Companionship, as soon as it is touched by time, subtly turns into subtle expectations.

He accompanied her through the most difficult period, and the last time he saw her go away, Chaozai suddenly asked her, is there enough money for the car?

Yes, he could ask "if you have enough money for the car", but he couldn't say "I want you to stay".

Su Lizhen: Do you feel bored when you walk around alone like this every night?

Yes, how can you be bored waiting for someone?

If you can't wait, you'll be bored.

Chaozai told Su Lizhen that he would often walk back and forth around the payphone, and that she could call him if she wanted to talk to someone.

When he said this, of course, he was expecting it, but he would comfort himself:

I never thought she would actually call me, but every time I passed by the phone booth I would stop for a while. Maybe she's gone back to Macau anymore, or maybe she really just needs someone to talk to her for one night.

Wong Kar-wai's movies always seem to leave such regrets.

The phone you're guarding will never ring.

If it does, it only rings when you're not there.

Have you ever had such a sullen moment: you like someone, you don't want to say it, but you will wander the street near her house all day long? miss someone, dare not speak, but will stupidly guard your phone and wait for TA to send a "are you there"?

When Chaozai persuaded Su Lizhen to let go, he said, to be a man, either you want it or you don't want it.

It's one thing to persuade others, it's another thing to change yourself.

The longest wait in the world is when you pretend you never waited.

LULU said: The obsession with a person is always known after seeing it clearly.

Lulu, played by Liu Jialing, is a dancer who looks enthusiastic and "social".

had a big fight with Xu Zai and pretended to leave, but Xu Zai just said coldly: Don't come back after you go out.

She was immediately able to smile and say to Xu Zai, I won't be as stupid as her (Su Lizhen).

She thought that as long as she pestered someone, she would always have the opportunity to become his forever.

But Xu Zai just wants a flashy hollow of "thousands of flowers in the bush, and the leaves do not stick to the body".

Eventually, he went to the Philippines.

Lulu went crazy looking for him and eventually found the place where Xu Zai's adoptive mother lived, and Xu Zai's adoptive mother told her that she hadn't seen Xu Zai for a long time, but she still looked inside and asked to go inside.

It wasn't that she didn't believe he wasn't there, but she just, simply, wanted to go in and take a look.

Every time I came back with him, he asked me to wait downstairs, and I always wanted to know what the house was like, and I could see it clearly.

It's like paranoia when everyone asks for it but can't get it.

He won't take me home to meet my parents, I want to see them, he won't let me know about his past, I want to know, he won't admit your relationship in public, you want to mess up.

People's obsession inexplicably takes people away from the initial problem.

It's as if the fact that he doesn't like me anymore is not that important.

When we try our best to satisfy ourselves, we know everything, but that's it.

This is what Li Zongsheng sang in his singing, crossing the hill, only to find that no one was waiting.

Xu Zai: Since you don't give me a chance, I won't give you a chance.

Many people say that because Zhang Guorong plays Xu Zai, everything is forgivable.

He is indifferent, he plays with life, he wants to get a passport to stab people because he has no money, he hurts every girl's sincerity at will, and it can be forgiven.

It's a strange thing, obviously he is ruthless, but his eyes are full of innocence. Let all the people in the play, the ghosts and gods make way for him.

And the only one who dared to compete with him was his adoptive mother.

In order to keep him by his side, he refused to tell who his biological parents were and where they were.

Xu Zai took advantage of the situation and refused to let her go.

Have you made me happy? In that case, let's not be happy together.

When he finally forced his adoptive mother to open his mouth and learned the news that his biological mother was in the Philippines, he ran to the Philippines to find her as soon as possible, but he was in vain.

When I left the house, I knew there were eyes staring at me behind me, but I wasn't going to look back. I just want to meet her and see what she looks like, and since she won't give me a chance, I won't give her a chance.

Such a muddy person who doesn't care about everything always has a deep obsession in his heart.

In his own way, he fought against the abandonment of others.

Although it looks high-spirited, it is actually very sad.

Wong Kar-wai's films, always wet, keep raining in the middle of the story.

Such a sad atmosphere makes you inexplicably look forward to the feeling of not meeting again, the sadness of not being able to be together, and the impermanence of not being perfect.

What Ah Fei is passing on to the audience is Xu Zai's gorgeous sorrow, the lifelong obsession of the footless bird, and the peerless elegance of Leslie Cheung.

Maybe people have also thought, can it, there are some abnormalities, such as like Xu Zai, you can be willful, you can have no desires, you can not take love and being loved in your heart.

But at the end of the story, people finally find out that everyone is the same, desperate and hesitant, stubborn and stubborn.

Always refuses to let go of others, and refuses to let go of yourself.

Always playing the deadly game of self-expulsion, only to end up plunging yourself into an oncoming emptiness.

It wasn't until the moment the footless bird landed that he realized that he had actually loved, and he was willing to say the sentence "I will always remember what I want to remember".

This is true of the human world.

If you have an obsession, you will eventually become a demon.

Du Qifeng once said that Wong Kar-wai actually only made this film: the characters in the later films can find archetypes in it, and the theme is always the communication between people - alienation and closeness, rejection and acceptance, pursuit and loss, forgetting and remembering, escaping from the homeland and finding freedom.

This is Wong Kar-wai's cinematic style, his cinematic style.

There has never been a figure of Liu Dehua here.

Even if Carmen in Mong Kok starring Liu Dehua is the first film directed by Wong Kar-wai, it is also an instant hit.

Qiao Feng said: "The one who won the award will definitely not be you."

Seeing Liu Dehua's frustration on his face, Qiao Feng couldn't help but sigh: " Don't mind, Andy.I'm not saying you can't, but you don't match Wong Kar-wai's style.Moreover, I also heard Chu Yu say about this film, and the direction of filming has deviated more and more from the original role setting.Zhang Guorong's role has become more and more than you.He has intersections with two actresses, but you just have a crush on this Zhang Manyu's character.With my understanding of Wong Kar-wai, his final shooting will definitely not be as you think.So, Andy, listen to my abandonment, it's not too late to terminate the contract."