Qiao Feng returned to Hong Kong in early January.

Dinner table in the morning.

"Brother and Amei acted really well in this play." Zhong Chuhong put down the newspaper and said.

Qiao Feng glanced at it and saw that on the cover was a still of Zhang Guorong and Anita Mui, the two of them were in the style of the Republic of China in the late Qing Dynasty and the early Republic of China, and Anita Mui was also wearing a round hat that the landlords and gentry were used to wearing, Qiao Feng nodded clearly: " Rouge buckle, it's a good acting, otherwise Amei wouldn't have won the Golden Horse Award for the role of Ruhua.But seriously, Amei is also lucky, she won the Academy Award for Best Supporting Actress for the first time in a serious movie, and then this time the serious actress won the Golden Horse Award, and the role of Ruhua is really suitable for her."

"Yes, Amei is really the most suitable to play Ruhua, she likes to be lively and laughing on weekdays, but where to sit quietly and not speak gives people a feeling of loneliness and sadness, and immediately makes people feel that she is Ruhua, that is, the red-card prostitute in Shek Tong Tsui is the one who fell in love with the twelve young people, encountered the opposition of the Chen family, and swallowed opium and martyred with the twelve young people, and made a covenant in the underworld. Then, after his death, he waited for twelve or fifty years, and then went to the sun to find the infatuation like a flower." Zhong Chuhong said with a sigh.

The script is based on the same name of Li Bihua, a famous talented woman in Hong Kong and Zhang Guorong's Yan control iron fan Li Bihua, directed by Guan Jinpeng, as Zhong Chuhong said This movie is very classic, it is not only a literary film, but also a poignant love film, just like the love of people and ghosts.

Kwan Jinpeng uses time and space to intertwine and satirize the attitudes and concepts of modern Hong Kong people towards love with the love of the 12 young people, bringing a unique visual and spiritual impact to the audience. The film focuses on the decadent beauty of the 30s, and ignores the performance of Hong Kong in the 80s, but the audience will not feel like a drama when they watch it, as if it is a Hong Kong love story in the 80s.

In addition, whether it is a bitter red-card aunt, a prostitute in a green house, or an infatuated ghost returning to the world to find a lost lover, and finally leaving with more grief than death, she plays it meticulously. At the age of twenty-four, the old ghost who has been waiting in the underworld for more than 50 years is about to come out, and a pair of big eyes that are dull seem to contain the story of a whole era.

Zhang Guorong also portrayed an infatuated but cowardly rich boy "Twelve Youths" into the wood, the role exudes a noble temperament, and there is a kind of beauty that makes people stay away. At the end of the film, the old tearful twelve young stared blankly at Ruhua who had found the world, and his eyes revealed indescribable complex emotions, including regret, horror, shame, shame, helplessness and even anger.

"The cool breeze has a letter, and the autumn moon is boundless. Sijiao's mood is like living like a year...... Today, it is difficult for each side to meet, and it is a lonely boat to calm the evening scene and cool day. You look at the slanting sun and live in a pair of double Feiyan, leaning on the window alone and thinking quietly ......" The song "Ketu Autumn Hate" made the flowers of the year sing a hundred times and thousands of times, and circled the beam for three days, which not only made the guests full of guests fascinated, but also attracted a man with a heart: twelve less.

They fell in love with each other, regardless of the disparity in status.

Fifty-three years later, when the female ghost was already a female ghost, she finally found the twelve young people who lived secretly after twists and turns, and she whispered in his ear: "You look at the slanting sun and live in a pair of double ......flying swallows" This sentence awakened his dusty memory for many years. The twelve young men who were already dying of old age opened a pair of dim old eyes, and were busy recognizing the past one by one. It's just that it's been fifty-three years, and he still recognizes it......

The dream of prosperity has dispersed like smoke, and it is difficult to get together between yin and yang. When the two of them stood face to face again, one was still a young man, as if he was a good girl yesterday, while the other was an old and decrepit man, no longer a young man of the past—remember who was who? These two people stood together, which was more like a human and which was more like a ghost!

For decades, life and death are boundless, unthinking, unforgettable.

Thinking like a flower, for the sake of the lover, insisted on not drinking Meng Po soup, a wisp of fragrant soul waited for fifty-three years on the Huangquan Road - fifty-three years, even if it was a ghost, the fifty-three waits were quite difficult, but she had no regrets, and even sacrificed the seven-year yang life in the next life in exchange for seven days of yang return time to find the lover - she would rather have a shorter life expectancy to find him. But in the end, he refused to die, he lived alone! She had taken her life in vain, but she had not received anything—she had come up to him with enthusiasm!

"Twelve Less: 3811, the old place is waiting for you. Such as flowers. This was originally thought to be a vow of unswerving love to the death, but who knew that it was a big joke.

If you dream like a fantasy moon, if you are like a flower... The upper and lower yellow springs are poor, and the two places are gone. Li Bihua said that this is life: even if you do your best, the result is determined by God. Some people are exhausted before they step down, and some people want to close the show, leaving room for excesses for no reason. This is love: among about 10 million people, there is only a pair of Liang Zhu who can turn into butterflies. Others only turned into moths, cockroaches, mosquitoes, flies, beetles, ......"

But doesn't the twelve young love like a flower? Is he greedy for life and afraid of death?

He was afraid of death, but he loved like a flower, and he didn't live up to it, but fate played a little joke on him.

He ran away from home, openly broke with his parents, lived with Ruhua, and even went to study drama to survive on his own, which shows his sincerity to Ruhua.

Ruhua decided to commit suicide with him, and when the opium was brought to his lips, he hesitated, he was afraid, but didn't he swallow it in the end?

But then he was rescued, can he be blamed?

Since ancient times, it has been difficult to die only once, not to mention that he has died once, and only those who have died once know the horror of death.

He didn't have the courage to die again, he survived.

Such as flowers in the underworld suffered and waited for more than 50 years, twelve young in the yang world is not better, in his later years he was lonely, poor, depraved and decadent, life is not as good as death, many years later people and ghosts reunited, he chased the back of the flower, hoarse shouted: "Like a flower, like a flower, forgive me......"

Hongchen and his debts are all self-inflicted, so why leave traces? Mutual arrears, no matter how many more reincarnations are over. It is better to mourn than to die, so it is better to stop it.

At the end, Ruhua returned the rouge buckle to Twelve Shao, and left a sentence: "I won't wait any longer...... Drift away.

Sadness starts from the heart, and the tearful audience can only look at the departing flowers, chasing the apologetic twelve young lamenting that if life is only as first seen, what is the autumn wind sad fan.......