In Chu Yu's opinion, the animation of magical girl Madoka, one or two episodes is just a simple description of the setting and characters, and the third episode is regarded as a work that changes the style and tone of this work from a more everyday feeling to a dark work through the death of senior sister Ba Asami.

And the four or five episodes can be regarded as revealing the worldview of this work little by little through the death of Ba Asami, and completely shaping the personality of the characters who appear.

From the sixth episode, this work begins to reveal little by little the nature of the creature of the magical girl and the tragic and irreversible fate of the magical girl.

Just like the title of this work, "Madoka Magical Girl", all the plots of the whole work from the first episode to the last episode revolve around the two key factors of magical girls and Madoka Shikame.

Therefore, the early results of this work are a little worse, and Chu Yu also feels that it is very normal, after all, the plot in the early stage is indeed very deceptive, but from the fifth episode, this work can be said to be one episode with one high energy, one episode with one twist.

The tone of the whole work, from the daily joy of episodes one or two, from the heaviness of the third episode, to the depression of the fourth and fifth episodes, to the darkness of the sixth and seventh episodes, to the melancholy of the episodes, until the birth of the round god in the last episode.

It can be said that the atmosphere of this work is becoming more and more uncomfortable for the audience.

The more you see the back, the more the animation viewers with a strong sense of substitution can appreciate the heavy and dark atmosphere of this work, even if it is the last episode that on the surface it is the magical girls who are saved, but in fact, that ending also makes the chests of many people in the original world who have watched this work feel like they have been hammered.

And for the audience of the Dragon Kingdom, they are also experiencing the path that fans of the magical girl Madoka in the parallel world have walked at the beginning.

After all, it's been a month since this work was launched.,People who started chasing this animation from the first episode or two have forgotten the anticipation.,Cheerful.,Entertainment mood when I first watched this work.。

Those who want to see the plot of the transformation of gorgeous magical girls into the dead house have not seen the plot they want to see until now.

On the contrary, the senior sister Ba Asami, who has always had a good reputation, directly received the lunch.

But that's the charm of this work, even though it's very different from the animated plot of the magical girl genre you'd expect.

But as long as you insist on reading the third word, there are few people who give up, but it's true that when I see this work now, many fans already feel a little depressed.

Even in the first episode of the anime, when the animation OP was broadcast, many people who watched the later plot frantically barrage and swiped the screen, and the various cute healing scenes in the OP did not appear once in the feature film.

So before the fifth episode of the magical girl Madoka was broadcast, Shui Xin Weibo updated the dynamics, "The story of love and magic has officially begun!", many people were puzzled.

Didn't you say before that the tone of this work is hope in endless despair?

How did it become love and magic now?

Can these elements be mixed and matched?

Anyway, those fans who have been abused by Chu Yu's works before are very skeptical that Shui Xin is ready to make another huge and gloomy work to harm people, and many people have also discussed this issue.

Some people think that Chu Yu's work will develop in the direction of bloody curiosity at most, and it may not be another depressing masterpiece.

After all, the style of the work is dark, bloody and melancholy, two completely different concepts.

Take the Rogue Kenshin Remembrance chapter as an example, when Kenshin kills his enemies, it is often a sword with blood, and there is no shortage of scenes where the enemy is split in half by Kenshin in pain, and the lives of people in the era are like mustard.

These images are dark and bloody enough, but most readers who read this comic not only have no inner turmoil when they see them, but also feel like laughing.

But the scene of Kenshin slashing Xuedaiba and finally Xuedaiba dying made countless fans of this manga feel heartache, and even had endless resentment towards the author in their hearts.

In many animations, the protagonist dies with the whole family, and even the protagonist receives a bento, which is not as good as the five centimeters per second Guishu After seeing the train passing, the scene where Akari also left is uncomfortable.

A work cannot be touched by bloodshed and curiosity, as well as the style of painting.

The third episode of the magical girl Madoka, what really touched the audience's hearts was not the bloody scene where Ba Asami was eaten by the witch, but before Ba Asami died, she and Madoka exchanged their hearts, so that the audience understood her vulnerable side under the mask of hiding strength and optimism, and at the same time, it also made the audience understand what kind of person she is, what her purpose and thoughts are?

In that part of the plot, most viewers not only fell in love with the indecisive but kind-hearted protagonist Madoka Kame, but also fell in love with the somewhat arrogant but enthusiastic senior sister Asami.

And at a time when the audience is just getting a good impression of the character

The animation uses a bloody and cruel way to make the senior sister sacrifice.

The generation of melancholy in the audience is like this, destroying what the audience thinks is beautiful in an extremely cruel way in front of the audience.

Shui Xin's previous works basically make people feel that the plots that cause depression are all based on love stories.

Akari, who is five centimeters per second, makes the audience feel depressed after the disappearance of the train is that her behavior makes Guishu's thirteen years of perseverance a joke, and at the same time, it also makes the audience feel great regret for Guishu for not choosing Sukita.

In the same way, Mei Yizi and Renta in the name of the unheard flower, Kenshin and Xuedaiba in the remembrance chapter, their stories will make people feel sad, and they are all similar truths.

Therefore, the impression left by today's Chu Yu in the comic and animation circles of the Dragon Kingdom to people who are not familiar with him is that he is a romance master and old driver.

If not, then how did he come up with so many heart-wrenching love stories and cartoons with the initial D?

And the problem with Madoka Magician's work is that it has no love elements, and the original magical girl theme tends to be routine, and Shui Xin has not yet added the idea of a love plot that she is good at.

From the first episode to the present, there have been two men, one is the blue-haired woman Sayaka's childhood friend Kyosuke Jojo, and the other is Madoka's househusband and father, obviously, these two people are just supporting roles, how can their story touch people's hearts?

So nowadays, many people who think that the work of the magical girl Madoka can only stop at the top ten of the October animation,It's basically based on this.,In their opinion,Maybe the subversion that Shuixin said should be to make the magical girl Madoka this work into a bloody battle animation.,In that case,,This work will definitely not reach too high a height.。

And a small number of people are believers in Chu Yu's "warrior of love", and they always firmly believe that it is impossible for that guy in Shui Xin to create animations other than the theme of depression.

In the week after the fourth episode aired, people with two opinions argued, but in the end, only the subsequent plot of the work can confirm their ideas.

So after the fifth episode of the magical girl Madoka was launched, those who were attracted by this work clicked on the fifth episode of the magical girl Madoka.

In the fifth episode, the animation doesn't hide anything, and the opening scene is the rooftop of the contract between Cuppy and Sayaka.

The dim light, the light red sky, Cupi's ears stretched into Sayaka's body, and then brought out Sayaka's soul crystal.

Is this the scene of the magical girl's contract?

Why does it feel so much like the altar of a cult!

Not only is there no sense of sacredness, but it also feels a little scary.

And then there's the interaction between Sayaka and the boy she likes.

And the plot at the beginning of this episode also clearly tells the audience that Sayaka became a magical girl and made a wish to restore the violin genius Kyosuke Uejo's hand to normal.

On the rooftop of the hospital, when Sayaka, Uejo's parents and the hospital doctor congratulated him on the healing of his hand injury, Sayaka looked at Uejo's happy face holding the violin and thought in her heart.

"My wish has come true! How could I regret it, I am very happy now. ”

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