Chapter 19: It's Time to Show Real Skills!

That kiss was indeed outside of Yuki Kusano's plan, but because of this accident, Yuki Kusano was even more determined to help Sister Akina get out of the haze.

In fact, this 'help' has always been in his plan, but for now, filming is still important.

According to the plan made by the superintendent Yuki Kusano, Wednesday was the right time for shooting.

The first episode of "Renzaburo Furuhata" is a story that takes place at night, so the filming time is agreed to meet in the afternoon.

And when Masakazu Tamura and his assistant came to the agreed place, what he saw was ......

Everyone was sleeping on the floor.

"Hahaha...... What's wrong with you? Why have you been sleeping until now?"

"Ah~"

"Haha...... Where's the grass?"

"Young master, you're still sleeping in it. ”

It was Ah Chun who opened the door to Tamura-san, this guy was wearing a vest and had been rubbing his eyes full of.

Tamura-san was also taken aback when he heard the title of young master, but he laughed instead.

"Tell him to get up. ”

Actually, Yuki Kusano has already risen.

"Tamura-san, it's great that you're here, come on, let's start shooting. ”

Yuki Kusano is still wearing his black suit, neatly and neatly.

Didn't he sleep?

No, sleep is sleep, it's just that it doesn't sleep that long.

After all, he really couldn't sleep for too long because of something that went beyond plan last night.

Naturally, everyone else was woken up, and the house seemed to wake up as well.

When everyone saw Tamura-san, it seemed that yesterday's scene was repeated.

"Tamura-san, can you sign for me?"

"Tamura-san, I adore you very, very much, I feel like I can play against you...... Woohoo......"

"Hey, hey, what are you crying about!"

The others are just that, especially the Fuji TV people, because they have seen many, many big stars before, and Tamura-san is also a familiar face, of course, he is not too surprised.

However, Imaizumi, who is also Masahiko Nishimura, cried directly.

Why?

"I'm so touched to be able to play against you Tamura-san!"

Masahiko Nishimura said what was in his heart, he was an M man, and he was very emotional.

And Tamura-san smiled, the kind of bad laugh, "Really?"

"Really, really. ”

"Well, according to the script, I'm going to bully you. ”

"Please bully me hard!"

These words ...

Whether it was the elites of Fuji TV or the underworld of Diamond Pictures, everyone couldn't help but laugh.

And such laughter, of course, also woke up Sister Akina.

With unkempt hair, she appeared on the second floor.

Yuki Kusano shouted very dryly, "Now, it's time to start!"

So, the production team of "Renzaburo Furuhata" took action.

Yuki Kusano was actually quite excited, because he knew that it was finally time for him to show off his real skills.

......

Film and television dramas in island countries, that is, whether they are movies or TV series, have a very important principle.

Try not to have any waste shots.

The so-called waste footage is actually very understandable.

To put it simply, it is watering, that is, meaningless shots and images.

Therefore, when I have seen film and television dramas, especially Japanese dramas, I can clearly feel that they are very different from our Chinese TV dramas.

Of course, this is particularly obvious, TV dramas in island countries are generally only 10 to 11 episodes, and even the ratings are not good, so they are cut directly, and if there are few, five episodes will be gone.

And our domestic TV series, in the past, were still very good, but later, it was impossible to say.

Not for the entire 7 and 8 episodes, it seems that I am embarrassed to greet people.

What kind of epic story should be so long?

Therefore, many shots are wasted, meaningless at all, purely to delay time, for irrigation.

Yuki Kusano is very clear about this, and he is also aware of another important reason.

That is, RB's film and television dramas, as far as the director is concerned, everyone is learning from one person.

Kurosawa.

This master has not only influenced RB, but also many directors in China, and even many Hollywood and international directors.

As a master of film, Akira Kurosawa's use of the lens is the most admired by fans of these directors.

And among them, there is a key point, Kurosawa's film has no waste shots.

Yuki Kusano understands this, and this actually has something to do with Mr. Muranishi.

Toru Muranishi, he wasn't a director originally, he was a layman, and he even started working on Gongkou books and magazines, and he didn't even understand how to make movies.

But later, he became the emperor of mao films, and even, at the peak of Diamond Pictures, the annual sales were 10 billion yen!

Why?

He is Akira Kurosawa.

Even, in order to have no waste shots, he carried the camera himself and fought against Kurokika.

That's how diamond photography can reach its peak.

