In April, after a light rain in Qingming, the sky suddenly cleared up after a few days of gloom.

Overnight, green shoots sprouted in the grass puddles of the campus.

The willow branches are quietly new, and the world is still busy.

After a two-day break, the spring of Figaro ushered in their second performance, and with the success of the first performance, the young people played more consistently and well in the second performance.

Time seems to have become faster in the cycle of performances, classes, practice, and rehearsals.

In this process, the run-in of the whole team was indeed as Qin Jian expected, and it became closer and more tacit.

It should be mentioned here that after the second performance, after Qin Jian negotiated with the orchestra, everyone made a decision together - from the third performance, the performers of the waiting music will be rotated by other members of each voice.

The repertoire is no longer limited to 'Papageno wants to find a partner.' ’

Members of the orchestra are free to find partners to complete some musical clips in the Magic Flute, and as long as they pass Qin Jian's review, they can arrange for a waiting session in future performances to perform.

In this way, it can increase the freshness of the performance, and Qin Jian also wants to try to give everyone the opportunity to get some solo performances, which is also a personal training for everyone.

By the end of the seventh performance, it was mid-April.

The sun in the afternoon is also getting hotter and hotter, just like Chopin in the campus at the moment.

Room 206 of the Piano Building, Shen Qingci's classroom.

The stiff, angular piano sound is frenzied under the accent marks.

Shen Qingci stood quietly by the window, in front of the white piano behind him, Qin Jian had already lost his heavy sweater.

A simple cotton black T makes his figure appear more upright

It's another good spring, and the young people are maturing day by day.

His bare little arms were rising and falling rapidly, and the green energy highlighted on the back of his hand indicated his state at the moment.

The Revolutionary Etude in C minor, as the next round of repertoire that he personally selected, is also undergoing the final review of Shen Qingci.

The overwhelming momentum of the struggle presents a magnificent beauty in his left and right hands, but when you look closely, there is less indescribable sadness and anger in his music today than the revolution he once played.

Without the deliberate blessing of emotions, the direction of expression of the melody and emotions under the emoji marks of 'confuoco' and 'cresc' did not deviate, but became more consistent.

In terms of the treatment of musical motives, he also changed the way he used to play the music with emotions that he was best at, and instead used what he felt in Warsaw, which is based on the characteristics of the time value of the notes, and created a sense of musical space and time with multiple symbolic meanings by changing the original time value of the individual rhythm in the musical rhythm and the performance technique.

Taking the common rhythmic pattern of dotted syllables in the revolution as an example, that is, due to the characteristics of its own length before and after and the rapid 'after-fall feeling' of the short notes, Qin Jian emphasized the long notes in the performance, and the processing of the falling after the short notes was clearly pointed out by the fingertips, which emphasized this dynamic and uneven rhythmic characteristic.

In this kind of short motive, the listener can associate the music with the picture that the music originally intended to express, the heart of the Polish nation, the gunfire in the streets, the roar of grief and indignation... And so on and so forth.

If you hear it and see it, Qin Jian is not surprised.

This time, he did leave the blank space behind the music to the listener, perhaps this also implies the subtlety in Chinese culture.

There has never been absolute subjectivity and objectivity in music, and it is indeed an extremely complex process to create an objective music from a subjective perspective.

But Qin Jian is willing to make such an attempt, when everyone can see more through his Chopin, it will inevitably mean that he has stood on a higher position and looked down on all this.

"The Revolution with Chopin is probably the most poignant chapter of the twelve poems in the No. 10 collection. ”

The right hand strikes a right hand accent on the ninth chord, which reinforces the emotion and deepens it, and the music falls in two hard chords.

The moment Qin Jian raised his hand, the tattoo on his left hand flashed slightly, and his face was happy. 228 Literature Network

"Not bad. Shen Qingci turned around, his expression looked satisfied, and said, "Let's go next." ”

Qin Jian nodded, and his heart was also relieved, Shen Qingci's words meant that his revolution had passed the first hurdle.

Returning his gaze to the piano, he adjusted his mood slightly.

Spit lightly and raise your hand again to drop your fingers.

“‘bin！！！！！”

A sharp and discordant chord sound once again pierced the afternoon!

Shen Qingci's eyes were also amazed, Qin Jian's opening method was something he didn't expect.

Scherzoinbminor。

Qin Jian's witty No. 1 in B minor, dressed in a gloomy coat, is coming to the world for the first time.

...

...

Qin Jian led the troupe to perform and live outside of class, that is, to practice the piano.

Even though he was standing on a high podium and commanding the whole orchestra, he never felt the same comfort as sitting alone in front of the piano.

With the success of one performance after another, the popularity of Figaro in the spring has been rising in the Yanjing circle, as if he has been promoted to the upstart in the circle.

More and more media and even brokerage companies are targeting this energetic young team, but they avoid olive branches and interviews with Qin Jian.

In the words of Ning Qianxia when he was interviewed by the group: "Our conductor is really busy, please don't mind. ”

At first, many media disagreed with this statement, thinking that the young conductor who never showed up except for the stage was arrogant.

But as Qin Jian's personal information was dug up little by little by the outside world, more outsiders learned that the origin of this young conductor was far beyond their imagination.

Who would have imagined that a university student who has already won two national and international awards has unilaterally released a global limited edition CD with DG?

This is only part of the story, today he seems to have represented Hua Guo in the 17th Chopin Competition, and the competition is still ongoing.

It seems that with the popularity of Figaro's spring series of performances, Qin Jian's name has once again entered the public eye.

A young conductor, plus a pianist with a promising future, with the blessing of dual identity, Qin Jian does have arrogant capital.

But in reality, he just wanted to have more time to practice, and Figaro's spring still needs to continue to grow, and letting it be overly commercialized at this stage will only affect its development, and from the perspective of long-term development, it is absolutely undesirable.

On April 18, the seventh performance ended, and Qin Jian slipped out of the theater early as always.

drove the black Volvo that had just been done not long before yesterday and left in a hurry, speaking of which, the Yanjing license plate number was still Liao Linjun's.

As soon as the car drove into the Third Ring Road, a phone rang.

Qin Jian: "Hey." ”

A voice rang on the phone for a long time, "I'm at the door of the theater." ”

Qin Jian: ...

In a moment, he made a U-turn at the intersection.

"Wait. ”