Chapter 240: An Unexpected Encounter After Passing Shoulders

Just when Gong Li arrived in Beiping, another seventeen-year-old girl who was far away in Shanghi also stepped on the train to the north.

Her name is Chen Hong.

She was also born in December, she was three years younger than Gong Li, but when Gong Li had just been admitted to Chinese opera, Chen Hong had been studying in the opera for a year.

Chen Hong, whose parents are both high-level intellectuals, is undoubtedly a model for other people's children, and she is already a freshman and sophomore college student at a young age.

Not only that, just two months ago, Chen Hong just participated in the first movie "Here is Spring" in his life.

Compared with Gong Li, Chen Hong of the original time and space is also a big star, but in terms of influence, it is far inferior to Gong Li, and the awards cannot be compared with Gong Li.

But she is beautiful, she is known as the first beauty in ancient costumes in the mainland, and her face alone is enough.

She also stepped on the train coming north after answering a phone call, because she was Qiao Fengding's new movie number two.

At about the same time, Liang Jiahui also passed the Luohu port and then got on the plane to Beiping.

"The actor is Liang Jiahui?" In a small sheep soup restaurant in Beiping, Qiao Feng and Li Hanxiang were drinking sheep soup and chatting.

"yes, how about this actor can be chosen, right?" Qiao Feng put down the spoon and asked.

"Yes, it's really suitable, but Mr. Qiao, I have a similar film in my hand now, I'm afraid I can't be the director of this play." Li Hanxiang shook his head with some regret and said.

"Why? Is it because of the conflict of time?" Qiao Feng frowned.

"It's not, the main thing is that I'm going to shoot with Mr. Qiao, you're shooting a person, I'm worried that I can't handle the balance between the two in my heart, which will affect the final film." Li Hanxiang said with a wry smile, paused and continued: "Don't tell Mr. Qiao, what I wanted to shoot at the beginning was exactly what Mr. Qiao wanted to shoot, but when I found someone to buy the adaptation rights, I didn't know that I was bought, but I didn't expect that the person who bought it was Mr. Qiao, and I would have known that I would have cooperated with Mr. Qiao a long time ago."

Li Hanxiang is telling the truth, the movie that Qiao Feng wants to make and the movie he wants to make are the same protagonist.

It's all about Puyi, the last emperor of the Qing Dynasty.

Pu Yi has an autobiography of the first half of my life, Li Hanxiang wanted to put Pu Yi's posthumous book "The First Half of My Life" on the screen many years ago, but it was not filmed because of various political factors, last year Li Hanxiang felt that the time was ripe and was ready to buy the adaptation rights to make a movie, but found Pu Yi's widow Li Shuxian only to know that the adaptation rights were actually bought, as for who bought Li Shuxian is not clear, just said that he is a Hong Kong person.

But Li Hanxiang wanted to shoot Pu Yi's story as his own film, and in the end he had no choice but to ask for the consent of Pu Yi's widow Li Shuxian, and adapted the story about Pu Yi's second half of Pu Yi's life dictated by Li Shuxian into a script and prepared to make a movie.

In order to make this movie about the second half of Puyi's life, Li Hanxiang did a lot of work, not only raised huge funds from many sources, but also went to the northeast to meet Aixinjue Luo Puyi's concubine, "Fu Guiren" Li Yuqin, from where he got more perceptual cognition about Puyi that is different from information.

After nearly a year of preparation, the male and female protagonists were finally decided to start filming, but Qiao Feng found him, and as soon as he came, he was asked to be the director of the last emperor of the movie that told the story of the first half of Pu Yi's life.

This is really an unexpected encounter after passing by.

made Li Hanxiang very helpless, and a little crying and laughing, the story he was full of to shoot was originally bought by Qiao Feng, and now he has to use it to make himself a director to shoot, to say that it is a good thing, but what he has been preparing for more than a year to shoot is also Pu Yi's story, or Pu Yi's story in the second half of his life.

Not only do the two conflict in time, but the key is that if you want to direct, the core of the story and the position will be very conflicting.

After all, no matter who has their own position and perception of the other, it is impossible to be unified.

If you only make one movie, then it is just a compromise, but if you want to make two movies that tell different stories, or have different views on the same story, there must be all kinds of conflicts and contradictions, and it is impossible to have the same views and thoughts on the same matter.

It's something that can't be solved.

Either Qiao Feng allowed himself to modify the script from his own position, or he modified his own script after making Qiao Feng's movie, otherwise this matter could not be solved.

Of course, you can also make his own movies according to Qiao Feng's intentions, and then make your own movies according to your own ideas.

But then there will inevitably be an embarrassing situation where the same director tells the story of the same person, but has different positions and views.

This is unacceptable to Li Hanxiang.

However, if you don't agree to Qiao Feng, it won't work.

Because Li Hanxiang is going to invite Liang Jiahui to play Puyi, if he doesn't agree to Qiao Feng, then it is basically delusional to ask Liang Jiahui to act in his own movie.

Although he won Liang Jiahui to the throne of the youngest actor at the Academy Awards, Qiao Feng single-handedly discovered the popular Liang Jiahui, and he is also Liang Jiahui's boss.

It is impossible for Liang Jiahui to go against Qiao Feng for himself, and it is impossible for Qiao Feng to agree, because what he is holding in his hand is Liang Jiahui's broker contract.

What films to take and what not to take, Liang Jiahui naturally has a lot of autonomy on weekdays, but Qiao Feng has the final decision, but he doesn't care much about it on weekdays.

So, it's a dilemma.

Li Hanxiang sucked the sheep soup and thought distressedly.

"Otherwise, don't be embarrassed, I'll be the producer of this film, Mr. Li, you should do me a favor as the executive director, but except for not being able to change the script, you have the final say on all the shooting things, and finally say that I am in control of all the shooting, so you don't have to worry about others saying that your positions and thoughts of the two films before and after are not unified or something, do you think this is good?" After understanding Li Hanxiang's worries, Qiao Feng thought of a compromise solution.

"Well, that's it." Li Hanxiang was silent for a long time and then sighed and said.

The two were not happy and finally came to an agreement.

As for whether Liang Jiahui will be talked about because he played two different Pu Yi, neither of them was considered.

Li Hanxiang thinks that Qiao Feng is the boss anyway, Qiao Feng has made a decision, Liang Jiahui must only listen, and it is not interesting to take the exam for him without considering it.

As for Qiao Feng, he thinks that this is not a matter at all, as an actor to create different roles, or even the same role but analyze different hearts, it is the actor's own job, there is nothing to consider.

Moreover, this is the last emperor, a magnificent masterpiece that will carve deep traces in the history of film, and it is a film that can go to the world for Liang Jiahui No matter what, you can't miss it.

And Li Hanxiang's film called Fire Dragon is also a rare masterpiece, and unlike the last emperor who interpreted Pu Yi from the perspective of Westerners, Fire Dragon interpreted Pu Yi's second half of his life after being transformed from the perspective of Orientals and Chinese, and reflected the incongruity between the individual and the environment in the process of Pu Yi's transformation from "dragon" to "human" in a comedic way.

This is a masterpiece that is also worth appreciating from the perspective of Chinese audiences, and it should not be missed.

Since they can't be missed, they are all well acted, and as for being said by some people, it is nothing.

So, Liang Jiahui was happily ignored.