When the bubble era came, the kind of magazines that taught you how to eat, drink, and have fun, or published luxury goods and popular restaurants were selling best, and everyone was looking for luxury, so cater to this luxury mentality.

However, the uncertainty that it is very likely that the bamboo basket will be empty, seems to be an invisible irony of this world.

Even, if the people who participated in the show are popular, they can also debut into actors and singers through the show, which is full of various possibilities.

Iwahashi Shinichi made a start, and Yasuya Akimoto thought about it a lot, and the more he thought about it, the more interesting he felt.

As for what kind of money worship is preached, such and such hats, it doesn't matter at all. Just like he did "Meow at Dusk", it was to find a bunch of female high school students and talk about topics that are not so suitable for coming out of the mouths of minors.

From this point of view, Iwahashi Shinichi's idea hit his bad taste.

"Isn't that interesting? It's not impossible to make a show. Akimoto praised him, "Your brain is turning fast." ”

Iwahashi smiled and said, "Although the current era is the best era for girls, on the other hand, there are always people who will never change in popularity, no matter how the times change." ”

Speaking of which, he joked with the escort lady, "For example, someone like Akimoto-sensei." ”

The escort lady who is like a human spirit puts making the guests happy in the first place. Because of this, sometimes they can take advantage of their excessive thoughtfulness.

Yasuya Akimoto, who just regarded Iwahashi Shinichi as a bait to start a joke topic, was in turn used by Iwahashi Shinichi to take advantage of this. Akimoto Yasushi sensed Iwahashi's thoughts, smiled slightly, and took his little "counterattack".

Still, it's not so much a counterattack as the same joke.

It's just that he can do this in his early twenties, Yasuya Akimoto looked at Shinichi Iwahashi and thought thoughtfully.

......

The next day, Shinichi Iwahashi sent the song to Yasushi Akimoto's office. Yasu Akimoto acted quickly, and just two days later, he sent back the lyrics he had written.

Shinichi Iwahashi reviewed it first, then called Yasusu Akimoto, negotiated a few words with a somewhat general meaning, and after confirming all the lyrics, he handed over the lyrics to Warner Vanguard, and after the decision was made, the title song was officially in place.

After getting the lyrics, before the recording began, Yasu Akimoto contacted Shinichi Iwahashi and asked him out for a drink.

And when Iwahashi Shinichi arrived, he found that this was not a two-person meeting between him and the fat young man, and there were two other middle-aged men present.

Yasushi Akimoto introduced the two men to Shinichi Iwahashi, a script writer with whom he had worked on "Meow at Dusk", and Chihiro Kameyama, a producer at Fuji TV.

After saying hello, Yasu Akimoto said the specific situation, "I told the producer Kameyama the idea that Shin Yijun said last time, and he thought it was very interesting, and he wanted to meet with you and talk about related things more specifically." ”

"Akimoto-kun said that it was Matsumoto Akiko's former agent, so I know who you are. ”

Chihiro Kameyama said, "The idea was also quite interesting, and I thought that by enriching it, we could make a show that was interesting." It's your idea, so we can't do without your opinion, and we'll have a good chat. ”

Countless TV shows, in the beginning, were born in a bar or nightclub, producers, script writers, managers, or office presidents, in short, all kinds of people who were engaged in completely different divisions of labor in the industry got together, expressed their opinions, and finally made a complete program.

Shinichi Iwahashi and Manyumi Watanabe had booked a show on TV Asahi, but this was the first time he had come up with an idea and then discussed it with a script writer and producer.

This experience is of great significance, if this show can really be established and finally put on the TV screen, then Shinichi Iwahashi, who participated in the production of variety shows, will have a wider path in the TV station.

From this point of view, the chubby young man Yasu Akimoto is helping Shinichi Iwahashi and bringing him to the TV circle.

After drinking this stall, the four of them changed places again.

In the first booth, everyone expressed their opinions on the show, and the second booth was purely entertainment. The four of them had a good time, and then they went back to their respective homes - the bill was sent to Yasushi Akimoto's office.

Chihiro Kameyama got into the taxi first, and Shinichi Iwahashi got into Yasushi Akimoto's car with Yasushi Akimoto, along with the scriptwriter, and his driver drove them home.

The first to get off the bus was the scripter, and after he left, Yasuya Akimoto said to Shinichi Iwahashi, "Shinichichi-kun, I originally planned to go to the United States to study as soon as the kitten club is over." ”

However, after hearing this idea, I was suddenly stimulated by the practice of drawing ghost cards, and I thought it was very interesting. So I plan to postpone the itinerary for the time being and make this show first. ”

With something new of interest, Yasushi Akimoto's spiritual head returned.

Iwahashi got out of the car, and the driver turned around and sent Akimoto home. When I got home, the indicator light of the telephone showed that there was a message, and Yasu Akimoto pressed the button-

"Good evening, Mr. Akimoto, I'm Takai. ”

It is a member of the kitten club, Mamiko Takai.

His partner, composer and good friend Goto Jiri, is very close to Sonoko Kawai of the Kitten Club, and Mamiko Takai has been actively contacting him recently.

What Takai Asamiko thinks in her heart, Yasuya Akimoto, who has lived as a human spirit, knows it.

After listening to the message, he was thoughtful.

......

The lyrics and lyrics of the title song are ready, and the production of Chisato Moritaka's new song has officially begun.

This time, although Warner Pioneer outsourced the production rights to GENZO, the recording was not done in the studio rented by Shinichi Iwahashi, but in a studio owned by Warner Pioneer.

The recording engineer was previously in charge of Sensato Moritaka's debut single, and Shinichi Iwahashi, as the producer, took over the overall role, and temporarily changed the scope of his activities from Yoyogi's nest to Warner Pioneer's recording studio in Shimbashi.

Regardless of the previous prejudice against this young producer and whether he was reluctant or not, Chisato Moritaka also came to the recording studio, and before the recording began, he greeted him and introduced himself again.

For the next period of time, in the studio, it was this somewhat annoying person who held everything about her.

Senkari Moritaka was a little repulsed and a little curious in his heart.

Shinichi Iwahashi, who didn't know anything about her thoughts, responded to her self-introduction, "Hello, Moritaka-san. In the coming period, I hope we can maintain a pleasant cooperation. ”