"Come in, come in!"

Siqin Gaowa heard that she was looking for her to film, and she was very enthusiastic, and she couldn't see the big star at all, you know, now she has won the double queen of the Golden Rooster and Hundred Flowers with the tiger girl in "Camel Xiangzi".

By the way, there is no such word as a movie queen now.

is the same as Yi Qing thought, Siqin Gaowa just divorced not long ago, when she divorced, all the property belonged to her ex-husband, she was almost out of the house, and she had not acted for a while, and now it is the time of poverty, with her daughter by her side, she needs money everywhere.

However, Siqin Gaowa's daughter seemed to be a little resistant to Yi Qing's visit, and no one cared about Siqin Gaowa's asking her to call someone.

It is normal for a little girl to have this reaction, and anyone at this age wants their parents to be by their side all the time, let alone a child from a single-parent family like her.

The three of them sat down, and before Yi Qing could speak, Siqin Gaowa took the initiative to ask, "Which unit are you three ~~~~~~~~ from?"

Gotcha!

Yi Qing hurriedly said: "We are from the Beijing TV Drama Production Center, my name is Yi Qing, this is Zhao Baogang, this is Feng Xiaogang, we are here this time to have a play, I hope you will play a role in the play." ”

Siqin Gaowa heard Yi Qing say that it was a TV series, and couldn't help but be stunned for a moment, since she entered the industry, she has always made movies, and she has never made a TV series.

"I really haven't filmed this TV series before!"

Yi Qing said: "In fact, compared with the TV series and the movie, that is, the shooting cycle is a little longer, and there is no difference between the others!"

Siqin Gaowa smiled bitterly and glanced at her daughter's room: "That's what I'm afraid of, I won't hide it from the three of you, my girl is now a relative like me, if I go out for too long because of filming, she will have no one to take care of." ”

Yi Qing was stunned, he really didn't expect this, this is really not easy to solve.

"Teacher Siqin Gaowa, let's take a look at the script first. ”

Although Siqin Gaowa had some concerns, she did not refuse, and when she saw that Yi Qing handed over the script, she took it easily: "Breaking through the Guandong?

"The end of the Qing Dynasty and the beginning of the Republic of China! is to tell the story of Shandong people breaking into the eastern part of the country, and we plan to ask you to play the female No. 1 Wen Ta Niang in it. ”

Wen Damn, why does it sound like a curse?

Not even a name!

Or is it the female number one?

Siqin Gaowa was puzzled, but she didn't ask, she just nodded, opened the script, and was attracted at first glance, the narrative process of most film and television dramas is flat and straightforward, from shallow to deep, and the rhythm is slow at the beginning, and then gradually accelerated, pushing the plot to the climax little by little.

But this story is completely different, as soon as it came up, the eldest son of the Zhu family greeted his relatives, met bandits halfway, and was almost wiped out by bandits. When Wen Ta Niang came to the bride's house with her three children, she was told by her in-laws that Zhu Kaishan was looked at by the government three years ago, and when she was tired and anxious, Wen Ta Niang fainted on the ground.

Immediately afterwards, just when the family was at the end of their rope, suddenly the peak turned around, and Zhu Kaishan brought the news that he had gained a foothold in Kanto, and asked Wen Ta Niang to reunite with her three children.

It's time to start a good life, right?

But the development of the story is completely different from what Siqin Gaowa thought, the eldest son Chuanwen and the daughter-in-law Xian'er who did not pass through the door failed to squeeze onto the boat, and the family was separated.

This period was also interspersed with the Russo-Japanese War, as well as the massacre of little Japanese children in Lushun.

finally found Zhu Kaishan, seeing that a good life was about to begin, but Zhu Kaishan was going to break into the old gold ditch again, panning for gold is panning for life, this sentence made Siqin Gaowa deeply shocked.

The more she looked down, the more reluctant Siqin Gaowa became, and at the same time shocked that the production center's generosity turned out to be such a big play.

The whole story is the entrepreneurial history of the Zhu Kaishan family, the leader of thousands of people in the Guandong, gloriously describing the historical events of more than 20 million poor people in Shandong to the Guandong, through Zhu Kaishan, Zhu Chuanwen, Nawen, Xian'er, Zhen Sanjiang and other lifelike characters, singing the praises of the great loyalty, kindness and self-improvement deeply engraved in the national spirit, the spirit of the word that has always appeared, is still indelible practical significance in the present. And the magical story that makes people reverie, as well as the strong folk customs, is like opening an encyclopedia about the knowledge of the Kanto region.

Siqin Gaowa liked it immediately, and what she liked even more was Wen Ta Niang, a character who didn't even have a name, this is a seemingly ordinary rural woman, with no culture or skills, and regards men as the pillars of the family.

Generally speaking, most women like this have no opinions, revolve around men all their lives, and are just vassals of men, but Wen Ta Niang is different, although she is a traditional woman, she is a brave and kind person.

