"You Americans, always cause trouble for others!"

In the face of such complaints, Sofia Coppola still followed Yuki Kusano to the set.

It's definitely not that Miss Coppola hasn't seen how to make movies, she has been in Hollywood with her father since she was a child, and of course she is very familiar with the set and everything.

However, she was not familiar with the set in Japan.

How exactly does this eastern island nation make movies?

It's very mysterious to her, and she's hoping to get some inspiration from it.

So, what exactly is Yuki Kusano making now?

......

Tokyo is a very large city, not only with 23 wards, but also with many satellite towns, so in fact, Chiba Prefecture can also be counted within the Tokyo metropolitan area, you must know that this is a prefecture, in terms of area, Tokyo is much larger.

Since this place is large and close to Tokyo, Yuki Kusano chose this place.

Tateyama City, located in the southernmost part of Chiba, this so-called city, in fact, is the size of a town, but after all, it is a city, and there are still many things.

"Now it's time to assign the work, in terms of exterior locations, it's up to Sawada to do it, my request is very simple, heavy rain, mountain roads are washed out, no matter what means are used, just make people unbearable, at least let the audience see that's it. ”

"Hello!"

"Next is the interior scene, we have rented a B&B this time, I took a look at it and it was not bad, but I still have to make some adjustments, to put it simply, it is better to expand this B&B a little more, at least so that our actors can have room to play in it, and this work will be handed over to Kenta Fukasaku. ”

"Brother, don't worry!"

That's what Miss Coppola saw, Yuki Kusano, as the supervisor, released the tasks before filming started, and then everyone started to get busy.

As for the position of superintendent, Coppola has also heard that Japanese filmmaking often listens to one person, the screenwriter is him, the director is him, and even any work he can do, it is all him.

Akira Kurosawa is one such figure.

Sofia Coppola, she really wants to be such a director, but it's really hard in Hollywood.

Miss Coppola immediately felt a lot of differences.

Fast!

The rhythm of the entire crew is very fast, and after Yuki Kusano arranged it, he immediately started to act.

Of course, you have to set up to make a movie, and this job is for big directors in general, especially in Hollywood, so it's just a conductor.

The big director, tell your own ideas, and then discuss them through some meetings, and after everyone finishes their opinions, they start to draw, draw out the general situation, and then go down to arrange, and the people who do the project will appear and start to build slowly.

Overall, Hollywood is characterized by a relatively clear and clear division of labor, but the efficiency is really slow.

Sometimes it takes a month just to build a set, and the big director comes to see it, and if it doesn't work, he has to start again.

Yuki Kusano's current film, it doesn't seem to need too complicated sets, as for the engineering staff or something, anyway, let's just do it together.

The whole work is very fast-paced.

This point was noted by Coppola.

Other than that...

"How? No!"

"Hello!"

"Do it all over again!"

"Hello!"

Miss Coppola also saw this, which was the reprimand of the superior to the subordinate.

I've heard for a long time that there is a hierarchy in Japan, but now I don't say it on the surface, but now it seems that this is indeed the case.

Of course, there are some places where it really can't be done, and the reprimand of the superiors does have a certain reason, and then re-production, the efforts of various personnel, this is also what it should be.

But what about in the United States?

It is estimated that the workers will directly give the middle finger and then leave the pick.

Otherwise, there are many workers working there slowly.

Anyway, their wages are actually calculated according to the time, and the longer they work, the more they earn.

So, the workers are still very smart.

Miss Coppola saw the difference between Japan and the United States here, and she naturally stood on the side of the United States very decisively.

Obviously, workers in the United States are more self-conscious, and Japan is much worse.

However, she also had the judgment that work here in Japan would be very efficient, and that the workers would be oppressed, but they would actually work.

Well, that's pretty good payout.

......

Yuki Kusano said to the arrival of Miss Coppola, seriously, it's bigger, but there's nothing he can do, who let this be the task given to him by Fuji TV.

But it's also good, let this girl see the working conditions in Japan, she estimates...... By the way, that "Lost in Translation" may be filmed early.

Actually, for the movie "Lost in Translation", Yuki Kusano's memory is still very deep, he doesn't know how many people have actually seen this movie, but at the beginning of the movie.

Well, Scarlett gave the moviegoers a back above that she was lying on the bed, just wearing cotton underwear.

It must be said that Yuki Kusano is definitely a serious supervisor, and he only looks at this scene with an appreciative attitude.

