"I know about the recently released Universe Veyron, you contact its director Paul Verhoeven and the second female number Sharon Stone, and say that MGM is looking for them to film." After leaving Zhao Yazhi's house, Qiao Feng called Shi Nansheng again.

"What type?" Shi Nansheng over there asked.

Qiao Feng thought for a while and said, "Let's just say it's a romance movie."

"Romance?" Shi Nansheng was a little surprised, when Qiao Feng asked her to check the script before, she realized that Qiao Feng might have a new film to make, but Qiao Feng's story of letting Cha seem to be not limited to romance films.

"Yes, romance." Qiao Feng said as a matter of course.

Is Instinct a romance movie?

Of course, there is no doubt about it.

But is it just a romance movie?

Of course not.

Strictly speaking, instinct should be a suspense, thriller, ethical (qingse) romance.

Just like the name of the movie, instinct is about human nature, about people's instincts under desire.

It's almost a man who doesn't like the instinct of this film, and there is no way that Sharon Stone is too xing

However, any film that can be called a classic will definitely not be just because of the heroine's sense of xing and daring to show it, there must be an important factor in it, that is, creativity.

Creativity is broadly divided into two types, one is thematic and the other is storytelling.

Instinct tells the story of how a female writer conceives a suspense work and turns it into reality.

The motives of the murderers in many suspense films are based on certain books or certain historical theories.

Instinctively, Catherine is modeled after herself in a murderous plan.

Simple xing love may give people a simple impulse, but when xing love + violence seeks sha, people's desires become stronger.

From some psychiatric point of view, sex itself is a kind of conquest, something full of violence, and when this quasi-violence is further strengthened by red blood, the desire for conquest reaches its limit.

As a result, the film Instinct became a contest between men and women.

Nick is a police officer, judging from the background of the film, this is a very strong policeman, and he has had to undergo psychological evaluation many times, from the perspective of behavior, Nick is self-centered, and his personality is often extremely irritable, which is deliberately arranged by the director, because only such a man is suitable for competing with women.

Looking at Catherine in turn, it is needless to say that there are two means for women to conquer men, xing sense and motherhood.

In the movie, the emphasis is on the sense of xing.

Psychology majors, this is a manifestation of wisdom, such sexy and high-IQ women are often the target of men's pursuit, but it is often not easy to take the lead, so, in this kind of woman, men's desire to conquer will be extremely strong.

In the same way, such a woman is born with a means to conquer men.

So, Nick and Catherine become the protagonists of the story.

Two strong bumps together, which is a necessary condition for a dramatic conflict.

The film can be divided into three parts according to Nick's attitude towards Catherine, unwavering doubt, doubt + seduced, completely caught in.

As a detective, Nick is very keenly aware that this Catherine is not easy to deal with, and a small detail can show this, that is, Nick clearly realized that Catherine could not find a lawyer, in fact, Catherine did not look for a lawyer.

This is by no means a simple guess, but it means that the battle between Nick and Catherine has just begun, and it is impossible to distinguish between them for the time being, and Nick at this time belongs to a determined one.

But this is only for a moment, and for men, a woman's sense of xing will easily crush this sober consciousness.

Nick begins to be captured by lust and steal, which is the premise for men to try to possess women.

Ironically, being spied on is precisely one of the means by which women conquer men.

As a result, Nick plays out an almost brutal love affair with psychiatrist Beth, which means that the game of cops and thieves becomes a formal battle between man and woman.

Sure enough, after stealing kui and being stolen, the man and woman finally had a substantial relationship.

But at this time, Nick did not give up his doubts at all, and he was able to distinguish Xing's desire from work very clearly.

Catherine certainly knew this, and for a man to conquer him if it was wrong to rely solely on sexiness, he would also be doomed to failure. Thus, Catherine took the initiative intellectually.

Nick's suspicions were channeled, Catherine's same-sex girlfriend Rosie, and psychiatrist Beth Brown.

Nick also slowly gives up his suspicions about Catherine, and at this time, Catherine proposes to break up because the writing is finished.

This is the most important piece of evidence for Nick to clear his name. There were no accidents on her own, and Catherine's story about the detective and the female criminal was over, so Catherine didn't seem to be the murderer who killed according to the book at all.

As a result, Nick became even more suspicious of Beth.

At this point, Nick seems to have been completely conquered, but his biggest blow comes from Beth, a woman with whom he has a relationship turned out to be a murderer and killed his partner.

With this awareness, Nick finally shoots.

Gunslinger is Catherine's affectionate name for her, and from another point of view, it is a woman's term for a man.

After the shooting, Nick completely failed, although all the evidence seems to indicate that Beth is the real murderer, but subconsciously, Nick does not believe it, but as a man, a man who was once autonomous, Nick has no claim, so when he faced Catherine again, all he was left with was ***, irrational ***, simple and impulsive man.

Victory belongs to the crying Catherine, and that's a great taunt.

The theme of the film is slowly and finally realized in this battle between men and women, which is a story about how a woman conquers a man, and a story about how a woman destroys a man.

When Nick's old face wandered between Catherine's kua, he was completely defeated.

What is desire, conquest!

What is instinct, xing!

But Xing's conquest is not the whole story, but one of the means, one of the necessary means of the contest between men and women, who will win in the end?

Verhoeven pulled out the muscles of the traditional femme fatale-style film noir, supplemented by his consistent perception of ***, to create a chunse feast: the *** of this is not only the primary primitive wild meat yu, but also the high-level evil fine control, the two *** are colluded with each other is a twisted cat and mouse game, except that the cat knows that he is a cat, and the mouse also mistakenly thinks that he is a cat.

Nick is the mouse who thinks he's a cat.

At the end, Catherine, who was furiously finishing her errand, asked Nick, who was smoking a cigarette afterwards, what should we do in the future?

Nick said: Let's work hard **** and live happily like mice.

The rat in Nick's mouth, in addition to the literal meaning, has another meaning that refers to his own violation of the law, morality, and all other good and righteous things.

Nick's reference to the "rat" here not only means that he has admitted that he is the self-righteous rat, but also expresses that he would rather hide forever in the darkness of guilt and guilt than stay with Catherine.

He had also become a completely mentally distorted person by this time.

But Catherine, as a cat, will never accept that she lives in the shadows like a mouse.

Like a mouse, with a remorseful, wrong-minded attitude, this is not instinctive at all.

So Catherine reached for the icicle she had created.

She said: I hate rats.

Then, Nick said, "That's desperate **** okay, don't think about any mice, live happily.

At this point, Nick has completely annihilated his conscience and his sanity as the highest intelligent creature and social creature.

He wasn't even a man anymore, just a beast in human skin, like Catherine.

Thoroughly, completely in accordance with the original instinct of human nature.