works for others to play.

The same is true for the cadenza passage at this time.

It is the most dramatic passage of Rasan, and it is also the most controversial.

Because Rachmaninoff, who is also a performer, composer and conductor, wrote a total of two versions of the cadenza here!

First Edition, Little Cadenza Toccaata Cadenza.

Toccata style, witty colors, rhythmic jumps, with a dancing nature.

It is the favorite of many performers, Weissenberg, Argerich, Gilels, and Horowitz are the supreme interpreters of small brilliance.

Even the recordings left by Rachmaninov himself in 1939 were played in a small cadenza version for posterity's reference.

Second Edition, Grand Cadenza OssiaCadenza.

Ossia Cadenza, another form of cadenza.

Although Rahmani himself titled it, he only used the word 'ossia' and did not even tell the world what kind of splendor it was.

But when the pianists open the score and read it, they can clearly feel the huge major chord structure from the score almost at a glance.

Ossia, gloomy and tragic.

This desolation and desolation is also loved by many people, and the stars of Ashkenazy, Ksolov, and Bronfman have also bloomed with incomparable sparks on the great brilliance.

In addition to 'blooming incomparably brilliant sparks', there is also Qin Jian's figure among these people.

...

Set back time a little -

At the backstage entrance 15 minutes ago, the band was already in place on stage, and the crowd in the audience was already waiting for Griesbeck to appear.

The old bartender, however, was bilingually translating the conversation between the two people.

Sabina: "How sure are you that you can play the little cadenza well?"

Qin Jian: "At least eight points." “

Sabina: "Okay, so we're kind of on the same page. ”

Qin Jian: "I'm sorry, you misunderstood again, I'm going to play Ossia Cadenza, I think you remember the solo at the Tchaikovsky Academy." ”

Sabina: "That one of your Ossia was dangerous, you know what I mean, you're not alone this time. ”

Qin Jian: "What's the difference, a band of 1,000 people only has one piano." ”

Sabina: "You're a madman. ”

Long.

Sabina: "How sure are you about answering me?"

Qin Jian: "Five points at most." ”

...

The camera zooms in to the first row of the audience at this moment, and our music critic, Mr. Hope, is already dumbfounded.

He looked at the figure in front of the piano, his mouth half-open, his brown eyes swaying, as if trying to keep up with the rhythm of his ears, but unfortunately his predictions had not been able to keep up with the rhythm of his ears since the cadenza began.

He has been a music critic for 42 years.

He had heard 58 live pulls.

In 13 of the performances, the performer chose a large cadenza clip, and he is confident that he already has a listening instinct for this piece of music.

But at this time, in the face of the sentence that lingered in his ears at this time, he lost his sense of direction.

can only let the sound of the piano hidden by emotions carry him back and forth in and out of various no-man's lands.

It's no man's land.

Because he had never seen such an Ossia Cadenza.

Never.

This cadenza weave was so calm that Hope felt a little hairy in his heart.

The thought that this was a virtuoso performer who was adept at disguising himself with great technique gave Hope goosebumps on his arm, and his heart beat uncontrollably faster than a third of the way through the cadenza.

He was afraid that the whole passage would end with this calm, and he hoped that there would be some changes in the musical picture when he got to 'that place', and that was his inner expectation.

But at the same time, he feared that this subtle cover-up would rebel and even subvert tradition at the last moment.

A pair of extremely complex emotions collided left and right in his heart, just like the changes that quietly occurred in the music at this time.

...

The heavy chords of Qin Jian's right hand still supported the musical contours of the entire stage, but his left hand seemed unwilling to surrender to this structure.

Suddenly!

His expression froze, and the moment his left elbow was raised, the bass melody under his left hand suddenly accelerated!

With the gradual increase in volume, it was only for a moment that the whole hall shook as if in the impact.

The atmosphere of the stage suddenly changed.

The melody, which has been hidden in the shadow of harmony, seems to have been oppressed for a long time, and at this time the layers have fallen off its surface

Revealing the iron bones,

Then he rushed to the strong harmony barrier with the momentum of death, and the notes were full of solemnity, and there was no superficiality in any way, and the rest of the notes was like a hammer.

The right-hand chord also directly boosts the power to the extreme.

"Ding, I found a golden performance medal. ”

In the face of strings of rushing rapid sounds, fierce chords ruthlessly crush them.

The continuous strong confrontation amplifies the art of piano sound almost infinitely.

"Ding, I found a golden performance medal. ”

Full of powerful chords, the melody is dazzling and dazzling, and a pair of big hands on the piano touch almost all the registers in the high and low transitions of the two notes, and the speed is as fast as a phantom.

At this moment.

No matter which angle of view the figure in front of the piano is seen in the hall, people can no longer believe that Qin Jian is a rational musician.

In the spotlight, he waved his arms in devotion.

It's as if there is no longer his ego in the whole world, he is the music itself.

He didn't know that his movements were exuding a sincere power in the intense music.

Full of drama and color, it releases this grand sound and shows magnificence.

His sweat flew in the air, his shaking head was extremely excited, his rapidly shaking hands smashed out one stage resonance after another, his hot eyes seemed to erupt into flames, and the green tendons on his forehead under the tips of his hair were congested and pulsating.

Everything shows his state at this time, manic like a beast about to get out of the cage!

Qin Jian's arms suddenly raised!

The octave theme is re-enacted!

The power of the struggle manifests itself in the music of this moment, expands, expands infinitely!

The thrilling to play under the screen, the cadenza has now entered the final fragment.

Qin Jian's ten fingers of both hands erupted collectively for the first time.

The high mood full of exuberance completely dominates the music.

The majestic momentum from the piano instantly enveloped the entire concert hall.

Sonorous and powerful is the strongest pronunciation of ossia casonance.

After the melody reached its climax, a few moments quietly faded away in the end of several sets of arpeggios under the keyboard's shadowless hand.

At this moment, a soft flute melody sounded in the piano-dominated stage.

The flutist is an intellectual-looking female player whose flute sounds as if she is passing through the piano.

A freeze-frame picture, Qin Jian seemed to have woken up from madness.

His gaze softened suddenly, and his shoulders, which were almost clipped to his ears, relaxed.

Come fiercely, go calmly.

He sat up again, his movements no longer manic, and gracefully took the new motive from the flute, and continued to explore.

The colors of the piano are constantly reversed from within, and the harmony reveals a little light in the subtle changes.

Qin Jian knew that the other end of the light was the reeds on the shore of Lake Baikal.

At the end of the reeds is the second movement of the piece, the spiritual home of Rachmaninoff.

It is a bridge between reality and utopia.

No pop-ups()