In early April, True Colors of Heroes 1 was first released in more than 500 theaters in North America.

Because it is a Chinese film, even though Qiao Feng has invested a lot in publicity, the release of this film is still a little cold.

The average attendance rate is only 50%, and 40% of them are Chinese who often watch Hong Kong movies and videotapes and Chinese students in the United States.

However, Qiao Feng was already satisfied with such a result.

After all, the true colors of the heroes have been released in Hong Kong for several years, and the cost has already been recovered, and they have made a lot of money.

Released in the United States, as long as the publicity cost is earned, the rest is pure profit.

Moreover, don't think that the attendance rate of more than 500 theaters is very small, which is relative to those Hollywood commercial blockbusters.

If you compare it with the dozens of theaters in Hong Kong, the number of these more than 500 is much more.

Even, the scale of more than 500 theaters can not be said to be less in Hollywood.

Because in addition to commercial blockbusters, there are also films by literary directors who can make a little more money, and other Hollywood films are rarely released in 500 theaters.

It can be said unceremoniously that in terms of the release scale of the hero's true colors, it has killed all literary films produced by independent film companies, and even the release scale of most Hollywood commercial films.

Therefore, as far as the number of theaters is concerned, the true character of the hero is not less.

Therefore, even though the attendance rate is only fifty percent, the true character of the hero still cut the box office of four million dollars on the first day of release.

The average revenue per theater is $8,000.

This number is naturally incomparable with the premiere data of mainstream commercial films with an average revenue of more than 10,000 or 20,000 per library, but for a Chinese film, this data is already the best result of a Chinese film after Li Xiaolong.

Moreover, with a daily box office of four million US dollars, this data alone can almost top seven percent of the total box office of heroes in Hong Kong.

And that's just a one-day box office.

When he got this data, Qiao Feng couldn't help but sigh that North America deserved to be the largest box office, and it was no wonder that filmmakers from all over the world wanted to sell movies to North America.

This guy is really making money, as long as it is successfully released in North America, and the quality of the movie is not too bad, it will surpass the local box office in minutes.

The hustle and bustle of the world is for profit, and the hustle and bustle of the world is for profit, and the ancients did not deceive me.

After the release of the true colors of the hero, not only did the box office do well, but also received very good reviews.

The Los Angeles Post, the third largest newspaper in the United States, commented: "The true character of the hero is not the inside story of the gangsters in Hong Kong, nor is it a reflection of social reality, but the recreation of the myth of the hero, which is completely the subjective desire of the creator and the projection of feelings." Director Wu Yusen uses his own unique style, "brothers", double guns and other label film vocabulary to reveal the human nature that swings between good and evil.

The hero's true colors saturate the pride in every movie picture, and the smooth and song-like editing is impeccable.

The Washington Post, which is also one of the top three giants in the American newspaper industry, also gave a high evaluation: "Although the storyline is average, under the passionate interpretation of the three protagonists, coupled with the amazing skills of the director, it finally presents a moving effect." “

But in Qiao Feng's opinion, the evaluation of these American newspaper giants is far less good than an article published in a small Chinatown newspaper.

The title of the article is "Women Look at Heroes - Three Eyes of Little Pony".

As the name suggests, this article published in the Chinatown tabloids was written by a woman or a girl.

The article reads: "I read "The True Colors of Heroes", not to review the past, but to know the new.

I've always thought that the reason why I look more simple and silly than my peers is because of the lack of some elements in my formative years.

I grew up in an environment that was isolated from all elements of violence and pornography, and was sheltered like a vacuum. When I grew up, I found that no matter how peaceful the surface was, it couldn't hide another vigorous undercurrent, and others were adapted, but I was still at a loss. If you don't see the dark side, you won't necessarily be harmed.

So when Hong Kong films in Chinatown were all the rage, and everyone talked about Zhou Yunfa, Zhang Guorong, and Liu Dehua, I was quite unfamiliar with them.

Why is Zhou Yunfa so popular? What is going on with Tan and Zhang's struggle for hegemony? I have no right to speak, and I have no desire to delve into it.

I was still fascinated by the man's superb acting skills in "Autumn Fairy Tale", so I found a Hong Kong film, and I was as excited as a little girl to see the demeanor of "Fa Ge".

But after all, the video tape is not as shocking as the big screen, so when the hero's true colors are going to be released in the United States, I was very excited to buy tickets and enter the theater.

When a woman looks at a hero, she just wants to see three spirits, one is the hero's pride, the second is the hero's ruffianism, and the third is the hero's childishness.

So after 2 hours, the whole film was condensed into three eyes by me, and I reviewed it repeatedly. Brother Xiaoma, whose face is like a torch, has captured me after realizing it.

The ruffian is the singing and dancing of the Fenglin Pavilion Restaurant. Brother Xiao Ma hugged the dancer with a wicked smile on his face, tossing and turning, hiding a murderous intention. The camera zooms in, a beautiful sliding step, and the little pony is kneading the flesh under the blue satin, showing two rows of white teeth, and smiling lightly and sluttyly.

From a woman's point of view, romance is far from being an excellent quality, but even if you exclude the factors of heavy responsibility, just looking at this scene is very eye-catching. Many women can't resist this kind of fluttering attraction, the more ruthless, the more painful the deep trap, this is fate, self-inflicted. In the end, he gritted his teeth and angrily scolded Bo Qinglang, only to know this kind of bewitching flowers and huge poison.

Childish, it is the reunion of brothers in the underground parking lot. Pony limped on one leg and jumped around to wait, then returned to the corner to fill his stomach. Everything is so calm and natural. The tragic situation is enough to make people feel broken, and the power of revenge contained in it indicates the turning point of the plot. This foreshadowing is really wonderful, the rhythm is calm, and it is fascinating. I was being dragged almost to the screen, my brow furrowed and my lips slightly open. At this moment, Brother Hao's voice appeared, and Brother Xiao Ma raised his face in shock.

I don't even know how to describe a series of changes in the expression on Brother Xiaoma's face, excited, helpless, embarrassed, wronged, past, joyful, desperate, hopeful...... Intermingling together, in just 40 seconds, it is smoothly displayed through close-up shots at fixed angles. When the two men's hands clasped together, the music pushed to a climax, and Brother Pony pouted on Brother Hao's shoulder, I couldn't wait to cry for him. “

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Thanks to the book friend Little Tiger in the Demon World for a reward of 200 coins.

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