As for why Yuki Kusano feels that it is likely to affect this "Lost in Translation".

The reason for this is also very simple, but anyone who has seen this movie will understand that in fact, Miss Coppola wants to depict some cultural conflict between East and West, and in this movie, the male and female protagonists are both white and European, and they live in Japan, which is incompatible with Japanese culture and is difficult to adapt.

Look at the change in Miss Coppola's expression now, Yuki Kusano doesn't need to analyze too much at all, and Hollywood talents should be discussing how to tell this story in their hearts.

In other words, the cultural differences between the East and the West, of course, this is a very old topic, the key is to see how to choose the entry point, and the entry point of "Lost in Translation" is good.

In the past, few people would have paid attention to what it would be like for a white man to come to the East, especially when the white man was not very strong and could not lead a group of Orientals.

At least in the field of film, very few people make this way.

Hollywood movies about this aspect, most of them are an Oriental, whether Chinese or Japanese, they have changed and changed after they arrived in the European and American worlds.

In fact, it can be seen from this point that the cultural arrogance of Europe and the United States is, or the arrogance in the bones.

Yuki Kusano understands this, he just understands this arrogance, he doesn't want to do too much, because he knows that whatever he does doesn't have much effect.

It's like a quote he particularly likes.

Weakness and ignorance are not obstacles to survival, arrogance is.

Anyway, it can't change anything, so as long as you understand, this is Cao's melon-eating philosophy.

So at the moment, Yuki Kusano is ready to make a film seriously.

The current movie is the previously planned, "Fatal ID" among the three small-budget movies.

According to Kusano's script, the film will take place on a rainy night, and there will be many characters who will kill each other, and one or two people will eventually become survivors.

And the truth is that so many people are actually all murderers.

In fact, as far as Japan is concerned, there are real-life examples of the present.

In 1989, a guy named Ken Miyazaki was arrested in connection with the deaths of at least four underage girls.

To put it simply, this guy is a beast, a bastard, and not a person at all.

However, there is also a lot of evidence that this guy is most likely not 'alone'.

This is what some Japanese scholars say that Miyazaki is most likely a polypersonality psychopath.

Of course, this is also likely to be done by some of the more active abolition groups in Japan, that is, they want to rescue this scumbag, this demon, and then show their will to abolish death

It's speculation, but it's true that there are some people talking about Miyazaki's multi-personality problem.

Kusano Yuki naturally believes that those abolition groups really have no lower limit, and even this kind of scum has to be rescued.

But for now...... That's right, the movie I shot can just do some insinuation.

So, the name of the murderer has now been determined.

Miyazaki cockroach.

Well, the name seems to be too insinuating, but in Japan, it seems that the more it is, the better.

And there are not many scenes of the murderer, and Yuki Kusano is ready to find a very obscene guy to try.

Other characters are more important, and before, there was also the former bathtub, Yuki Kusano......

This is not the point, the point is that he has promised Nanako and Ah Hui to let the two of them star in this movie.

So, the arrangement of this role ......

Nanako's temperament is better, so she was arranged as an ordinary 'personality'.

An ordinary office worker, kind and strong.

Perfect for Nanako.

And Ah Hui is different, she is too beautiful and her appearance is too high, so she ...... Escort girl.

Well, when Yuki Kusano proposed this role, Ah Hui pinched and pinched him.

Why?

Because Ah Hui's mother Mitsuko is a wine girl, so what do you mean by this role?

Actually, Yuki Kusano swore to the sky that he definitely didn't mess around, because there was a more prodigal girl in the original "Fatal ID", and she stripped on weekdays...

Now he's just using it, and this role is still very good.

Fortunately, in the end, Ah Hui agreed, and he was quite happy.

Because she thought clearly, she could use this role to anger her mother.

And what about Yuki Kusano?

White was pinched...... It's miserable.

That's a good arrangement, but!

The Zhongshan sisters, the two of them...

Anyway, the four female characters in this film, that is, the female personality, are the four of them.

It's just that Yuki Kusano never dreamed that the four of them were in a group of twos and 'private chats'.

"Master, he ......"

"I'll tell you about it, Ah Xing may have changed his taste and want to try the blonde girl!"

This is Nanako and Ahui.

"No, it won't!"

"Whether it will be or not, we can't let that foreign girl get it!"

This is the Zhongshan sisters.