The scene of the "Total Annihilation of the Yamazaki Brigade" was filmed for 5 days, and he was almost shocked into tinnitus by the explosion.

Later, Zuo Le learned wisely, bought soundproof earplugs, and then continued to shoot the war scene of "Bright Sword".

The round-trip fee for hundreds of group performances is not a small amount at one time, even if the crew of "Bright Sword" has sufficient funds, they can't just waste money to play.

Therefore, while the group performance was in place, Zuo Le was ready to directly shoot all the war scenes of "Bright Sword".

Shoot big scenes first, and then gradually reduce the number of group performances until all the war scenes and some scenes that require a large number of group performances are filmed, and then switch to the literary and drama parts of the main characters.

"Bright Sword" invited thousands of group performances, with a minimum of 200 yuan per person a day, and some group performances with a few lines or face-showing even cost 500 yuan a day.

And because it is a group performance invited by the crew from other places, a large number of people need the crew to arrange accommodation or give a certain subsidy.

Although the size of this subsidy is not very high, on average, it is almost 100 yuan smaller for one person.

The war drama Zuo Le of "Bright Sword" was filmed for more than a month, and the time to maintain the scale of more than 1,000 group performances was about 20 days.

And the rest of the time, the crew also retained a group performance of more than 300 people at a minimum.

Accommodation, travel expenses, salaries, subsidies, "Bright Sword" spent nearly 20 million on group performances alone.

That is to say, Zuo Le is the boss, and if he changes the director, President Yan and the production department have already come to the door.........

Regarding the crew's and even the company's private dissatisfaction with this matter, Zuo Le actually knows it, but he doesn't care about it.

In his opinion, this is a disadvantage of the Chinese film and television industry.

Smashing superstars and top traffic, tens of millions, hundreds of millions of salaries, and don't blink an eye.

In terms of special effects, group performances or service services, spending a little more money will force Lai Lai to finish, and he feels distressed as if he is bankrupt.

Putting the cart before the horse, ridiculous.

Zuo Le is not opposed to inviting big-name stars in the crew, but he opposes this sick film and television production mentality.

Li Youbin and Yan Ni's salaries add up to nearly twice as much as the cost of group performances, no one in Sunward Company said half a word, he made a little bigger in group performances, and some people came out to worry about money.

It's all special.

Thanks to their sober minds, they didn't run to Zuo Le to "offer advice", otherwise they would definitely be recorded in Boss Zuo's blacklist.........

............

After more than a month of filming war scenes, Zuo Le now sleeps at night, and his mind is full of pictures and sounds of the war.

During the Anti-Japanese War, it was [onboard] and [chopped the little devil] [I the eighteenth generation of your little devil's ancestors]

During the civil war, it was the time to serve the party/country and the reactionaries and liberate the whole country.

That is to say, Zuo Le's heart is big, there is no nervous breakdown, and he can go to work the next day full of energy, and if he changes to someone with a slightly weaker psychological quality, even if he does not strike, he has to delay it for two days.

But then again, although Zuo Le has not suffered or eaten less in this month's shooting, he has also gained a lot of things.

The most straightforward thing is that Zuo Le's ability to control large-scale scenes has been significantly improved.

Zuo Le is a sitcom director, and most of the works filmed in the early stage were small-production sitcoms, until "Seven Swords", which made a big one.

However, at that time, the left and right luxury behind-the-scenes heavenly group assisted.

The group performance moves and fights, there is an action direction team, shooting control, there is a photographer in the circle Du Lei, and a special effects team to check and fill in the gaps.

It can be said that the success of "Seven Swords" is inseparable from Zuo Le, but this luxurious behind-the-scenes team also contributes to it.

"Seven Swords" is said to be Zuo Le's directorial work, but in a more strict sense, it should be a collaborative product led by Zuo Le and supplemented by many behind-the-scenes teams.

At that time, Zuo Le, who was filming for the first time, was filming more with a learning attitude, learned a lot, and gained considerable directing experience.

Later, after the training of many works such as "Wulin Gaiden", "Breaking through the Guandong" and "Magic Mobile", Zuo Le's directing ability has been continuously improved.

This time he directed the war drama of "Bright Sword", Zuo Le almost did not rely on external forces, and with the accumulation of several years, he slowly explored the shooting routine of the war scene, and after a month, he made significant progress.

In the future, let Zuo Le shoot this kind of big scene, whether it is modern war, ancient war, or martial arts and fairy group portraits.

The thousand-person level is not scared at all, and he dares to go up to the 10,000-person level.

That's the confidence that comes with increased ability.

Now no matter what TV series Goldfinger gives Zuo Le, Zuo Le dares to shoot it, and he is confident that he will shoot it well.

Zuo Le is a very cautious person, when he first got the golden finger, he almost completely copied the original version of "Underground Traffic Station", because he thought that his directing ability was weak and he was afraid that he would not shoot well.

Later, Zuo Le accumulated a lot of experience in filming "Underground Traffic Station", and only then did he dare to change "No. 2 Traffic Station".

When he found out that the results of "Traffic Station No. 2" were quite successful, Zuo Le became more confident and decided to run wildly on the road of directing.

If the first Goldfinger TV series Zuo Le got was "Bright Sword" or "Breaking through the Guandong", then Zuo Le has a high chance of giving up the directing opportunity, taking the screenwriting route first, and then turning to director when the time is ripe.

Whether he is cowardly or stable, Zuo Le has a lot of advantages, and he is self-aware and one of the top ones.

Eat whatever you can.

was a rookie at the beginning, Zuo Le only dared to imitate and shoot "Underground Traffic Station".

Now that he has risen to the full level in the field of TV dramas, you let him shoot Pangu to open up the world, Zuo Le dares to cast directly, and he himself will make a cameo appearance as a Hongjun ancestor or something.........

............

After the filming of the war scene, Zuo Le began to devote himself to the filming of "Bright Sword" again, which was even more comfortable for Zuo Le.

At the same time, Zuo Le can also take out his energy and observe and train the actors in the crew.

Needless to say, Li, Zhao, Chu, Kong, and Ding are several old drama bones, even He Zhengjun (Zhao Gang), who is the least famous, has more than ten years of experience in drama, film and television, and his acting skills are excellent.

Whenever it comes to filming the scenes of this group of people, several old actors compete with each other, and Zuo Le, the director, is called a worry-free and comfortable.

The performance of young actors is actually good, especially Duan Long who plays Kazuki Yamamoto.

The performance of a forbearing, resolute, calm and somewhat crazy elite soldier is incisive, and some scenes even make Zuo Le feel amazing.

You must know that Zuo Leke is a director who has seen the world, and has cooperated with countless good actors, and even personally held out an emperor and a queen.

The actors who can make him amazing are all talented.

Zuo Le admired Duan Long very much, and took the initiative to signal the company to sign a contract with Duan Long, and Wu Jing, who had a good relationship with Duan Long, Zuo Le actually didn't look at it much.

The reason is that Wu Jingwen's drama is too poor, except for the first-class martial arts foundation, there is no advantage to get started.

Shanhe has always given priority to actors with good acting skills, followed by looking at faces, and then considering other aspects.

In the end, Zuo Le also gave Wu Jing a contract for his friend Wu Yue's sake, and his treatment and role priority were much worse than Duan Long's.

However, Wu Jing himself is still very confident, it doesn't matter if the boss is not optimistic, no one looked down on him as a mainland boy when he first arrived in Xiangjiang, and in the end he was still impressed by his fists and kung fu.

Isn't it just that literary drama is not good, he practices well, and if he practices well, he won't have a chance, and he will be able to compete for the first brother of mountains and rivers in the future............