It turns out that this "Magic Youth League" is not the only one who plagiarized Gu Xiaobai.

With the popularity of this topic, many Gu Xiaobai's fans flocked to youtube, Vietnam's local music software, and music charts.

Then more and more plagiarism was picked up.

Gu Xiaobai's "Song of God" became "The One Who Loves You".

Gu Xiaobai's "Champion Overture" became "No Regrets".

In addition to plagiarism, there are also many covers, and Vietnamese singers directly translated the lyrics and turned Gu Xiaobai's song into Vietnamese and became their own title song.

Many of them have climbed the local rankings in Vietnam.

Gu Xiaobai's fans, the more they pick, the more speechless they are, and the more they pick, the more helpless they are.

What's going on?

A Gu Xiaobai, does he feed half of the Vietnamese music scene?

In fact, Vietnam has always liked to cover Chinese music.

Where the development is relatively slow, it is understandable to imitate the more developed places, not to mention that the culture of Vietnam and China are extremely similar, and there is no sense of disobedience in copying.

In the era when music was not developed in the mainland, there was also a saying that "one Miyuki Nakajima fed half of the Chinese music scene".

But in fact, the originality of the Chinese music scene has always been very high.

Looking at Chinese pop music, although there are many regrets, it is still thriving.

During the Republic of China era, Shanghai's entertainment industry was the first in the Eastern Hemisphere, leading an era, and many songs were covered all over the world. Later, the center of pop music shifted to Taiwan, and Taiwan's "New Folk Song" movement gave birth to a large number of original musicians, Luo Dayou and Li Zongsheng rose in that era.

Later, Hong Kong pop music took up the banner, and the phenomenon of cover singing became popular, but Hong Kong music was soon overtaken or even crushed by the mainland.

In this vast land, there are outstanding people, pop music has just been born, in rock music, there are already Cui Jian, Moyan Sanjie and other world-shocking existence, in the narrow sense of pop music, there is a cultural phenomenon such as "northwest wind", which is still shocking in retrospect.

This kind of origin, which is rooted in its own culture, many songs are more timeless and alive than modern music, and they still sound like they are not outdated.

However, the development of popular music in Vietnam has not been so smooth.

On the one hand, they lack their own cultural independence, and on the other hand, when Vietnam was just developing, it suffered from the "Korean Wave" dumping in the early 2000s.

Then it didn't have time to develop its own unique style, and it was already led astray.

The current Vietnamese music scene, V-POP, is often a Korean-style men's and women's group, as well as a Korean-style men's and women's group, such as the murderous Matt style "Wrong, Wrong", which exploded on the Internet a few years ago......

Then, there is the influence of the Chinese music scene.

When it comes to the influence of pop music in Asia and the world, the strongest influence in Asia is K-pop in South Korea, which has a small local population and has been desperately exploring other markets.

The second is Japan, J-pop, Japanese music is actually more developed than South Korea, and it can be in line with Europe and the United States, and even win its own performances.

However, the various technological trees are crooked, and the Japanese are content to entertain themselves in small circles, and have little interest in expanding their influence abroad, so their influence abroad and in the world is not as good as that of South Korea.

It is followed by C-pop, which is Chinese pop music.

The market for Chinese pop music is too big, the need for external expansion is not urgent, and the development is relatively late, and it is still developing rapidly, ranking third in terms of influence.

These three can be regarded as the first echelon of Asian pop music.

In Asia, there are also several pop circles that appear to be ambitious and trying to expand their influence.

Vietnam's V-pop, Kazakhstan's Q-pop (e.g., Dimahi), and the Philippines (p-pop) (e.g., Tan Ting'an) are all trying to expand their influence and are considered the second echelon of the Asian music scene.

However, culture often needs an economic foundation, and cultures without roots often become vassals of other larger markets if they want to develop their influence.

V-pop, which is struggling to survive in the cracks, breeds all kinds of chaos.

After the news that Gu Xiaobai was plagiarized and even got a large number of clicks on YouTube, Sister Flash was trying to find a way to defend her rights.

However, it is still difficult to protect domestic copyright rights, let alone cross-border rights protection.

She tried all kinds of methods, but it didn't work.

People even replied on the Internet, "I'm the original!" Who copied you?

If you don't accept it, you will bite me!

What to do?

Sister Flash was unhappy and helpless.

Hao Fanbai comforted her and said: "Actually, this is not a bad thing, this incident will make more people willing to support Xiaobai's originality, and the release of the album in the future is also a good ......."

"What a fart, my Xiaobai's original thing, who dares to copy it, I'm going to tear him!"

At this time, where is Sister Shan's agent, she is the number one fan, Sister Zhan!

Just when Sister Flash couldn't think of a way, Gu Xiaobai received a phone call.

"Senior Sister Hua, why did you call me. Gu Xiaobai picked up the phone and wondered.

Then he heard Wen Xiaowen's happy voice on the other side: "Xiaobai, Xiaobai answered the phone, woo woo woo, I also want to talk to Xiaobai!"

"Wait, I'll get down to business first!" Hua Minyu was really helpless about her best friend who was Gu Xiaobai's number one fan, she pushed Wen Xiaowen's head away, and said to Gu Xiaobai: "Xiaobai, it's plagiarized, isn't it very unpleasant?"

"Senior sister, are you here to gloat, do you want to sprinkle salt on the wound?" Gu Xiaobai didn't know what to say, since the game started, Hua Minyu's talented girl and gentle image are all gone, and she can make trouble all day long.

"Of course not. Hua Minyu laughed over there, and then said, "We have regular exchanges between Nam Bay University and several universities in Vietnam, and this year's exchange is almost time, do you want to come?"

Next to her, Wen Xiaowen added a narrator: "Come on, make trouble!"

"Going to the Vietnamese entertainment industry to make trouble?" Gu Xiaobai's eyes immediately lit up.

"Yes, let the Vietnamese music scene feel the storm, let them know who they have provoked!" Wen Xiaowen waved her fist on the other side of the phone: "Our Xiaobai's expedition!"

"Is this called an expedition? An enemy of this level, this is called a bandit, it's called a farm!" Hua Minyu corrected Wen Xiaowen's words, "And it's not just Xiaobai, I asked several friends, and everyone wants to go...... It's called, the C15 School Song Logging Regiment is on the march!"

"In the end, it's not still an expedition!" Wen Xiaowen complained.

"Open the blame, open the blame ......" Hua Minyu quickly corrected.

Gu Xiaobai is really super excited.

Thinking of his Zhong Jun's arrival, the bell and drum harp was full of firepower and smashed the entire Vietnamese music scene......

What a cool word!

But......

"My ship is about to go on trial, and I can't leave now, hmm...... Otherwise, would you like to come to my ship as a guest, take a boat trip, and talk to them about physics by the way?"

"Whoa, I'm already enthusiastic! Vietnamese music scene, let's die!" Wen Xiaowen was fierce.