"Whoa—"

With an ordinary finger drop, the piano sounded.

The addition of the piano is a shot in the heart of the stage.

Like the beginnings of the masters who were the best at playing La San in history, Qin Jian entered the band under Sabina's baton with the most natural angles and postures with his auditory perception.

Not only the angle, but also the dynamics.

Bruno: "Precisely. ”

The Steinway & Sons D274s does not have a heavy texture under Qin Jian's fingers to show an overwhelming volume that overwhelms the balance of the music, and the process of exerting force from his arm to his fingertips seems to be visible in the music.

When the piano finished playing the second measure of the theme, Sabina on the podium had a feeling of 'being able to relax for a while'.

A good start is always half the battle.

The music moves forward steadily, presumably because the music is so balanced that everyone forgets to listen to the piano.

The whole hall was immersed in the vicissitudes of this vast northern source, and the thick Slavic rhythm rippled in every corner of the hall, infecting every pair of ears and eyes.

But this is not the credit of the pianist, this is the great musical idea of Rachmaninoff.

The great pianist Serkin once said of this fragment of the subject: Every pair of hands can bring this fragment to life, whether it is a child or a pianist.

Until the moment when the melody of the bassoon suddenly appears in a kind of elegiac wail, the hoarse melody is intertwined with the piano.

In contrast, people's eyes returned to the sound of the piano.

Clear.

The sound of the piano is so clear.

But clarity does not mean youthfulness, it is sometimes bright, sometimes lively, sometimes like singing affectionately.

Gradually.

The audience found an interesting scene, and the whole stage was in a constant state of motion from the beginning of the music.

The conductor's baton, the musician's hands, and even the forward rhythm of the various instruments.

Everything is in motion.

But only the figure in front of the piano - the figure in front of the piano seems to have not moved half of its body since the beating of ten fingers, which is the perspective of the audience in the back row.

The audience in the front row can see up close that the pianist has never even shown an expression, only a pair of eyes that are always focused on the smart hands on the keyboard.

There seemed to be curiosity in his eyes, full of longing.

At this moment, no one knew what kind of picture Qin Jian had in his mind.

The distant melody of the cello voice emerges at this moment, which further complicates the overall musical image.

Gradually, the Helsinki Orchestra began to exert its strength under Sabina's direction, and at a small point of breath seemed to occupy a dominant position in the music

But at the same time, the figure in front of the piano was not to be outdone, and increased the volume under the fingers.

The two voices have a preliminary confrontation in the inner voice structure.

Hearing this, Bruno, who was still playing with the wrench a second ago, suddenly stopped.

His shrewd little eyes flashed: "Interesting." ”

He knew that there had been no rehearsal between the piano and the conductor on stage, so he was excited to see where the music would go after this scene.

The change in piano timbre is not abrupt.

Taking over the cello part, Qin Jian continued to do his tone unhurriedly, deepening the musical theme with timbre changes and delicate emotional processing in the field of medium and strong dynamics.

Although he came to the stage with absolute power, he knew when it was time for him to show up.

When is the place where you should make concessions?

"Oooo——!oo

As Sabina's arms raised for the first time were about to wave down, Qin Jian's eyelashes blinked slightly, and an octave of his right hand seemed to add firepower to Sabina.

And his left hand is also ready in a quiet wrist flip, and no camera can capture the details of this scene.

The little finger of his left hand instinctively hooked sideways, and the whole hand entered prep mode in a curled up shape.

These only happen in 0.1 seconds.

The next second.

Qin Jian's left hand, which calmed down for 33 measures, suddenly shocked the entire stage with a protagonist attitude!

I saw his left hand beating wildly in a dazzling fingering, and the whole person shook slightly.

Under the external harmony of the string section, each of his fingers scrapes from the bottom to the top as if to break through the keys.

Complex sound patterns, like grainy flashes.

Then!

Sabina waved her hand, and the entire Helsinki Orchestra's string group moved neatly!

"Buzz——

As soon as it moved, the stage entered the first theme played by the viola voice.

In the second movement, Qin Jian instantly lowered the playing power with both hands at the same time, such as the theme of the song, he turned into an accompaniment part, and began to play the broken chord pattern at a weak volume to accompany the whole orchestra.

His playing is coherent and elastic, with steady rhythms and calm rhythms.

It seems that Sabina is in charge of the orchestra at the moment, and only a true insider can see it,——

"Qin Jian is walking with the command. ”

Duan Hong looked at the stage and secretly thought in his heart, Qin Jian's entire accompaniment was leading the orchestra's speed, and the speed was still accelerating.

Yes, the music is getting faster and faster.

However, the sound of the piano at this moment is completely synchronized with Sabina's conducting, and they deepen the contours of the musical image again with the same changes in strength and weakness, the same breathing, and the same processing of musical phrases.

Duan Hong admired Qin Jian and did not forget to take a few more glances at the conductor's platform, and his praise was also given to Sabina, who was able to grasp the main player's performance motivation to almost the point without rehearsal.

Helsinki's Iron Lady. ’

"It's been a long time since I've seen such an exhilarating live performance. ”

Just before the tension in the music almost reached a kind of saturation.

Qin Jian's right hand was suddenly half raised!

And then it fell suddenly!

"Wow——!!"

An exhilarating SF burst of sound seemed to open an outlet for the atmosphere of the whole hall, sending the whole music to its first climax.

The little climax is followed by the music entering the connector.

After a wave of silent confrontation, the piano and the conductor's platform seem to deepen their mutual understanding.

In the whole connection, the two momentum in the music seem to have converged, as if they are looking for the same way out after reaching an agreement.

The music moves steadily in the link.

Throughout the 41 measures, Qin Jian uses an ingenious layout to clearly divide the complex musical layers.

The technique is clean, elegant and not too cautious, it seems to combine some of the traditional skills of the Russian piano, there is a sense of in-situ ballet style and technical display, and it does not lose the rationality of the German and Austrian pianos, and there is control and a peculiar deep thought running through it.

At some point, Grisbeck appeared in the dark corner of the backstage exit.

He just stood straight like that, his face was still very bad, he was staring at the figure of the piano, listening to the sound of the piano on the stage, the corners of his mouth occasionally twitched, and the fingers of his right hand were raised irregularly.

He was dressed in a performance costume and was accompanied by Sabina's assistant.