Perhaps, Mr. Muranishi's shooting has nothing to do with Akira Kurosawa.

But it doesn't matter, that's how he blows anyway.

So now, Yuki Kusano is finally going to start making movies in earnest.

Kurosawa's technique, this must be learned, but is it only to learn from this master?

Kusano felt that he should use some more interesting techniques.

......

On the sofa, Masakazu Tamura is fiddling with a comic book.

"These are your works?"

"Since high school. ”

"Oh, then, the editor at that time ......"

"Yes, that's him. ”

The conversation between the two people is a little ordinary.

That comic book has a picture of the author.,Chinami Koishikawa.,It's Akina's sister.。

Of course, this is a prop made by Okano, but it is not difficult at all, you know, Muranishi Toru used to rely on Gongkou magazine, and the production of this kind of printed matter is a piece of cake.

However, the performance of the two of them was not filmed at the beginning.

Why?

Previously, the camera used the guide rails to do a parallel slide from left to right.

In this way, the two people are slowly loaded into the lens.

And what is this method?

It's called ghost perspective.

That's the name, and it's really vivid, because the camera is on track, and when it moves, it's very smooth, like a ghost that doesn't have to walk on its feet.

And this has the advantage of allowing the character's voice to be heard first, and then to see the character's overall state.

It gives people the feeling of walking into a room and sweeping their eyes along with the sound.

Enhance the sense of substitution.

That's just one of the means.

Don't forget, Tamura-san said that he wanted to perform a paragraph.

Yuki Kusano gave him a minute, which of course is the iconic opening line of the play.

But now, Tamura-san is going to perform rakugo, which is different from the original version.

What to do?

Yuki Kusano had already figured out how to use the lens.

And, interestingly, our rakugo can't be so formal.

Rakugo, in fact, is cross talk, but stand-up comedy, in terms of the root, it is from our Chinese cross talk.

However, after arriving at RB, like many ancient arts, there was a special change in RB.

There's that very strict inheritance system.

This is what this island country looks like, such as Kabuki, then, it is basically a family inheritance.

The stage name used has been passed down all the time, and the title is, how many generations have added the stage name.

The same is true of rakugo.,The rakugo that Tamura-san said he liked before.,Laughing Fukutei Tsuruju.,His teacher is called Laughing Fukutei Matsutsuru.。

With such a strict lineage, it is impossible for us to really perform rakugo.

Because that can be troublesome.

So, what to do?

Kusano is lucky to have a way!

After Tamura-san played against Sister Akina, Sister Akina took a break for a while.

So, let Tamura-san wear his black suit, and then, kneeling on the futon, found him a small fan. However, there is no screen in the back that rakugo needs to have.

And it's all about the lens.

Yuki Kusano designed to put Tamura-san in the center, and, in order to proofread the center, he placed two comic books on the left and a slipper on the right in front of Tamura-san.

In this way, a stage perspective is formed!

Those two books and slippers have a function, and when you look at them, you will see that they are two things, but if you look a little closer, you will immediately find that these two things are exactly the same from Tamura-san in the middle.

That is, Tamura-san is in the middle of the middle.

And what's even more interesting is that one slipper and two comic books are the same in height.

These two things are actually the key to the play, but after all, they are two different things, but if they agree in terms of height, they will give people a subconscious.

Let the audience feel that these two things are asymmetrical, but in fact, they are symmetrical.

This technique comes from a movie that Yuki Kusano likes very much, "The Grand Budapest Hotel".

So Tamura-san will rakugo.

We didn't really talk about rakugo, but we just created a feeling like that.

After filming this segment, Tamura-san came to the camera to see how he performed.

Shout out of satisfaction.

"Kusano!

To be honest, Masakazu Tamura didn't expect that this Yuki Kusano would have such a means.

I still despise this young man.

Yuki Kusano is very proud, of course Tamura-san has not seen "The Grand Budapest Hotel", so it is normal for this big star to have such praise.

Just when everyone was happy, Okano-san and Ino senpai returned.

"'The Rain' is ready!"

This is a necessary condition for our play, and rain is actually the cooling water of the power plant with a high-pressure water gun.

"Okay! Let's go shoot the location! Ah Chun, you can only use your hand!"

“OK!”

The production team of "Renzaburo Furuhata" is all working hard!

It seems that it is not difficult to shoot this TV series of more than 40 minutes in two days...