"Hello. ”

Shinichi Iwahashi sat down across from Keiko Terada and said in a businesslike manner, "As an executive member of the planning committee, I'm here to communicate with Terada-san as necessary. Please ...... more Advice?"

At the end of the sentence, Iwahashi Shinichi's tone hesitated. Because Keiko Terada, who was opposite, was looking at him seriously.

In all fairness, although Miss Terada Keiko's typhoon is as brutal as a dinosaur, she still doesn't look like a dinosaur. Although the two small buckteeth are not so regular and the nose is not delicate enough, it is a little cute to grow on her face that is not so oriental, combined with her identity as the lead singer of a heavy metal band...... The so-called contrast cute?

But even so, being stared at by a woman like braised pork, even if it was an impeccable beauty like Sayuri Yoshinaga sitting opposite, it was really unbearable.

Keiko Terada noticed his discomfort, and deliberately looked at him from the bottom to the top without scruples, as if flattering, which was simply blatant and well-deserved for his bold style.

When it was over, he retracted his gaze and smiled, this time it was much more serious, "Okay, please advise." ”

It is completely opposite to the reality of the imaginary thirty-year-old man who is a heavy man...... However, the younger brother, who is young and stable in his early twenties, seems to be quite interesting once he accepts this setting.

After a strange first meeting, Shinichi Iwahashi hurried to get to the point.

Although Keiko Terada first proposed the music festival project, which led to the subsequent series of operations, Watanabe Productions took over the project as Keiko Terada was deflated by the record company, and then contacted the venue, dotted media, and negotiated record labels and song rights, all of which would be handled by Watanabe Productions, so it became an event led by Watanabe Productions.

Although Keiko Terada was the initiator of the event, her own record company was not strong, she was not interested in this project, and she signed a full contract, and there was no separate office behind it, so that after the record company was deflated, she lost the opportunity to fight further.

She also recognized the reality, took a step back, and expressed her opinion with reservations on the charter set by Watanabe Production.

Just because you do what you want doesn't mean you don't know anything about these things.

How do you sing a song? Do whatever you want in your own world. Out of your own world, you must be properly restrained.

Although the dominant power is on Watanabe's side of production, for this titular promoter, Iwahashi Shinichi still maintains the necessary respect. Ask her about her opinion in a serious way, and carefully record it.

His seriousness fell in the eyes of Keiko Terada, and she felt very moved.

"I heard that it was a proposal submitted by Iwahashi-san. Keiko Terada looked at Shinichi Iwahashi, who was struggling to write, and said.

"Hey. ”

After writing his last sentence, Shinichi Iwahashi raised his head, "Personally, I appreciate this project very much. ”

"There's a big gap in this area, and I think there's a lot to be done. Therefore, no matter who the initiator is, and what adjustments and compromises are made, we and Terada-san are working towards the same goal after all, and we are thinking about the same thing: how to carry it forward. ”

Unlike when he talked about things that had already been decided, Shinichi Iwahashi, who was saying these things now, looked very humane.

Not only that, but he has a sentence that won the heart of Keiko Terada, "how to carry it forward". And this is the reason why she wanted to start this project in the first place, with nothing mixed and the purest original intention.

"I don't know why, but I have a feeling. Keiko Terada said, "In that case, if I were to put it another way, I might think that it was a scene of social rhetoric, and I would put a gold on the project I am working on." ”

"Haha. "This sister is direct enough.

"However, these words were spoken by Iwahashi-san," said Keiko Terada, with a smile, "and they sounded extraordinarily sincere." ”

Iwahashi Shinichi also smiled, "This is a kind of prejudice, right?" Although it is a prejudice in the sense of good.

"Sort of. Keiko Terada admitted, "However, when Iwahashi-san said that, I felt from the bottom of my heart that Iwahashi-san really thought so." So, it's reassuring that you're in charge. ”

A sense of trust is important.

Compared with the complicated process of preparing for the entire music festival, the meeting with the promoter Keiko Terada can only be called a small corner of the puzzle.

From setting up a planning committee, to communicating with the promoters, and then setting the theme and tone of the festival through the meeting, finding a suitable venue, if you can't decide on the venue, you can't plan the live stage, and if you can't make these decisions, you can't win over the co-organizers, seek the support of the media, and you can't contact the singers who perform.

The whole process is interlocked, and no link can be skipped.

In the process of completing this whole puzzle, the manpower, material and financial resources that need to be used are innumerable, which makes the power of the individual extremely small, and no one can be beyond their own team, and they have to work together.

The individualism in the team is disliked, and the best strategy is to make it clear when you have something to say, whether your opinions are adopted or not, and do a good job after you decide.

The title of the festival was eventually decided to be "", a name that was a bit difficult to pronounce in the words of Shinichi Iwahashi.

The inspiration for the title came from the promoter Keiko Terada, which she decided when she was in her own mind, which means "female no sound".

Although it is not very friendly to the mouth, however, visually, the title is very imposing, and at the same time, the boring homonym is also a little girly playful here.

Just looking at the level of the name, I can also feel how much consideration Terita Keiko has given to this music festival.

After the title is decided, it's about the choice of venue.

Large-scale field venues almost all need to be applied for one year in advance, and those with less stringent conditions must be applied for half a year in advance, in addition, the schedule of the venue must also be taken into account.

Considering that in the field of rock and roll, women's appeal is not as strong as that of men, and this festival is the first time it has been held, without the corresponding popularity accumulation, and too large a venue cannot be easily tried.

However, if you stay at the level of the park's niche ego, it will lose the meaning of "music festival".

In addition, the requirements for security, logistics and first aid in all aspects of the field are not low, and the opening of this music festival is clear that it is necessary to lose money and make money, and the key question is whether it is worth it to earn back.