Why does that last top keep spinning?

As long as you have watched this movie carefully, you must know what this spinning top represents, this is the totem in Cobb's mouth, and it is something that can make them dream makers distinguish between reality and dreams.

As for how to tell, in fact, this spinning top is very simple.

Needless to say, do you still need to be introduced?

In reality, the spinning top will definitely stop and fall.

Only in dreams will it keep spinning.

Therefore, this spinning top, which has been spinning at the end, is simply telling all the audience that Cobb has not come out.

So, is this the truth?

No!

This is not the truth, the truth is actually ......

Not only did Cobb not come out of his deep consciousness, but the whole movie was a dream from the beginning!

What's going on in the beginning?

On the Shinkansen, didn't Cobb spin that top on the table?

Later, there was indeed footage showing Cobb taking the spinning top away.

But is this sure to be the truth?

Note that the top was spinning until it was taken away.

That's it, and that's the truth.

The whole movie is actually Cobb's dream, he was already immersed in the dream, that totem, indeed it was not his, it was Mel's totem, but it kept spinning.

Except for Cobb taking away the top, none of the shots show the top spinning to stop.

So, it's very clear that Yuki Kusano dug a huge hole for everyone through this!

Jump in.

The most interesting thing is that many people who jump into the pit must have this feeling, they will think of this truth, but many people must not want to admit it.

No way, as far as human beings are concerned, everyone has the kind of genes that seek advantages and avoid disadvantages.

This really has a scientific basis, to put it simply, human beings who can live until now, every human DNA has the gene timidity, and some scientists have even studied that the amygdala of the human brain is the release room for similar instructions such as "fear" and "timidity".

In short, no one wants to be trapped in that boundless depths of consciousness, because it's terrifying.

The big screen in the cinema gives all audiences a strong sense of substitution, so everyone will unconsciously substitute themselves into the movie.

Who wants to be stuck there?

So, when Yuki Kusano's spinning top at the end appeared, even almost anyone who saw this shot would think that it was probably Cobb who didn't come out.

However, everyone's first reaction must be that they don't want this result.

Therefore, the audience will be afraid, will think, and will ponder.

But the truth is there.

Yukimi Kusano assures that anyone who has seen the film twice will surely understand what the last spinning top is all about.

Or there are smart people, there are people who are calmer, and you will understand after reading it.

That's right, Inception supervised by Kusano itself is not difficult to understand.

It's just that the human subconscious mind makes people not want to believe that it's true.

So, why did Yuki Kusano do this?

Zhongshan sisters, the green and white two snakes are more curious than Yongshan Gengsan, and they ask more directly, and it is very convenient to grind and soak hard.

However, Yuki Kusano still didn't say.

Why didn't it say?

Can't say it!

The reason why Yuki Kusano designed the whole movie like this is actually very simple, that is, there is the original version of Nolan.

He has seen the original version, many people have seen it, this movie is very famous, very powerful.

However, there is a question that has been discussed in this original film.

That is, did Cobb succeed in coming out of his deep consciousness?

Because the final shot is also the spinning top, of course, this is the spinning top that Cobb rotates himself, and at the end of the end, although the gyroscope does not fall on the screen, but after the CAST appears, that is, after the black curtain, you can hear the sound that it is about to fall.

This is the open-ended ending that Nolan left behind.

You can think about it any way, so many people are discussing this issue.

However, if you listen carefully, the spinning top should still be down, after all, when that kind of sound appears, the spinning top is difficult to maintain.

Moreover, this is still Cobb's own turn, this is just Cobb testing whether it is true that he has seen his own children.

It's not a dream, so in the end, he didn't care about the spinning top at all, but went to enjoy the joy of family.

To put it simply, the ending of Nolan's original version can be regarded as a clear result, that is, Cobb returns to reality.

Of course, this is not certain.

So, why did Yuki Kusano change?

It's also very simple, if Cobb really comes out, then there is a logic that is difficult to explain.

That's Mel.

Why did Mel appear when stealing Saito's idea?

Many people will answer simply, because this dream is also Cobb's.

Yes, so to speak.

In other words, it's OK for Cobb to have Mel in his dreams, and in other people's dreams, he shouldn't have this Mel again.

After all, many people are unaware of Mel's existence.

So, what about this derivation?

Why did Mel appear in Adrian's girl's dream?

The little girl didn't know there was such a person, and the dream, the one where the city folded, still appeared.

Well, it can be explained, it is because of the existence of Cobb, because he appeared in Adrian's dream, so there is such a character, Mel.

And in this way, the next three layers of dreams can also be explained.

Because there are Cobbs, even if they are other man-made dreams, and those who are not familiar with Cobb's man-made dreams, Mel will appear.

Also, because Adrian already knew about Mel's existence before, so, in the later three-story dream, she was the dream maker of the first layer, so it was OK that there would be a train.

But!

Deriving this logic as a whole yields a very interesting conclusion.

Remember that 'elephant in your head'?

This is a very classic book name.

To sum up, this conclusion is.

Embedding consciousness is actually quite simple.

Mel is an example of this, Adrian didn't know Mel at all, but because Cobb appeared in her dream, Adrian knew.

Isn't this implanted consciousness?

It's like when we talk about elephants, no matter what the other person does, the image of the elephant is created in our minds.

In this way, this logic is absolutely valid.

Well, since implanting consciousness is so simple, how can the plot of this movie be filmed after that?

Is it necessary to engage in such a big battle?

Is it necessary to make it look like life and death to get Mike done?

That's right, this creates a huge logical paradox.

It will even affect the meaning of the film's existence.

When you put it all together, it feels a little ridiculous.

Of course, not everyone thinks so much and thinks so much.

Yuki Kusano wasn't sure she was right.

But he has a good solution, that is, as it is now, whether the original "Inception" is a dream or not, this is more vague, so I will simply make it clear.

Yuki Kusano's "Inception" is a dream from the beginning, as long as you see the end, if you don't understand it once, you can read it a second time, and you will definitely understand it.

Mel's presence, the character's appearance in anyone's constructed dreams, makes sense.

Because, all of this itself is Cobb's dream.

In this way, the logic of the whole movie is perfect, especially when someone has made it clear after watching it two or more times, they must find it very interesting.

And for this reason, of course, Yuki Kusano can't say.

Well, there is another reason, and that is "Eyes Wide Open" by the great director Kubrick.

This movie is very difficult to understand, and Yuki Kusano doesn't want to make this mistake, so this "Inception" is just 'some' difficult to understand, not particularly difficult to understand, isn't it perfect.

As for the rest...... Kusano's waist is really tired.

The superintendent is tired here, but after the release of "Inception", it will explode directly!