It is no exaggeration to say that although Zhu Kaishan is the heaviest male protagonist, Wen Ta Niang is the soul of the whole drama.

It is also under her leadership that the Zhu family will smoothly move from "Guanli" to "Guanwai" and successfully gain a foothold in the huge black soil.

At the beginning of the story, Zhu Kaishan lost news because of his participation in the Boxer Rebellion, and Wen Ta Niang took her three sons to live in her hometown in Shandong.

In that era, due to natural and man-made disasters, the people were not able to make a living, and the lives of the common people were very difficult, and it was still difficult for a man to feed a large family, let alone a woman.

But life was difficult, Wen Ta Niang did not flinch, she not only took good care of the children, but also begged for a daughter-in-law for the boss.

However, the marriage of the eldest Chuanwen did not go well, and he was robbed by bandits on the way to marry, and they robbed the Chuanwen family of millet.

At that time, Xian'er's father made it clear that if there was no stone millet, he would want to take people away.

In the face of the sudden change, Wen Taniang did not push her chest and pause, did not cry and wipe her tears, but broke the rules once and took her son to pick up her relatives in person, although she was finally turned away, she did not lose her momentum.

Wen Ta Niang told everyone with practical actions: Although my man is not at home, we orphans and widows are not easy to bully, although I am a woman, I can still hold up the sky.

In fact, since Zhu Kaishan lost contact, many people said that he might be more than lucky, because there were few people who could "break through the Kanto" and survive.

But Wen Ta Niang didn't believe it, she believed that her man was blessed with a great life, and he would definitely not leave their mother and son behind.

Relying on this belief, Wen Ta Niang survived the most difficult days, and finally, on one night, she got the news that Zhu Kaishan was alive.

When Uncle Chunshan handed over some of the addresses of Pantang and Zhu Kaishan to Wen Ta Niang, she cried excitedly and said to the children: "Let's go to Guanwai and find your father." ”

It's easy to say, but it's hard to do, it's not easy to go to Kanto, just like a passerby in the play said, "The road to Kanto is full of Shandong people's bones", men don't have the courage, let alone women, if Wen is an ordinary rural woman, she must not have this courage.

But Wen Ta Niang was not afraid, and soon after receiving the letter, she set off with her three sons.

On the boat to Kanto, Shopkeeper Xia almost starved to death because he had nothing to eat, and in the end, Wen Taniang asked her youngest son Chuanjie to give a pancake to Shopkeeper Xia.

You must know that under the circumstances at that time, a pancake may be a human life, even half a steamed bun, it is extremely expensive.

In this situation, Wen Ta Niang risked that her son would go hungry to save people, which seemed to be a small move, but it proved that Wen Ta Niang was a kind and patterned woman.

Later, in Yuanbao Town, Wen Ta Niang also tried her best to defy public opinion and adopted a Japanese child, that is, Ichiro.

At that time, Ichiro was suffering from an infectious disease, and the villagers came to Zhu's house in groups, hoping that they would hand over Ichiro. In the face of everyone's persecution, instead of being afraid, Wen Taniang picked up a kitchen knife and confronted those people, and finally succeeded in scaring those people away.

In Wen Ta Niang's eyes, no matter what nationality Ichiro is, he is a human life and cannot be discarded casually, which shows that she is a woman with great love.

And in any era, good people often go through hardships, but they will definitely be blessed.

The Zhu family has a three-room daughter-in-law, and the relationship between the mother-in-law and the concubine is particularly important.

Not to mention that era, even now in the face of a three-room daughter-in-law, many mothers-in-law may not be able to handle it well.

But although Wen Ta Niang is illiterate, the relationship between her mother-in-law and daughter-in-law is very good, which also shows her excellence in handling interpersonal relationships.

After all, Wen Ta Niang is a woman who has walked through the rivers and lakes, she takes the method of "prescribing the right medicine" to her three daughters-in-law, the eldest daughter-in-law Na Wen is from a Gege background, and likes to be clever.

The second daughter-in-law, Xiu'er, because she couldn't get the love of Chuanwu, looked very undignified among the concubines, and Nawen Niang preferred her more, which also avoided the two daughters-in-law from embarrassing her or making fun of her.

The third daughter-in-law, Yushu, is a person with a lively personality, and she didn't worry too much about this daughter-in-law, Na Wenniang just occasionally said, "You have a small mouth."

It is precisely because of understanding the personality traits of the three daughters-in-law that Wen Ta Niang will handle the relationship between her mother-in-law and her sister-in-law, so that the whole family can live together harmoniously.

Although compared with the men in the whole show, Wen Ta Niang did not do much, but she used her bravery and kindness to bring her family together.

She used her love and tolerance to fulfill the blue sea and blue sky of her family, so she seems ordinary, but she is the backbone of the family and the soul of the whole drama.

From morning to two o'clock in the afternoon, Siqin Gaowa finished reading the entire script, closed the script, and did not return it to Yi Qing, but looked at Yi Qing with firm eyes, and said: "I acted!