"Thank you for your enthusiasm. ”

Hubbard returned the favor with a flying kiss, causing them to scream again.

This scene made many old academics who were filmed a little unpleasant, or it made them a little envious.

The pioneering composers of modern music are not often known, partly because most of their music is not even heard by professional classical scholars, and there is no place for them in the market environment.

Hubbard bowed, his long flowing hair flowed casually, showing a kind of rock star temperament on the stage, and the black frame added a bit of intellectual high-pressure temperament to him.

"So handsome. ”

Listening to Chi Rui's heartfelt admiration on the side, Qin Jian pursed his lips.

On stage, Hubbard introduced his work, fluent in English, Qin Jian could only take out his mobile phone to pass the boring time.

In comparison, most people still listen to it with relish.

"Yes, we composers decide what a pianist plays, and sometimes when a piece of classical music has been recorded thousands of times throughout history, it naturally becomes a symbol. “

"So as a modern composer, we have to be brave enough – or naïve enough to break the classics"

"Here I want to emphasize that the possibility of being turned off by classical music, I think it has long been necessary to change. ”

"I am honored to be invited to the great city of Bergen today, and I am very happy that the premiere of this song 'Snow Mountain' can be completed in such a beautiful and moving city.

"Thank you for coming and allowing us to witness this great occasion. ”

Hubbard finished the last sentence and sat down at the piano and began his playing.

Qin Jian also put up his mobile phone in time and looked at the stage.

"W-"

A low diminished seventh chord first sounded over the stage, followed by a series of dense ascending chromatic cadenzas.

"Oooo——!!——oo

The rhythmic and not fast cadenza ends with two strange chords.

It's cold.

The atonal musical qualities also emerge at this moment, and as the music unfolds thoroughly, the atmosphere on the stage becomes eerie.

When the accentuated rhythm of Hubbard's right hand brought out all the modern beats, Qin Jian was still attracted.

He wasn't attracted to the work itself, but as a pianist, he found the keyboard handling interesting.

Hubbard smashes the piano in a clattering way in a wonderful tempo rhythm, and the piano seems to be no longer a traditional classical instrument, emitting the umlaud effect of a monster's roar.

But no matter how it changed, he knew it was Steinway's voice.

Moreover, it is clear from the festival guide that all the pianos for this event were provided by Steinway & Sons, and the models were all upgraded versions of the D274.

The music on the stage had been going on in a way that was sometimes low and sometimes loud for ten minutes, and just after the stage was quiet, Qin Jian thought that the music was about to end.

At that moment, Hubbard moved again, this time again playing the piano in a fast, dense scale.

Experienced classical music professionals can tell that the music is no longer atonal, and the melody is becoming clearer.

It was only after about five minutes that Qin Jian's brows furrowed.

Halfway through the theme, he clenched his fist, and the phrase 'grass**' suddenly rose in his heart!!

Listening to such a familiar internal harmonic structure, he took a deep breath and told himself to calm down.

Looking at Hubbard's gaze again, Qin Jian's disgust had reached the extreme.

Although he did not write the Seventh Variation of the Trunksley, he never admitted in public that it was his work, but in fact it has long been rumored among the few people in the circle that it was composed by a young pianist from China. 58 reading

Moreover, Qin Jian only used this piece in competitions, and after that, except for giving the score to Duan Ran, Qin Jian never played this piece on any occasion.

But at this moment, at an international music festival, a famous composer is so blatantly using the third movement of the 7 variations in his own work and claiming to be an original premiere.

No matter how ingenious Hubbard dismembered the third movement and changed the harmonic direction, the melodic line and counterpoint proved that he was plagiarizing.

Long.

"Sounds good. ”

Qin Jian sighed, he laughed angrily, he had to admit that this melody was really good.

But he couldn't just laugh it off.

After Hubbard finishes the piece, it is actually all the melodic lines of the third movement of Ax7 and ends with a diminished seventh chord identical to the opening one.

Harmony is incomparable, and echoes from beginning to end.

Hearing this, Qin Jian completely understood that Hubbard should have been arranging the whole work around the direction of the third movement of Kel7 from the beginning.

As soon as the concert ended, before Qin Jian could say goodbye to Chi Heng, Chi Heng ran out from the back in a hurry and found him.

As soon as the two people met, the expressions on each other showed that they were both concerned about a problem at this time.

Chi Heng, a graduate student majoring in composition in Hanover, could not understand what was going on.

He had heard all the new piano works in Europe in the past two years, so he knew that Qin Jian's work had been plagiarized.

The two had a brief exchange, and the general situation was what Qin Jian analyzed.

"It's okay, I'm out of company first, I'll deal with some problems. ”

After Qin Jian finished speaking, he directly took the backstage recording that Chi Heng sent him and left.

He didn't eat lunch, he went straight to the old bartender, and he had to make sure that Hubbard mentioned 'him' in the introduction to the work, and if so, things could be considered from a different angle, after all, there are many such events in history.

Beethoven's Pathétique Sonata and Mozart's Piano Sonata No. 14 K457 share many similarities, with the same tonal relationship between the two works and a similar structure in the three movements.

One before the other, Beethoven's creations are behind.

However, it is not an accidental coincidence that Uncle Renbei publicly stated that he was inspired by Mozart's work when he created this work.

But it is clear that Hubbard's character is not as upright as Uncle Pei.

In the hotel, after listening to the recording of the entire 'Snow Mountain', the old bartender regretfully told Qin Jian that Hubbard did not mention him and Keqi Variations.

"It's ridiculous. The old bartender sighed, "Jian, have you applied for the copyright of your score?"

Qin Jian nodded, he was also glad that he had grown more eyes last year.

The old bartender listened to it again, and sighed again: "Very profound dismemberment techniques,"

The old bartender paused and said, "This matter is not easy to handle, what are you going to do?"

Qin Jian understood that this kind of thing was indeed difficult to do, there were only a few notes, so many rhythms, and so many structures, so thinking about it, if Hubbard bit to death this was an accidental event, then Qin Jian really didn't know what to do for a while.

However, he just asked the old bartender to make sure that he had mentioned himself in the introduction, and now the question had been answered.

Qin Jian had already thought about how to deal with it, anyway, the copyright of the work was in his own hands, and the distribution right was already in Vaughn's hands.

Qin Jian plans to leave this matter to Vaughn to deal with, thinking that the legal department of DG should be very good at this kind of thing.

"Uncle, I sold this work to DG last year, but it hasn't been released yet. ”

Looking at Qin Jian's suspicious smile, the old bartender also smiled, "In this way, this is not entirely a bad thing. ”

One old and one young, looked at each other and smiled.

After analyzing the matter, it seems that everything has become simpler.