Confident that Qin Jian has it, otherwise he wouldn't be able to say so much.

What's more, self-evaluation should be carried out from an objective point of view, and there is another step before admitting the problem, which is called discovering the problem.

Therefore, what is right is right, and what is wrong is wrong, especially for the time value of the notes on the score, as a performer must give absolute respect.

Music can be understood by the player in 10,000 ways, but the timing and basic rhythm of the notes cannot be changed.

At least Qin Jian knew that at his current level, he had not yet reached the point where he needed to modify the original score to express his music.

So Ruggiero asked him, "Is there anything else?" and he told him all the mistakes in the performance, which in his opinion took the piece down another notch.

And the term 'musical image' he mentioned is another level of problem.

Through the accumulation of a large number of works in the past six months, Qin Jian has mastered a set of his own performance style to a certain extent.

This set of styles that combines Chris's piano space with a large number of difficult performance techniques taught by Shen Qingci is not something that ordinary people can easily master, and it is not too easy for others to imitate it.

The flow of technology is the positioning he has given himself at present.

Therefore, at this stage, when the technical level is close to saturation, he can only start from the music side if he wants to break through.

Breaking through in music is not as simple as talking about it, which requires not only the accumulation of technology, but also the ability to observe and introspect.

Fortunately, from Huayun Sai all the way to today's trip to Russia, his mentality has been steadily and gradually strengthened.

This morning's tour guide's background introduction to the development of Russian folk music and the recording of the original sound of the present Rach made him fall into a certain thought.

After thinking about it, he has some new cognition and understanding of the word 'expression' in music.

It may not be correct, but this process should not be lacking for Qin Jian.

If the way forward needs to be lit by mistakes, he should choose to be bold and make mistakes.

Because the road that lurks in his heart is not trodden by anyone.

Never.

...

...

Although the lovely Miss Natsuki is a little dissatisfied with someone's remarks, she is a little helpless, because there are many things that the other party says that she has not heard.

She believed what Qin Jian said when she stood up just now, and at the same time, she admitted that the other party had surpassed herself in the perspective of this work.

This caused her to not know how to refute the other party.

Most of the students present basically had the same idea as Natsuki.

I want to refute it, but the fame and strength are not on the same line as the other party.

So many people hope that someone can stand up at this time and beat the face of the young man in China.

There is nothing wrong with each holding their own opinions, and everyone is unhappy with Qin Jian's speech attitude about things other than the controversial points.

"There's no grace at all. ”

A spit from a certain Polish girl with a freckled face.

Do you want to correct the mistakes of the recording at large lengths? Do you have the ability to play one?

Yes, your Mozart does play amazingly, but no one says that whoever can play Mozart well will be able to play Rachmaninov well.

There are more and more people who have such thoughts, and before you know it, Qin Jian's popularity is about to fall to the bottom.

However, there were also many performers and professional music critics present who gave different evaluations of Qin Jian's speech just now.

As the conversation continued, a woman about 50 years old, dressed in professional attire, stood up.

She began by affirming the technical aspect of the work with "This is one of the few Paganini rhapsodies I've ever heard that combines delicacy and roughness."

Then she commented on the lack of musical views in Qin Jian's speech, and she also thought that what music wanted to express was too vague, "This should not be the attitude that Rachmaninov should have." ”

Qin Jian understood this.

In Qin Jian's opinion, the ambiguity she said may be related to the national cultural genes in his bones.

Regardless of poetry and songs, Chinese people have liked to create blank artistic conception since ancient times.

For example, the combination of the six nouns of 'withered vines, old trees, faint crows, small bridges and flowing waters,' has become a famous sentence for the ages, which is particularly incomprehensible to foreigners.

But at the end, the female commentator said again before closing her statement, "This is almost one"

As a professional music critic, it is not difficult to see her affirmation of the work on the premise that she can judge the ambiguity of a piece of music - 'this is an almost perfect performance,' which is still very clear.

The female commentator's speech gradually diverted everyone's attention from Qin Jian.

Hopefully, this transfer is not temporary.

Then, another man stood up.

Ruggiero's Q&A rhythm returned.

Qin Jian listened very carefully

After a lap, he gained a lot.

One of them, a Ph.D. in Music Studies from the Hannover Conservatory, has once again raised a lot of buzz.

He analyzed the work from the point of view of playing technique, and finally classified it as an orthodox Russian piano.

He made the following points.

"First of all, it's a show-off performance with a clear purpose and a lot of musical content."

"The second point is that the player's small technique is mainly played with fingers, and the arms are used flexibly from the arm to the metacarpal joint. ”

"The third point is to pay attention to the echo with the orchestra in the symphonic works, and the three-dimensional sense of the music is very strong."

"Fourthly, the first finger of the work emphasizes that the sound should be clean. ”

"To sum up, I think this piece should belong to the Gordon Wieser genre of playing. ”

Beginning with 'Gordon Wieser', the opening ceremony was completely reduced to a piano academic exchange scene.

There are so many opinions that there is no one talking about someone's Paganini anymore.

Qin Jian didn't understand it anymore, he admitted it.

The name "Gordon Wieser" was not even familiar to him, and there was something later that proposed "the four major teaching and research departments of the Russian piano", which was a novelty for him.

However, Ruggiero was very satisfied with the second half, and Qin Jian guessed that all the small actions that the old man made at the beginning were to get to this scene.

But it's also good, since it's a work seminar conference, it should have a bit of an academic flavor and appearance.

Everyone is pretentious and praised, there is no contradiction and controversy, how can this conference be held?

All in all, it was a successful opening of a fun and academic seminar.

At the end of the opening ceremony, Ruggiero once again thanked the performers who provided the musical material for the opening ceremony.

"Let's give them the utmost respect. ”

"Whoop——————————————

Qin Jian's applause was no less than that of those who already disliked him.

At the end of the opening ceremony, under the applause, every team went out from where they entered.

Bustling.

There were still two and a half hours before the evening concert, and as soon as Qin Jian came out of the hall, he was entangled with Shen Qingci.

Before the concert began, he had a lot of questions to figure out.

...

...

"I'll go too. ”

"I'll go too. ”

"Then count me in. ”