"yes." Fu Qi naturally didn't think that the little dragon girl Qiao Feng asked was an actress who had played the Condor Heroes in Jin Yong's novel, so he also looked at the place where Qiao Feng could see and nodded with a smile.

There's a man and a woman chatting over there, and the woman says it's a little too much, but the charm is still there, although the figure is not as good as when she was young, but the temperament is still undiminished.

The female is the little dragon girl in Qiao Feng's mouth, Xia Meng, who is known as the three princesses of the Great Wall, and the male is Jin Yongjin Daxia, who created the little dragon girl.

For the anecdote of Jin Yong and Xia Meng, there are not many people in Hong Kong who don't know, Jin Yong's Little Dragon Girl, Wang Yuyan and others are considered to be the prototype of Xia Meng, so as soon as Qiao Feng opened his mouth to say Little Dragon Girl, Fu Qi knew who he was talking about.

Xia Meng is Jin Yong's dream lover, with a glamorous but not charming appearance, chastity and peace, elegance and generosity, and a tall figure, so she can be considered the perfect heroine in Jin Yong's novels is her incarnation.

Jin Yong said that no one has ever seen how beautiful Xi Shi is, but I think she should look like Xia Meng to live up to her reputation.

Jin Yong's fascination with Xia Meng is well known, and even Jin Yong, a master of novels, wrote a script for Xia Meng's Great Wall Film Company in 1953 under the pseudonym Lin Huan.

It is said that it is because Jin Yong wants to see Xia Meng but can't get it, so he has no choice but to use this method to achieve the purpose of seeing Xia Meng.

Jin Yong said that Tang Bohu fell in love with Yahuan Qiuxiang of a wealthy family, and he did not hesitate to sell himself as a slave to enter a wealthy family in order to get close to her, and I am far from it.

In that year, Jin Yong's script tailored for Xia Meng was put on the screen, and this film won the Honorary Award for Outstanding Film of the Ministry of Culture, and Jin Yong also won the Gold Medal for Screenwriter of the Ministry of Culture.

But Jin Yong's dream of capturing the beautiful woman failed to come true, he was really far worse than Tang Bohu, Tang Bohu finally married Qiu Xiang, but he was disappointed.

"You know that the concubine has a husband, and the concubine is given a double pearl. Feeling lingering, tied to the red shirt. The concubine's high-rise building is even rising, and the lover is holding the halberd in the bright light. Zhijun's intentions are like the sun and the moon, and the husband vows to live and die together. Returning Jun Mingzhu's tears, he hated to meet when he was not married. This is the Tang Dynasty poet Zhang Ji's "Song of the Lady", which describes a beautiful wife who is loyal to her husband who, after an ideological struggle, finally rejects the tragic pursuit of a talented and sentimental man.

Many people talk about Jin Yong Xia Meng, who often uses "returning Jun Mingzhu to tears, hating to meet when they are not married" to describe the helplessness of the relationship between the two.

But in fact, it is not right to use this poem to describe it, and the words to describe it in poetry should also be "I was born before I was born, and I was born when I was old." You hate me for being late, and I hate you for being early. “

Jin Yong, born in 1924, is eight years older than Xia Meng, who was born in 1933, as early as when Xia Meng was fifteen or sixteen years old before he entered the showbiz, Jin Yong had already started a family, and although he divorced within a few years, he also became a second-married man.

Even if the young young Xia Meng admires Jin Yong's talent, he is afraid that he still resists a man who has a history of marriage.

And there is not much time left for Jin Yong to conquer the beautiful fortress of Xia Meng.

Many people say that Jin Yong is late, because Xia Meng's famous flower has a master, but in fact, it is also not.

The time for Jin Yong to appear will be good enough, in 1953 he was divorced and single, and Xia Meng's relationship was also blank.

Although Xia Meng is afraid of Jin Yong, who has a history of marriage, as the saying goes, a strong woman is afraid of pestering her, not to mention a young girl like Xia Meng, who is just in her early twenties.

But there was not enough time left for Jin Yong, and his second marriage status made Xia Meng difficult to accept for a while, just when he couldn't open Xia Meng's heart for a long time, the next year, in 1954, Xia Meng met Prince Charming, who made her heart flutter.

Lin Baocheng is in the textile business, this person is the same age as Xia Meng, and then he has admired Xia Meng for a long time.

In the filming of the sister song, Xia Meng was the starring role, and Lin Baocheng happened to go to the scene to watch Xia Meng filming under the leadership of a friend one day.

It's still so coincidental that the film lacks an actor to play a teacher, so he recommended himself to make a cameo appearance, so the two met.

Then I met the person I was excited about, Xia Meng naturally couldn't open his heart to Jin Yong, and soon Xia Meng and Lin Baocheng fell in love with each other from acquaintance, and entered the palace of marriage in the same year.

Falling flowers are intentionally ruthless, Jin Daxia is sad, and two years later, in 56 years, he also entered the palace of marriage again.

However, although the two are married, Jin Daxia is still haunted by Xia Meng.59 After he founded Ming Pao, Xia Meng had a long trip abroad, and he reported Xia Meng's whereabouts in a series of "Ming Pao", and also opened a column entitled "Xia Meng's Travels", which published travel essays and novels written by Xia Meng for many days.

In 1967, Xia Meng bid farewell to his 17-year life in the film, bid farewell to Hong Kong, and immigrated to Canada to settle down. On the occasion of her farewell to a foreign country, Jin Yong wrote an article entitled "The Spring Dream of Summer Dream" to bless herself as a "dream lover". "Ming Pao" made a big fuss about a female star's immigration abroad, which is really an unusual thing. Those who don't understand the inside story will be surprised, and only those who know the inside story can understand the unusual infatuation with Xia Meng, the owner and editor-in-chief of Jin Yong, the owner and editor-in-chief of Ming Pao.

"Jin Se has fifty strings for no reason, one string and one pillar Si Hua Nian. Zhuang Shengxiao dreams of butterflies, and hopes that the emperor will trust the cuckoo in spring. There are tears in the pearl of the sea and the moon, and the blue field is warm and the jade is smoking. This situation can be recalled, but it was already clear at the time. Just like the mood expressed by the great poet Li Shangyin of the Tang Dynasty in his poem entitled "Jin Se", when Xia Meng's figure was gone, Jin Yong was in love for many years, leaving behind only a dream that he would never forget.

But this dream has always existed in the depths of Jin Yong's heart, isn't it, two years ago, in 79 years, Xia Meng returned to the film industry again, but this time not as an actor, but as a boss.

She co-founded the "Blue Bird Film Production Co., Ltd." with a friend, as the director, and returned to the film circle where she had been absent for nearly ten years.

This may be the sadness of the independent production company, which has been in existence for more than two years before producing a movie.

However, this pioneering work is a good start, and it is a win-win box office for the word-of-mouth of the Angry Sea.

Qiao Feng was very curious about how beautiful this beauty who made Jin Yong's soul haunted him to such a point was, he had seen the photos of Xia Meng when he was young, and he was really beautiful, just like the person in the painting, but he hadn't seen it recently.

Qianying is Qiao Feng's feeling after sweeping it at a glance, and then after glancing at the side face, it becomes charming.

After seeing the front, Qiao Feng only thought of the four words of beauty twilight, not as enchanting as those fifty-year-olds who were in their thirties a few decades later, Xia Meng with a pair of rimless glasses looked younger than her actual age, but she was not much smaller than a beautiful woman in her forties, not so glamorous, but there was still a beautiful shadow of the past, and her waist was not so slender, but she still had a special taste.

This may be the state of daily life after bidding farewell to the film industry and bidding farewell to the spotlight.