() Look at the panel in front of you.

The trajectory of the ten-fingered jump

Legato 123

Staccato 45

Qin Jian's hands were slightly distanced.

A breath intermittent.

Hands falling.

A wonderful chord hum burst out of Steinway's castanets.

Everywhere the humming sounded, there was silence.

Between the ups and downs of Qin Jian's body, the last performance of his Huayun competition began.

Beethoven's Pathétique Sonata

First movement.

For the audience, listening to a classical piano is an amazing experience.

One of the more unique aspects is that the same piano is controlled by different players, and different music will appear.

The same player playing on different pianos can also have this effect.

There are many spectators who came to see the closing ceremony today, and some of them have already watched the third round of the piano group of the Huayun Competition.

Therefore, the pathos of the young man in front of the piano under the ten fingers has a certain auditory memory.

This is especially true for some judges and professionals.

But the sound of the piano that filled the entire concert hall at the moment was faintly carrying something else.

It's the same person's performance, but it brings different feelings.

The solemnity and depth of the original melody have been replaced by smoothness and coherence.

"What's the situation?"

Offstage, Feng Ziyan's little eyes went far away again.

Duan Ran on the other side, in a small corner, was holding his mobile phone to record everything that was happening on the stage.

From the first note that sounded on the stage, a strange feeling flooded her heart.

"Why is this happening?"

What kind of experience will it be like when there is a sense of provocation in Beethoven's classical music, which belongs to the Romantic period?

Qin Jian was performing with his actually clumsy playing technique at the moment.

With the sonatas in the collection, Czerny's serious demonstration can control the logical structure of the whole music, focusing on guiding the direction of the musical mood from the beginning of the melody.

And in this almost semi-managed state.

Qin Jian had most of the remaining attention focused on Chopin's hand position formula.

It was an idea that popped into him when he opened the sonata collection before playing.

What was it like when Chopin's hand and Czerny's demonstration collided.

In the final practice between the breaks, Qin Jian explored some of the most basic content about the hand position formula without any state blessing.

So increase legato proficiency to 12 for a short period of time.

At this moment, in the state of open, he did not know what kind of effect he could play with the crappy Chopin hand position.

However, in terms of the current auditory experience, although the melody still has a hint of tragedy and contemplation, the whole musical color has transcended classicism.

With a new life of "pathos", the emotions are unrestrained, and the rhythm is strong and changeable.

"I'm sorry, Uncle Pei~"

Qin Jian seemed to be completely let go.

With both hands crossed, he lifted his wrist again to the inside of the key.

Then pour the power into the ten fingers little by little.

The next second.

The body leaned forward slightly and then leaned forward in an instant, and the fingers flowed tightly and pushed tightly.

The melody is getting more and more gorgeous.

However, on-board proficiency did not grow again.

But the worship value is soaring.

After two movements, the number on Qin Jian's left hand has become 16734.

The long-awaited third movement of the audience also followed.

But what should have been a sturdy and clean pronunciation was replaced by a smooth dragonfly dotted water.

The phrase division, beat stress, and rhythm all seem to be recombined.

The golden stage is no longer shining with golden light under the piano performance, as if the distance between it and the audience is getting closer and closer.

The boy in the black tuxedo in front of the piano also seems to be transformed into a prodigal salon pianist.

The melody of Pathos III is already moving, and at this moment, under the control of Qin Jian's ten fingers with magical power, it is full of jumping drama.

"He looked like he was playing a game. ”

Shen Qingqi aside, and Riegel, who was wearing a hat, said softly, "Shen, I have a suggestion."

"It's so interesting, even if it sounds like it's not fully conceived. “

"If only I could meet his teacher. ”

Kobayashi Zell was moved again.

However, about being interesting, it may have nothing to do with He Jing, or even with Chris.

At this time, He Jing's heart was also full of countless questions.

As a piano teacher, he is also a piano class from a top music school in China.

Putting aside the relationship between teachers and students, she also wants to know why there is such a big contrast in the same work in just a few days.

But.

"As long as he plays it, it's enough. ”

The last row of the auditorium.

Fang Zongyao's gaze was still as calm as ever, and even the corners of his mouth were smiling at the moment, even when he didn't smile often.

He had never heard of such a Beethoven.

"I'm going to lose to a guy like that. ”

In his piano world, no one had ever told him that Pathos III could still be played like this.

For a time, for the stage of the wanton waving arms.

There was a hint of envy in his heart.

"But it's not bad. ”

The third movement has entered the final colody, with a little bit of the final melody.

The field is quiet.

Then applause rang out, looking at the black figure who walked to the front of the stage and bowed.

Fang Zongyao also applauded lightly, and then got up.

Under the fierce applause and cheers behind him, he disappeared into the audience.

"Qin Jian, we'll see you next time. ”

With the piano ensemble's performance coming to an end.

The winners' concert ends.

The last item of the closing ceremony begins.

At the invitation of the host, Fu Hua, president of the Chinese Musicians Association, and the internationally renowned conductor Kobayashi Zell walked on the stage together.

Fu Hua finally spoke again and summarized this year's Huayun Competition.

After his speech, Kobayashi Zell took the microphone.

"Ahem. ”

"I won't repeat Mr. Fu's words any more. ”

The audience burst into applause.

"It was a privilege to be invited to participate in such a grand competition. ”

"In the past ten days, what I have felt the most is the speed of development of Chinese classical music. ”

"The young musicians of China presented a grand competition to the world in just ten days.

"This is enough to witness the status of Asian classical music in the world. ”

"Here, I would like to announce one thing and issue an invitation. ”

"On the occasion of the 250th anniversary of Mozart's birth, the International Association of Musicians decided to hold a musical invitational tournament named after Mozart on the globe. ”

"As the head of the organizing committee of the Asian Division, I hope that every young Chinese who loves classical music can participate in this event. ”

In addition, according to the agreement of the Organizing Committee of the Asian Division, the top 12 individual players in this Huayun Competition can directly enter the first round of the official competition through the audition link of the Asian Division. ”

"On March 17th, I am waiting for your arrival. ”

"Thank you. ”

Take a bow.

Applause.