In particular, it is extremely difficult to set the burning ring, when the bottle body is loaded into the sagger and burned, the ring must be held up in the sagger with a support to prevent the ring from sticking or breaking with both ears, so you can clearly see the traces of burning on the live ring. This firing technique alone is not as accurate as ordinary kilns can do.

The porcelain of the Qianlong period, whether it is blue and white, doucai, pastel, foreign color and bionic porcelain, is extremely unique. Pastel is the mainstream of Qianlong colored porcelain, which often integrates embossing, scratching, painting, glazing, color glaze, hollowing, stacking, gold painting and other decorative techniques on a piece of ware.

It should be said that the pastels of the Qianlong period not only inherited the elegant and quiet style of porcelain decoration in the Yongzheng period, but also had heavy colors and strong colors, and the icing on the cake.

Emperor Qianlong favored the ornament of Maomei Fenhua, and the requirements for the use, shape, and pattern of some pastel utensils often had imperial decrees, and there should be a painting or wood sample before production, and it could only be officially fired after review.

The style of the utensils may or may not be known, what kind of style to write and the poems with the ornamentation must be approved by the Qianlong Emperor. On the one hand, Tang Ying, the kiln governor at that time, made exquisite court porcelain according to the emperor's will, and on the other hand, on the basis of retaining the essence of the previous generation, he also absorbed some Western craftsmanship and techniques to create many novel pastel porcelain.

This Qianlong blue and white pastel amphora is undoubtedly the work of Tang Ying during his kiln supervision in Jingdezhen. Therefore, Xiao Yao has reason to believe that its firing age belongs to the early Qianlong period.

Xiao Yao opened the bottom foot, and there was a six-character seal book alum red paragraph of "Qianlong Year of the Qing Dynasty" on it.

There is no doubt that this is a blue and white pastel amphora of Qianlong in the Qing Dynasty with a wide open door.

This is the largest piece of porcelain on the Bogu shelf in the first row, and according to its rarity, Xiao Yao estimates that the market price of this porcelain should be about 120 million.

This is the most precious piece of porcelain on the Bogu shelves in the first row.

There are many types of porcelain on the Bogu shelves in the second row, but most of the prices are not high, basically the price is between 10,000 yuan.

The porcelain placed on the Bogu shelves in the second row made Xiao Yao a little disappointed, until he saw the last few pieces, and his face finally showed a smile again.

This is a Ruyi ear pipa statue about thirty or forty centimeters high.

Its shape is noble and elegant, the decoration is graceful and gorgeous, the double Ruyi ear is delicate and exquisite, the first part of the Ruyi is a red ribbon decorated with the word "10,000" in gold color, vivid and elegant, this should be the significant symbol of the high-end fine porcelain cut-off ware of the Qianlong Dynasty.

The edge of the mouth is decorated with a ruyi cloud head pattern, and the lower part bears the longevity ribbon pattern for a week, which is echoing with the ear decoration.

The abdomen paints the scenery of the landscape courtyard, the palace in the distance in the painting is towering, the eaves are warped, the pine and cypress surround, it is like a fairyland, majestic and magical, the pagoda of the cloud stands proudly on the top of the mountain peak and looks at the sky, the lake is wide and the sky is cloudy, and the mountains are towering.

The fishing boats on the shore of the lake sing at night, there are several thatched huts in the jungle, and the distant mountains are full of clouds and fog, as if there are thousands of miles away.

Its composition is virtual and real, the brush and ink are sparse and clear, the mountains and rocks are particularly wonderful, the light and thick moss, the sharp edge is delicate, and the ink method is subtle, which is breathtaking.

Shi Caiqing is thin and beautiful, the color is light and elegant and timeless, and it is beneficial to see the deep sense of elegance, and the view is like the green landscape of the Song people, and it constructs the realm of Qianlong's imperial poem "The light boat floats on the water, and the path leads to the mountain home".

The shape of the ears echoes the theme ornament, which means "all generations", which can be described as ingenious.

The glaze of this vessel is exquisite, beautiful, and the use of ornamentation and pigment techniques highlights the characteristics of typical foreign colors in many aspects.

First, the painting technique imitates the Western light and shadow painting method, focusing on the distance and distance relationship and three-dimensional level of the picture layout.

The second is that the edge of the mouth and both ears are decorated with the unique round light spots of Yangcai.

The third is to depict the waves with hair-thin ink color on a large area of white color with opaque and smooth texture, which is also an important base color for copper fetal painting enamel and porcelain fetal painting enamel under the influence of the West.

Xiao Yao opened the bottom foot, and the seal was recognized: Qianlong year of the Qing Dynasty.

This piece of Qing Qianlong imperial foreign color Jiangshan Wandai Ruyi ear pipa Zun, is a rare porcelain treasure, the market value should be about 100 million yuan.

The porcelain placed on these two rows of Bogu shelves, which was rare before the Qing Dynasty, was not very valuable a few decades ago, but now, the price is basically more than one million, which is a huge wealth.

After appreciating the porcelain, Xiao Yao came to the Bogu shelf where the jade ornaments were placed.

The first Duobao Pavilion is placed on a white jade statue of the God of Wealth, the jade quality is high, the carving is exquisite, Xiao Yao picked it up and checked it in his hand, the weight is about 4 kilograms.

It's a pity that the producer of this work can't be verified, but because the jade quality is too rare, the market price of this white jade statue of the God of Wealth should be at least more than 80 million.

Next is a set of green jade cups and pots, the price should be around 10 million.

The three Duobao grids in the back are all Hetian Yushanzi, but the jade quality is slightly worse, and the price is below 10 million.

On the next Duobao Pavilion is a pair of white jade ends, Xiao Yao took a look at it, and knew that this was a rare treasure.

Luduan is a legendary mythical beast, similar to the unicorn, its shape is strange, rhino horns, lion body, dragon back, bear claws, fish scales, oxtail. It is said that he can travel 18,000 miles a day and speak four languages.

This pair of white jade is carved from the above white jade, the jade is warm and moist, the jade is fine, the ice is flawless, white and delicate.

Its body is strong and majestic, four-legged strong, standing proudly, its eyes are round, blazing, and majestic. The hair is knotted, the front chest is equipped with a tasseled bell, the head is separated from the body, the abdomen is hollow, it can be used for incense, and the mouth is carved so that the fragrance can be diffused. The two sides of the abdomen are carved Shoushan Fuhai auspicious cloud map, the carving is smooth and fine, the whole vessel is thick and dignified, the brown skin is smooth and gorgeous, the shape is simple and beautiful, showing the royal atmosphere.

Similar jade Lu Duan, the Palace Museum now has a pair of similar green jade Lu Duan, but in terms of jade quality, it is far inferior to this pair of white jade Lu Duan.

Therefore, it shows that this pair of white jade is extraordinary.

This pair of white jade should be the treasure of the inner house of the prosperous era of Qianlong, although it has gone through nearly three hundred years of wind and frost, it is still a treasure and a bright light, and the price should be more than 120 million.

The most precious piece of jade on the Bogu shelves in the second row is the Jade Guanyin statue.

This jade Guanyin statue is so precious, too rare! It can be called a jade treasure!

Precious because of the texture of jadeite, rare because of exquisite carving.

This Guanyin statue is one foot high, most of it is ice yang green, a small part is glass yang green, and it is sporadically mixed with yellow and red jade.

This Guanyin is made of superb jadeite round carving techniques, and its artistic value is extremely high. The overall material is tall, with obvious intertwined structure of variable spot crystals, bright glass luster, and very good polishing brightness.